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The last ever apprentice of Andrew Grima, an innovative designer who broke the mould of contemporary jewellery design in Great Britain, Peter forged a career from that apprenticeship rooted in craftsmanship, detail and artistry.\r\n\r\nNever losing sight of the importance of designing for the client, personalising each piece became a passion, even as new pastures beckoned, Peter always sought out the exceptional. 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How was this made? how does it work? what is it? Questions that I think are vital to our everyday life and what we choose to surround ourselves with, without these questions I wouldn\'t be doing what I do today.\r\n\r\nGrowing up in the countryside I would question my surroundings and how I was meant to interact with them, be it natural or man made. My goal as an artist is to apply these questions to my work and encourage intrigue and curiosity within the pieces. Using traditional silversmithing techniques and processes, I create functional objects such as candlesticks, beakers, trays and boxes.\r\n\r\nMany of my pieces have components made from a wide palate of materials that fit together, this creates an instant interaction with the work, which challenges the user and allows them to see more of the pieces that they might normally miss. 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Faculty for Art, Music and Design.','Astrid Sleire','','publish','closed','closed','','astrid-sleire','','','2020-08-17 13:51:46','2020-08-17 12:51:46','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=940',0,'makers','',0),(941,3,'2020-08-17 13:51:04','2020-08-17 12:51:04','','03-astrid-sleire-studio-yvonna-demczynska','','inherit','open','closed','','03-astrid-sleire-studio-yvonna-demczynska','','','2020-08-17 13:51:19','2020-08-17 12:51:19','',940,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/03-astrid-sleire-studio-yvonna-demczynska.jpg',0,'attachment','image/jpeg',0),(942,3,'2020-08-17 13:54:10','2020-08-17 12:54:10','Pablo\'s work is based on the search for and celebration of natural \"waste\", such detritus washed-up by rivers. 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Subjects are inspired by Rennaisance painters such as Pisanello and Gentile di Fabriano, Northern European artists like Lucas Cranach, and the Fauvist work of Maurice Dennis and Franz Marc.','Agalis Manessi','','publish','closed','closed','','agalis-manessi','','','2020-08-17 14:06:41','2020-08-17 13:06:41','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=947',0,'makers','',0),(948,3,'2020-08-17 14:05:25','2020-08-17 13:05:25','','manessi-work-2-catherine-mkhize','','inherit','open','closed','','manessi-work-2-catherine-mkhize','','','2020-08-17 14:05:39','2020-08-17 13:05:39','',947,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/manessi-work-2-catherine-mkhize.jpg',0,'attachment','image/jpeg',0),(949,3,'2020-08-17 14:08:34','2020-08-17 13:08:34','Saskia Saunders creates hand woven sculptures for people who want to use simplicity and space to create a tranquil sanctuary in their lives.\r\n\r\nSaunders uses natural materials and yarns such as linen, hemp, and paper to connect people directly to the positive energy of nature. Meditative processes, such as weaving and wrapping are methods of construction. Saunders uses them to demonstrate how we can build and grow steadily towards our future vision, whilst being grateful for the moment in hand.\r\n\r\nFrom her travels in Japan, Saunders is also inspired by the Japanese aesthetic values of : Ma - appreciating the space around things, Wabi-sabi - accepting imperfection and Shibui - enjoying subtle beauty. Saunders\' sculptures do not seek to be perfect, because nature and life are both imperfectly beautiful. Her work invites a calm pause, a moment of contemplation for us to reconnect with ourselves, and the natural world around us','Saskia Saunders','','publish','closed','closed','','saskia-saunders','','','2020-08-17 14:08:34','2020-08-17 13:08:34','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=949',0,'makers','',0),(950,3,'2020-08-17 14:07:39','2020-08-17 13:07:39','','saskia-saunders-1-varuna-kollanethu','','inherit','open','closed','','saskia-saunders-1-varuna-kollanethu','','','2020-08-17 14:07:51','2020-08-17 13:07:51','',949,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/saskia-saunders-1-varuna-kollanethu.jpeg',0,'attachment','image/jpeg',0),(951,3,'2020-08-17 14:11:44','2020-08-17 13:11:44','Spriha Chokhani is an explorer of Paper. She has been experimenting with paper waste since 2010. After graduating from Srishti institute of Art, design and technology, India in 2010, she further studied pottery.\r\n\r\nHer studio researches and experiments with local and sustainable practices to create product that engages with the idea of non-traceability. In 2014 she opened her brand Pulp Factory – that makes 100 % biodegradable newspaper furniture and Pick from Pulp (2017), which explores Indian textiles using up-cycled paper. Spriha showcased at Collect 2020 with Ruup &amp; Form','Spriha Chokhani','','publish','closed','closed','','spriha-chokhani','','','2020-08-17 14:11:44','2020-08-17 13:11:44','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=951',0,'makers','',0),(952,3,'2020-08-17 14:10:41','2020-08-17 13:10:41','','spriha-chokaniruup-form-varuna-kollanethu','','inherit','open','closed','','spriha-chokaniruup-form-varuna-kollanethu','','','2020-08-17 14:10:51','2020-08-17 13:10:51','',951,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/spriha-chokaniruup-form-varuna-kollanethu.jpg',0,'attachment','image/jpeg',0),(953,3,'2020-08-17 14:13:06','2020-08-17 13:13:06','Paulo Sellmayer and João Marcão are Vicara. They pride themselves on quality design brought to you by a network of designers and local producers. Based in Caldas da Rainha, Portugal, and surrounded by a thriving group of small manufacturers that work closely with their team of designers.\r\n\r\nSince 2011 their products and collections reflect a way of designing that creates mutual benefit and brings innovation to the industries they work with.','Vicara','','publish','closed','closed','','vicara','','','2020-08-17 14:13:06','2020-08-17 13:13:06','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=953',0,'makers','',0),(954,3,'2020-08-17 14:12:28','2020-08-17 13:12:28','','vicara','','inherit','open','closed','','vicara','','','2020-08-17 14:12:38','2020-08-17 13:12:38','',953,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/vicara.jpg',0,'attachment','image/jpeg',0),(955,3,'2020-08-17 14:15:51','2020-08-17 13:15:51','Vasco Lima Mayer and Sara Oom de Sousa make up Fuschini - founded in late 2018.\r\n\r\n\"The idea of producing furniture is a dream that has been around for a long time. It made sense to put it to action at this time because some of our first architectural projects are being completed. This way, we are able to practice \"the total work of art \", from architecture to furniture, which for us is fascinating. On the other hand we feel that, not only in Portugal, but in the rest of Europe, it is difficult to find durable, original and yet affordable furniture. This combination is almost always associated with exorbitant prices, and we have the great ambition to produce high quality furniture at fair prices.\"','Fuschini','','publish','closed','closed','','fuschini','','','2020-08-17 14:15:51','2020-08-17 13:15:51','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=955',0,'makers','',0),(956,3,'2020-08-17 14:15:18','2020-08-17 13:15:18','','vascolimamayersaraoomdesousa','','inherit','open','closed','','vascolimamayersaraoomdesousa','','','2020-08-17 14:15:27','2020-08-17 13:15:27','',955,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/vascolimamayersaraoomdesousa.jpg',0,'attachment','image/jpeg',0),(957,3,'2020-08-17 14:17:22','2020-08-17 13:17:22','Studio JAV fuses digital manufacturing processes with craft traditions.\r\n\r\nTheir main innovation is in the design and the potential of each product to become the mirror of a specific concept and context. Ceramic 3D printers make these procedures more efficient since the construction of each object is optimized, achieving better drying times and new formal possibilities.','Joao Valente','','publish','closed','closed','','joao-valente','','','2020-08-17 14:17:22','2020-08-17 13:17:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=957',0,'makers','',0),(958,3,'2020-08-17 14:16:38','2020-08-17 13:16:38','','joaovalente','','inherit','open','closed','','joaovalente','','','2020-08-17 14:16:47','2020-08-17 13:16:47','',957,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/joaovalente.jpg',0,'attachment','image/jpeg',0),(959,3,'2020-08-17 14:19:15','2020-08-17 13:19:15','The &amp; blanc is a multi-authored collection of accessories for the home, produced  by CorianⓇ DuPont. The collection consists of 8 small size pieces with different functions for different environments. These have been developed by Miguel Flores Soeiro (Art Director), Marco Sousa Santos, Toni Grilo, Gonçalo Campos, and Daniel Vieira.\r\n\r\nIt is a solid, nonporous, homogeneous material, consisting of 1/3 acrylic resin, better known as Polymethyl methacrylate and 2/3 natural minerals. The main mineral is alumina trihydrate, derived from bauxite, from which aluminium is produced.\r\n\r\nExtraordinary resistance to adverse physical and chemical conditions, high thermal and impact resistance and does not require special maintenance care. The Designers of &amp;blanc are Portuguese, with different experiences, backgrounds and distinctions, proven around the world. However, they have an ambition in common, which is creating objects according to a specific need of the consumer. Each &amp;blanc piece is more than just an object, it\'s a challenge which has become a reality.','&blanc','','publish','closed','closed','','blanc-2','','','2020-08-17 14:19:15','2020-08-17 13:19:15','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=959',0,'makers','',0),(960,3,'2020-08-17 14:18:27','2020-08-17 13:18:27','','OLYMPUS DIGITAL CAMERA','OLYMPUS DIGITAL CAMERA','inherit','open','closed','','olympus-digital-camera-3','','','2020-08-17 14:18:37','2020-08-17 13:18:37','',959,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/hills-with-corkandblanc.jpg',0,'attachment','image/jpeg',0),(961,3,'2020-08-17 14:20:53','2020-08-17 13:20:53','Miguel is a Lisbon based independent designer who launched his own design activity in 2008.\r\n\r\nBy focusing on simplicity, Miguel challenges conventional design. Traditional materials are the starting point of each creative process, however Miguel gives an informal, contemporary yet timeless edge to the final product.\r\n\r\nHis approach of outstanding flexibility, versatility and his capacity to adapt to the final consumer\'s needs permits endless solutions on different scales, ranging from small individual pieces to large interior spaces.\r\n\r\nMiguel\'s value and recognition are attested not only by his numerous collaborations with small artisans and well-known manufacturers, but also through the acclamation of his work in worldwide design publications. Endless invitations to participate in some of the most prestigious design events of the world, such as in Shanghai, São Paulo, Milan, Stockholm and Frankfurt, among others, are a confirmation of his unique craft.\r\n\r\nHis creations have been distinguished with several awards such as the German Design Award nomination and the prestigious iF Design Award 2015.\r\n\r\nMiguel also passes on his passion and expertise by lecturing and coordinating the Product Design course at Lisbon School of Design.','Miguel Soeiro','','publish','closed','closed','','miguel-soeiro','','','2020-08-17 14:20:53','2020-08-17 13:20:53','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=961',0,'makers','',0),(962,3,'2020-08-17 14:20:19','2020-08-17 13:20:19','','miguelsoeiro72dpi','','inherit','open','closed','','miguelsoeiro72dpi','','','2020-08-17 14:20:34','2020-08-17 13:20:34','',961,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/miguelsoeiro72dpi.jpg',0,'attachment','image/jpeg',0),(963,3,'2020-08-17 14:22:13','2020-08-17 13:22:13','Porventura is a Portuguese brand brought to you by Filipe Ventura, at the intersection of national and global design.\r\n\r\nBorn in 2017, it has been reinventing traditional lines ever since. With a touch of whimsical, it challenges people\'s notions of routine actions: to sleep, sit, eat or work.\r\n\r\nThrough the use of classic elements - starting with solid wood, but including fabrics, cork, metal, and others; and focusing on ergonomic techniques Porventura balances unexpected concepts, creating pieces that live in harmony with contemporary home life. There\'s a deep sense of collaboration at our core; everything you find here comes as a result of partnership between our award-winning designers and the talent, skill and know-how of seasoned craftspeople.','PORVENTURA','','publish','closed','closed','','porventura','','','2020-08-17 14:22:13','2020-08-17 13:22:13','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=963',0,'makers','',0),(964,3,'2020-08-17 14:21:40','2020-08-17 13:21:40','','filipeventura72dpi','','inherit','open','closed','','filipeventura72dpi','','','2020-08-17 14:21:51','2020-08-17 13:21:51','',963,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/filipeventura72dpi.jpg',0,'attachment','image/jpeg',0),(965,3,'2020-08-17 14:23:40','2020-08-17 13:23:40','Rui Tomás is an author editing brand with manufacturing and Portuguese design.\r\n\r\nSeeking simplicity and functionality in both objects and furniture, their objects are long-lasting and durable due to ensuring the focus is on the selection and responsible use of materials.','Rui Tomás','','publish','closed','closed','','rui-tomas','','','2020-08-17 14:23:40','2020-08-17 13:23:40','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=965',0,'makers','',0),(966,3,'2020-08-17 14:23:21','2020-08-17 13:23:21','','rui-tomas','','inherit','open','closed','','rui-tomas','','','2020-08-17 14:23:36','2020-08-17 13:23:36','',965,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rui-tomas.jpg',0,'attachment','image/jpeg',0),(967,1,'2020-08-17 14:23:35','2020-08-17 13:23:35','a:13:{s:4:\"type\";s:5:\"radio\";s:12:\"instructions\";s:0:\"\";s:8:\"required\";i:0;s:17:\"conditional_logic\";i:0;s:7:\"wrapper\";a:3:{s:5:\"width\";s:0:\"\";s:5:\"class\";s:0:\"\";s:2:\"id\";s:0:\"\";}s:13:\"parent_layout\";s:20:\"layout_5f3a84547d62f\";s:7:\"choices\";a:2:{s:6:\"Custom\";s:6:\"Custom\";s:17:\"Homepage settings\";s:17:\"Homepage settings\";}s:10:\"allow_null\";i:0;s:12:\"other_choice\";i:0;s:13:\"default_value\";s:17:\"Homepage settings\";s:6:\"layout\";s:10:\"horizontal\";s:13:\"return_format\";s:5:\"value\";s:17:\"save_other_choice\";i:0;}','Banner adverts','banner_adverts','publish','closed','closed','','field_5f3a845b7d630','','','2020-08-17 14:24:37','2020-08-17 13:24:37','',914,'https://lcw.hdksites.co.uk/?post_type=acf-field&#038;p=967',0,'acf-field','',0),(968,1,'2020-08-17 14:23:35','2020-08-17 13:23:35','a:12:{s:4:\"type\";s:11:\"post_object\";s:12:\"instructions\";s:0:\"\";s:8:\"required\";i:0;s:17:\"conditional_logic\";a:1:{i:0;a:1:{i:0;a:3:{s:5:\"field\";s:19:\"field_5f3a845b7d630\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:6:\"Custom\";}}}s:7:\"wrapper\";a:3:{s:5:\"width\";s:0:\"\";s:5:\"class\";s:0:\"\";s:2:\"id\";s:0:\"\";}s:13:\"parent_layout\";s:20:\"layout_5f3a84547d62f\";s:9:\"post_type\";a:1:{i:0;s:7:\"banners\";}s:8:\"taxonomy\";s:0:\"\";s:10:\"allow_null\";i:0;s:8:\"multiple\";i:1;s:13:\"return_format\";s:2:\"id\";s:2:\"ui\";i:1;}','Banners','banners','publish','closed','closed','','field_5f3a84a87d631','','','2020-08-17 14:25:08','2020-08-17 13:25:08','',914,'https://lcw.hdksites.co.uk/?post_type=acf-field&#038;p=968',1,'acf-field','',0),(970,3,'2020-08-17 14:24:50','2020-08-17 13:24:50','','rita-machado-clementina-atelier','','inherit','open','closed','','rita-machado-clementina-atelier','','','2020-08-17 14:25:06','2020-08-17 13:25:06','',969,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rita-machado-clementina-atelier.jpg',0,'attachment','image/jpeg',0),(971,3,'2020-08-17 14:26:54','2020-08-17 13:26:54','Iva Viana - Sculpture Atelier was born in 2013, in Viana do Castelo, as a personal space of creation. The result of the desire to explore with total freedom and autonomy the experience acquired, namely, in terms of the traditional techniques of decorative plaster sculpture, performing signed work and author pieces.\r\n\r\nThe passion for \'making by hand\' and the continuous experimentation around the crossing of manual procedures for modeling stucco with modern casting processes of different materials, mark a desired meeting between the past and the future, applied both to objects and to buildings, or even the landscape, on which it proposes to intervene.','Iva Viana','','publish','closed','closed','','iva-viana','','','2020-08-17 14:26:54','2020-08-17 13:26:54','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=971',0,'makers','',0),(972,1,'2020-08-17 14:25:33','2020-08-17 13:25:33','','LCW Virtual Preview - 27 April - 3 May 2020','','inherit','closed','closed','','926-revision-v1','','','2020-08-17 14:25:33','2020-08-17 13:25:33','',926,'https://lcw.hdksites.co.uk/926-revision-v1/',0,'revision','',0),(973,3,'2020-08-17 14:26:35','2020-08-17 13:26:35','','iva-viana','','inherit','open','closed','','iva-viana','','','2020-08-17 14:26:43','2020-08-17 13:26:43','',971,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/iva-viana.jpg',0,'attachment','image/jpeg',0),(974,3,'2020-08-17 14:28:17','2020-08-17 13:28:17','Maria Castel-Branco had her professional kick-off as a multimedia and graphic designer. As a hobby she would decorate party cakes that turned out to be real sculptures, which already revealed an emergent need for creativity and expression. She decided then to invest and broaden her knowledge of ceramics.\r\n\r\nFor two years Maria attended classes where she began to challenge her potential with the art of pottery which is a continuing endeavor. Potters such as Ricardo Lopes and Vasco Baltazar taught her the skills of the wheel.\r\n\r\nIn her studio, Maria make objects that are timeless, not tied to trends. She likes to innovate; every piece is unique.\r\n\r\nMaria takes inspiration from her daily life and surroundings, savouring all the imperfections that handmade work cannot hide.\r\n\r\n&nbsp;','Maria Castel-Branco','','publish','closed','closed','','maria-castel-branco','','','2020-08-17 14:28:17','2020-08-17 13:28:17','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=974',0,'makers','',0),(975,3,'2020-08-17 14:27:51','2020-08-17 13:27:51','','maria-castel-branco','','inherit','open','closed','','maria-castel-branco','','','2020-08-17 14:28:04','2020-08-17 13:28:04','',974,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/maria-castel-branco.jpg',0,'attachment','image/jpeg',0),(976,3,'2020-08-17 14:29:39','2020-08-17 13:29:39','Alguidar is a brand of knitted home textile items, which was born in Covilhã by the hands of designers Rui Lopes and Liliana Ribeiro.\r\n\r\nThe meshes, with original patterns and colorful textures, are born from a manual knitting machine, and are worked with yarn from local suppliers, shaping various household products. Like the bowl known as alguidar, a traditional portuguese object, ALGUIDAR also carries the most traditional and artisanal portuguese side, interwoven with with a contemporary design, to create unique spaces in everyone\'s home.','Alguidar Knit','','publish','closed','closed','','alguidar-knit','','','2020-08-17 14:29:39','2020-08-17 13:29:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=976',0,'makers','',0),(977,3,'2020-08-17 14:29:11','2020-08-17 13:29:11','','rui-lopes-alguidar-knit','','inherit','open','closed','','rui-lopes-alguidar-knit','','','2020-08-17 14:29:28','2020-08-17 13:29:28','',976,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rui-lopes-alguidar-knit.jpg',0,'attachment','image/jpeg',0),(978,3,'2020-08-17 14:31:01','2020-08-17 13:31:01','In her studio she aims to retrieve and comprehend traditional and seldom used techniques, especially in the Portuguese context, and innovates by putting them to a more contemporary use and design, as happens with her Arraiolos tapestries.\r\n\r\nIt is a totally manual technique, without the use of any mechanism, thus extremely time consuming. Few craftsmen have the ability to properly create these intricate tapestries as Susana does.','Susana Cereja','','publish','closed','closed','','susana-cereja','','','2020-08-17 14:31:01','2020-08-17 13:31:01','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=978',0,'makers','',0),(979,3,'2020-08-17 14:30:39','2020-08-17 13:30:39','','susana-cereja','','inherit','open','closed','','susana-cereja','','','2020-08-17 14:30:50','2020-08-17 13:30:50','',978,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/susana-cereja.jpeg',0,'attachment','image/jpeg',0),(980,3,'2020-08-17 14:31:59','2020-08-17 13:31:59','\"Love is in the details\" is the motto that defines the work of Silvia Couto, an architect who decided to take a risk and follow her childhood dream: to do ceramics.\r\n\r\nNature is her big inspiration, and it was with a swallow that it all started, from the name, to the logo and even her first ceramic pieces.\r\n\r\nBesides the pieces that integrate this very portuguese symbol, there are two other collections: the botanical collection that incorporates branches and flowers that she hand-picks from gardens and fields, and the coral collection that is inspired by coral reefs and explores their texture and organic shapes.\r\n\r\nAll of the pieces are handmade, with the biggest attention to detail, resulting in unique objects that are both delicate and romantic.','Golden Bird','','publish','closed','closed','','golden-bird','','','2020-08-17 14:31:59','2020-08-17 13:31:59','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=980',0,'makers','',0),(981,3,'2020-08-17 14:31:40','2020-08-17 13:31:40','','silvia-couto-golden-bird','','inherit','open','closed','','silvia-couto-golden-bird','','','2020-08-17 14:31:48','2020-08-17 13:31:48','',980,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/silvia-couto-golden-bird.jpg',0,'attachment','image/jpeg',0),(982,3,'2020-08-17 14:33:04','2020-08-17 13:33:04','Santa Paciência is a portuguese brand of handcrafted homeware objects. It arises from the blend of traditional materials and techniques with the contemporaneity and minimalism that we all search to bring into our homes.\r\n\r\n\"We are proud to be part of a new and contemporary craftsmanship movement, nowadays essential to rise the voice of a new production and consumption model, with a firm ground on sustainability.\r\n\r\nThe majority of the materials we use in our pieces come from industrial waste, giving marble, leather or cotton waste a new opportunity to thrive and endure.\r\n\r\nWe gather simplicity, function, craftsmanship and quality materials, reinventing concepts with a creative attitude, always working to reinforce the image of a traditional Portugal, yet very rich in new values and ideas.\"','Santa Paciência','','publish','closed','closed','','santa-paciencia','','','2020-08-17 14:33:04','2020-08-17 13:33:04','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=982',0,'makers','',0),(983,3,'2020-08-17 14:32:44','2020-08-17 13:32:44','','carolina','','inherit','open','closed','','carolina','','','2020-08-17 14:32:55','2020-08-17 13:32:55','',982,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/carolina.jpg',0,'attachment','image/jpeg',0),(984,3,'2020-08-17 14:34:21','2020-08-17 13:34:21','After spending three years in Rio de Janeiro, Margarida e Rui have returned to Portugal in 2016 and created MUSGO.\r\n\r\nIn their studio, installed in a restored dairy, they design a range of furniture, with their lamps grabbing the limelight.\r\n\r\nDuring their execution, the designers use recycled wood from furniture, doors, floors and structures from old portuguese homes, giving them a fresh lease of life.\r\n\r\nThrough their creativity and respect for the characteristics of the materials used, they create practical design solutions based on sustainability and simplicity.','Musgo','','publish','closed','closed','','musgo','','','2020-08-17 14:34:21','2020-08-17 13:34:21','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=984',0,'makers','',0),(985,3,'2020-08-17 14:33:59','2020-08-17 13:33:59','','rui-e-margarida-musgo','','inherit','open','closed','','rui-e-margarida-musgo','','','2020-08-17 14:34:08','2020-08-17 13:34:08','',984,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rui-e-margarida-musgo.jpeg',0,'attachment','image/jpeg',0),(986,3,'2020-08-17 14:35:33','2020-08-17 13:35:33','FLIGHTING is a new Portuguese brand; it is a project that develops and creates decorative objects (mainly lighting), original, of quality, almost 100% manual, including author\'s pieces and limited editions.\r\n\r\nFLIGHTING produces small or large pieces, as a result of the modular characteristics of most of them, thus being able to be dimensioned according to the existing space. The exploration of geometric figures and structures, give FLIGHTING\'s works symmetrical and asymmetrical harmonious lines, where beech wood gives body to sober pieces of rich aesthetics and visuals.','FLIGHTING','','publish','closed','closed','','flighting','','','2020-08-17 14:35:33','2020-08-17 13:35:33','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=986',0,'makers','',0),(987,3,'2020-08-17 14:35:14','2020-08-17 13:35:14','','francisco-ferreira-flything','','inherit','open','closed','','francisco-ferreira-flything','','','2020-08-17 14:35:22','2020-08-17 13:35:22','',986,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/francisco-ferreira-flything.jpg',0,'attachment','image/jpeg',0),(988,3,'2020-08-17 14:36:46','2020-08-17 13:36:46','Core Handmade is a Portuguese brand created in 2018 by two sisters, both architects, that ventured into the design and production of designer jewellery with references to Portuguese cultural heritage. The pieces are unique, designed and produced with high quality materials such as stainless steel, glass, and occasionally enriched with tissues.\r\n\r\nBase forms are defined with organic design, which, when combined, create innumerable compositions of greater or lesser complexity - the structure of the piece. The finish materials have as reference colors, shapes and materials of the tiles, tapestry and Portuguese historical jewellery.\r\n\r\nThe finishes vary between details of great simplicity and extremely elaborated and refined, transforming each piece into a unique and unrepeatable object.\r\n\r\n&nbsp;','Core Handmade','','publish','closed','closed','','core-handmade','','','2020-08-17 14:36:46','2020-08-17 13:36:46','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=988',0,'makers','',0),(989,3,'2020-08-17 14:36:17','2020-08-17 13:36:17','','OLYMPUS DIGITAL CAMERA','OLYMPUS DIGITAL CAMERA','inherit','open','closed','','olympus-digital-camera-4','','','2020-08-17 14:36:31','2020-08-17 13:36:31','',988,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/maria-e-rute-ramalho-core-handmade.jpeg',0,'attachment','image/jpeg',0),(990,3,'2020-08-17 14:38:01','2020-08-17 13:38:01','Inspiration is what keeps us all moving, and Joana Mota Capitão Jewellery makes perfect use of hers on every single piece she designs from scratch. 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To support our partners and offer you','inherit','closed','closed','','926-revision-v1','','','2020-08-17 18:15:22','2020-08-17 17:15:22','',926,'https://lcw.hdksites.co.uk/926-revision-v1/',0,'revision','',0),(1001,1,'2020-08-17 18:14:48','2020-08-17 17:14:48','','LCW Virtual Preview - 27 April - 3 May 2020','London Craft Week 2020 will now take place from 30 September - 8 October. To support our partners and offer you - our loyal audience - a preview of what to expect this autumn, we will be running a Virtual Preview from 27 April - 3 May (our original LCW 2020 dates).','inherit','closed','closed','','926-revision-v1','','','2020-08-17 18:14:48','2020-08-17 17:14:48','',926,'https://lcw.hdksites.co.uk/926-revision-v1/',0,'revision','',0),(1003,2,'2020-08-18 08:19:33','2020-08-18 07:19:33','YKK London showroom presents selected recent graduate works from MA Fashion Artefact and MA Footwear, London College of Fashion. The work demonstrates perspectives on Craft as practise, idea and speculation of objects for contemporary living.\r\n\r\nCrafting Ideas: Creative and critical thinking\r\n\r\nThis exhibition showcases a selection of graduates from MA Fashion Artefact and MA Footwear - both Master\'s Degree programmes delivered at London College Fashion, University of the Arts London. The two courses offer a 15 month educational experience, aimed at a coherent balance between concept and craft, achieved through critical thinking and thinking through making. In this exhibition, students from a broad array of design backgrounds are challenged to re-imagine the potential of fashion artefacts and footwear in the contemporary context.\r\n\r\nWe investigate how social, political, cultural, and technological issues inform new approaches to the design of objects in fashion, as product, accessories, footwear. We question the role of objects in relation to the body and the contemporary environment in which we now live and must nurture. With the wealth and support of our Cordwainer heritage at LCF we have the technical knowledge and specialised machinery, to support our students to transform creative thinking into products of fine craft and expertise.\r\n\r\nCollectively the works in this exhibition represent the crafting of ideas in response to human needs and behaviours. In doing so we hope to offer new perspectives on the role of products within fashion, and make suggestions for how these ideas can materialise as new collections.','Crafting Ideas – London College of Fashion at YKK','','publish','closed','closed','','crafting-ideas-london-college-fashion-ykk','','','2020-08-18 08:20:48','2020-08-18 07:20:48','',0,'https://lcw.hdksites.co.uk/?post_type=product&#038;p=1003',0,'product','',0),(1004,2,'2020-08-18 08:05:37','2020-08-18 07:05:37','','LCF x YKK 3 Keeping Yan - Stefania Liberti','','inherit','open','closed','','lcf-x-ykk-3-keeping-yan-stefania-liberti','','','2020-08-18 08:05:42','2020-08-18 07:05:42','',1003,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/LCF-x-YKK-3-Keeping-Yan-Stefania-Liberti.jpg',0,'attachment','image/jpeg',0),(1005,2,'2020-08-18 08:16:22','2020-08-18 07:16:22','','Crafting Ideas – London College of Fashion at YKK - Wednesday - 30 September 2020, 10:00 - 15:00','Date: Wednesday - 30 September 2020, Time: 10:00 - 15:00','publish','closed','closed','','crafting-ideas-london-college-of-fashion-at-ykk-1000-1500-wednesday-30-september-2020','','','2020-08-18 08:16:22','2020-08-18 07:16:22','',1003,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1005',1,'product_variation','',0),(1006,2,'2020-08-18 08:16:22','2020-08-18 07:16:22','','Crafting Ideas – London College of Fashion at YKK - 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8 October 2020, Time: 10:00 - 15:00','publish','closed','closed','','crafting-ideas-london-college-of-fashion-at-ykk-1000-1500-thursday-8-october-2020','','','2020-08-18 08:16:22','2020-08-18 07:16:22','',1003,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1013',9,'product_variation','',0),(1014,2,'2020-08-18 08:20:39','2020-08-18 07:20:39','YKK London showroom presents selected recent graduate works from MA Fashion Artefact and MA Footwear, London College of Fashion. The work demonstrates perspectives on Craft as practise, idea and speculation of objects for contemporary living.\n\nCrafting Ideas: Creative and critical thinking\n\nThis exhibition showcases a selection of graduates from MA Fashion Artefact and MA Footwear - both Master\'s Degree programmes delivered at London College Fashion, University of the Arts London. The two courses offer a 15 month educational experience, aimed at a coherent balance between concept and craft, achieved through critical thinking and thinking through making. In this exhibition, students from a broad array of design backgrounds are challenged to re-imagine the potential of fashion artefacts and footwear in the contemporary context.\n\nWe investigate how social, political, cultural, and technological issues inform new approaches to the design of objects in fashion, as product, accessories, footwear. We question the role of objects in relation to the body and the contemporary environment in which we now live and must nurture. With the wealth and support of our Cordwainer heritage at LCF we have the technical knowledge and specialised machinery, to support our students to transform creative thinking into products of fine craft and expertise.\n\nCollectively the works in this exhibition represent the crafting of ideas in response to human needs and behaviours. In doing so we hope to offer new perspectives on the role of products within fashion, and make suggestions for how these ideas can materialise as new collections.','Crafting Ideas – London College of Fashion at YKK','','inherit','closed','closed','','1003-autosave-v1','','','2020-08-18 08:20:39','2020-08-18 07:20:39','',1003,'https://lcw.hdksites.co.uk/1003-autosave-v1/',0,'revision','',0),(1015,2,'2020-08-18 08:31:18','2020-08-18 07:31:18','Over the past few years Peter’s annual August show has become one of the most successful in our calendar.\r\n \r\nAt 83, and still going strong, he is as active and creative as ever. Spurred on by an endless fascination with glass, his medium of choice, he continues to explore its myriad possibilities at a furious pace. During last year’s exhibition, ‘Origins’, the narrative aspect of our presentation sparked a prompt and positive response. Illustrating the evolutionary stages and variety of possible directions in the development of a series in seeking to ‘resolve’ a ‘ finished’ artwork, proved both intriguing and persuasive to our audience.\r\n\r\nFor Evolution, Peter has chosen to present ‘Shibori’ – a new series inspired by his trip to Japan last year. Shibori is the name of an ancient Japanese tie-dye method of colouring fabric which dates back to the 8th century. Initially Peter sought to emulate the traditional indigo hues most commonly used for this process, but he soon felt the need to introduce more personal colourways into his experimental pieces.','Evolution: Elucidating my Process at London Glassblowing Studio and Gallery','','publish','closed','closed','','evolution-elucidating-my-process-london-glassblowing-studio-and-gallery','','','2020-08-18 08:31:19','2020-08-18 07:31:19','',0,'https://lcw.hdksites.co.uk/?post_type=product&#038;p=1015',0,'product','',0),(1016,2,'2020-08-18 08:27:48','2020-08-18 07:27:48','','Evolution: Elucidating my Process at London Glassblowing Studio and Gallery - Thursday - 8 October 2020, 11:00 - 12:00','Date: Thursday - 8 October 2020, Time: 11:00 - 12:00','publish','closed','closed','','evolution-elucidating-my-process-at-london-glassblowing-studio-and-gallery-1100-1200-thursday-8-october-2020','','','2020-08-18 08:27:48','2020-08-18 07:27:48','',1015,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1016',1,'product_variation','',0),(1017,2,'2020-08-18 08:27:48','2020-08-18 07:27:48','','Evolution: Elucidating my Process at London Glassblowing Studio and Gallery - Thursday - 8 October 2020, 14:00 - 15:00','Date: Thursday - 8 October 2020, Time: 14:00 - 15:00','publish','closed','closed','','evolution-elucidating-my-process-at-london-glassblowing-studio-and-gallery-1400-1500-thursday-8-october-2020','','','2020-08-18 08:27:48','2020-08-18 07:27:48','',1015,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1017',2,'product_variation','',0),(1018,2,'2020-08-18 08:30:32','2020-08-18 07:30:32','','Evolution- Elucidating my Process at London Glassblowing Studio and Gallery','','inherit','open','closed','','evolution-elucidating-my-process-at-london-glassblowing-studio-and-gallery','','','2020-08-18 08:30:43','2020-08-18 07:30:43','',1015,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/Evolution-Elucidating-my-Process-at-London-Glassblowing-Studio-and-Gallery.jpg',0,'attachment','image/jpeg',0),(1019,2,'2020-08-18 08:38:27','2020-08-18 07:38:27','The Heritage Crafts Association will announce the winners of its inaugural President\'s Award for Endangered Crafts set up at the instigation of HRH The Prince of Wales, as well as its other awards in collaboration with the Marsh Christian Trust. Watch the ceremony via live stream.','Heritage Crafts Awards Ceremony 2020','','publish','closed','closed','','heritage-crafts-awards-ceremony-2020','','','2020-08-18 08:38:27','2020-08-18 07:38:27','',0,'https://lcw.hdksites.co.uk/?post_type=product&#038;p=1019',0,'product','',0),(1020,2,'2020-08-18 08:35:23','2020-08-18 07:35:23','','Heritage Crafts Awards Ceremony 2020 - Wednesday - 7 October 2020, 19:00 - 20:00','Date: Wednesday - 7 October 2020, Time: 19:00 - 20:00','publish','closed','closed','','heritage-crafts-awards-ceremony-2020-1900-2000-wednesday-7-october-2020','','','2020-08-18 08:35:23','2020-08-18 07:35:23','',1019,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1020',1,'product_variation','',0),(1021,2,'2020-08-18 08:37:53','2020-08-18 07:37:53','','Heritage Crafts Awards Ceremony 2020','','inherit','open','closed','','heritage-crafts-awards-ceremony-2020','','','2020-08-18 08:38:01','2020-08-18 07:38:01','',1019,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/Heritage-Crafts-Awards-Ceremony-2020.jpg',0,'attachment','image/jpeg',0),(1022,2,'2020-08-18 08:47:19','2020-08-18 07:47:19','Take a live tour of the workshop and showroom of the highly distinguished Gyokusendō in Tsubame in Japan’s Niigata Prefecture. Learn about its 200-year history and the tsuiki copper-hammering technique which is designated an Intangible Cultural Property by Japan’s Agency for Cultural Affairs.','Gyokusendō: Workshop Visit and Conversation','','publish','closed','closed','','gyokusendo-workshop-visit-conversation','','','2020-08-18 08:47:19','2020-08-18 07:47:19','',0,'https://lcw.hdksites.co.uk/?post_type=product&#038;p=1022',0,'product','',0),(1023,2,'2020-08-18 08:44:56','2020-08-18 07:44:56','','Gyokusendō: Workshop Visit and Conversation - Tuesday - 6 October 2020, 10:30 - 11:30','Date: Tuesday - 6 October 2020, Time: 10:30 - 11:30','publish','closed','closed','','gyokusendo-workshop-visit-and-conversation-1030-1130-tuesday-6-october-2020','','','2020-08-18 08:44:56','2020-08-18 07:44:56','',1022,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1023',1,'product_variation','',0),(1024,2,'2020-08-18 08:46:15','2020-08-18 07:46:15','','Japan House London Logo','','inherit','open','closed','','japan-house-london-logo','','','2020-08-18 08:46:28','2020-08-18 07:46:28','',1022,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/Japan-House-London-Logo.jpg',0,'attachment','image/jpeg',0),(1025,2,'2020-08-18 09:01:46','2020-08-18 08:01:46','To celebrate the opening of Pantechnicon and UK launch of Tsuchida Sake Brewery’s {Te To Te} low-intervention sake, Pantechnicon invites you to learn about the wonderful world of koji fermentation. Book to learn how to propagate koji spores to rice, making your very own rice-koji to take home.\r\n\r\nLed by Koji Fermenteria you will learn how to use koji to make doburoku (home brewing-style sake), amazake (sweet & non-alcoholic rice drink), shio/shoyu koji (koji based condiments with salt/soy sauce) and miso. The workshop includes sampling dishes using koji, together with tasting the range of Tsuchida Sake, guided by Pantechnicon’s Japanese drinks curator and Head of Museum of Sake, Natsuki Kikuya.\r\n\r\nIf you cannot make it to the workshops, visit Pantechnicon another time to try Tsuchida Sake Brewery’s new {Te To Te} low-intervention sake, available in Pantechnicon’s Japanese restaurant. About Pantechnicon: Opening in the heart of Belgravia’s Motcomb Street in September 2020, Pantechnicon is a place to explore, celebrate and be mesmerised by the wonders of Japan and the Nordics. Across evolving retail spaces, art, cultural events, dining, bars and a specialist Japanese spirits shop you will be able to explore these regions across nine connected but different spaces.\r\n\r\nAbout Tsuchida Sake Brewery: Tsuchida Sake Brewery is situated in Kawaba, a small village in Gunma, a mountainous region northwest of Tokyo. Established in 1907, it has been a family operation for six generations. The brewery strives to create a parallel world of tradition and evolution, using ancient secret methods to brew sake, with the application of modern approaches.\r\n\r\nTheir sake is low intervention, spontaneous and unprocessed, incorporating local unpolished rice and micro-organisms such as Japan’s proud koji, natural lactic acid bacteria and ambient yeast residing in the sacred family brewery. Their sake is made in a way to enhance the flavours over the passage of time.','Koji Workshop & Sake Tasting at Pantechnicon','','publish','closed','closed','','koji-workshop-sake-tasting-pantechnicon','','','2020-08-18 09:01:46','2020-08-18 08:01:46','',0,'https://lcw.hdksites.co.uk/?post_type=product&#038;p=1025',0,'product','',0),(1026,2,'2020-08-18 08:53:35','2020-08-18 07:53:35','','Koji Workshop & Sake Tasting at Pantechnicon','','inherit','open','closed','','koji-workshop-sake-tasting-at-pantechnicon','','','2020-08-18 08:53:48','2020-08-18 07:53:48','',1025,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/Koji-Workshop-Sake-Tasting-at-Pantechnicon.jpg',0,'attachment','image/jpeg',0),(1027,2,'2020-08-18 09:00:12','2020-08-18 08:00:12','','Koji Workshop & Sake Tasting at Pantechnicon - Wednesday - 7 October 2020, 13:00 - 15:00','Date: Wednesday - 7 October 2020, Time: 13:00 - 15:00','publish','closed','closed','','koji-workshop-sake-tasting-at-pantechnicon-1300-1500-wednesday-7-october-2020','','','2020-08-18 09:00:12','2020-08-18 08:00:12','',1025,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1027',1,'product_variation','',0),(1028,2,'2020-08-18 09:00:12','2020-08-18 08:00:12','','Koji Workshop & Sake Tasting at Pantechnicon - Wednesday - 7 October 2020, 15:30 - 17:30','Date: Wednesday - 7 October 2020, Time: 15:30 - 17:30','publish','closed','closed','','koji-workshop-sake-tasting-at-pantechnicon-1530-1730-wednesday-7-october-2020','','','2020-08-18 09:00:12','2020-08-18 08:00:12','',1025,'https://lcw.hdksites.co.uk/?post_type=product_variation&p=1028',2,'product_variation','',0),(1030,5,'2020-08-18 09:27:17','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','open','','','','','2020-08-18 09:27:17','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?p=1030',0,'post','',0),(1031,5,'2020-08-18 09:30:12','2020-08-18 08:30:12','','Programme','','inherit','closed','closed','','669-revision-v1','','','2020-08-18 09:30:12','2020-08-18 08:30:12','',669,'https://lcw.hdksites.co.uk/669-revision-v1/',0,'revision','',0),(1032,3,'2020-08-18 09:54:31','2020-08-18 08:54:31','Katrin Moye studied English Literature and Art History at Nottingham University, where her love of ceramics led her to set up her own practice in 2005. References to classic literature, baroque interior design and Delftware can all be detected in her work, which is wheel-thrown earthenware and exquisitely handpainted. These traditional techniques make her feel connected to the long and distinguished line of European makers of decorated earthenware that stretches back for hundreds of years.\r\n\r\nA never-ending source of inspiration is the habit of borrowing from other cultures and techniques that can be found throughout the history of North European painted ceramics, where a kind of visual game of Chinese whispers is played with amusingly misinterpreted or misunderstood references to things the makers were completely unfamiliar with.','Katrin Moye','','publish','closed','closed','','katrin-moye','','','2020-08-18 09:54:31','2020-08-18 08:54:31','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1032',0,'makers','',0),(1033,3,'2020-08-18 09:52:48','2020-08-18 08:52:48','','katrin-moye','','inherit','open','closed','','katrin-moye','','','2020-08-18 09:53:03','2020-08-18 08:53:03','',1032,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/katrin-moye.jpg',0,'attachment','image/jpeg',0),(1034,5,'2020-08-18 09:57:06','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','open','','','','','2020-08-18 09:57:06','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?p=1034',0,'post','',0),(1035,5,'2020-08-18 10:00:29','2020-08-18 09:00:29','','D1F998DB-A2FB-476B-AE104EB882CA9197','','inherit','open','closed','','d1f998db-a2fb-476b-ae104eb882ca9197','','','2020-08-18 10:00:29','2020-08-18 09:00:29','',926,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/D1F998DB-A2FB-476B-AE104EB882CA9197.jpg',0,'attachment','image/jpeg',0),(1036,7,'2020-08-18 10:20:17','2020-08-18 09:20:17','Rahel Zoller is a book arts and design specialist technician and member of the Artists’ Book Cooperative. Rahel has published several artists’ books and exhibited internationally. Her books are part of several collections, including the Artists’ Books Tate Library Collection and the archive of MACBA, Barcelona.','Rahel Zoller','','publish','closed','closed','','rahel-zoller','','','2020-08-18 10:20:17','2020-08-18 09:20:17','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1036',0,'makers','',0),(1037,7,'2020-08-18 10:28:38','2020-08-18 09:28:38','Jessica Jue is a London-based silversmith who explores traditional techniques to craft beautiful contemporary designs. Inspired by themes of balance and harmony, she aims to create a sense of movement and rhythm within her collection.\r\n\r\nFluid and playful curves form the organic visual narrative. Jue manipulates her forms through techniques of raising and chasing, while also exploring various surface textures, most recently with the addition of gold.','Jessica Jue','','publish','closed','closed','','jessica-jue','','','2020-08-18 10:28:38','2020-08-18 09:28:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1037',0,'makers','',0),(1038,7,'2020-08-18 10:26:08','2020-08-18 09:26:08','','jessica-jue-hot-bench-working-13','','inherit','open','closed','','jessica-jue-hot-bench-working-13','','','2020-08-18 10:27:25','2020-08-18 09:27:25','',1037,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jessica-jue-hot-bench-working-13.jpg',0,'attachment','image/jpeg',0),(1039,7,'2020-08-18 10:32:34','2020-08-18 09:32:34','Sean Gwee is interested in structures, hosting, pots, performance and process. He works informally and improvisationally but always rigorously with friends and whoever shows up. Finishing his final year at the Architectural Association, Sean is the recipient of the Mark Fisher Scholarship, a scholarship in memory of Mark Fisher, pioneer of the modern rock performance and designer for the likes of Pink Floyd and the Rolling Stones.','Sean Gwee','','publish','closed','closed','','sean-gwee','','','2020-08-18 10:32:34','2020-08-18 09:32:34','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1039',0,'makers','',0),(1040,7,'2020-08-18 10:40:19','2020-08-18 09:40:19','Tiffany Loy is a Singaporean textile weaver, first trained in industrial design at National University of Singapore, then textile-weaving at Kawashima Textile School. Loy is a receipient of DesignSingapore Scholarship, graduating in 2020 with an MA in Textiles from the Royal College of Art, specialising in woven textiles.\r\n\r\nSince the founding of her eponymous studio in 2014, Loy’s experimental works have been exhibited internationally, in France, Italy, Japan, United Kingdom, and Singapore, and at venues such as Singapore Art Museum, Kyoto Municipal Art Museum, and La Triennale di Milano. Loy’s background in product and textile design has led to her unique approach in cross-breeding design methodologies.\r\n\r\nEquipped with skills from both disciplines, Loy freely challenges existing modes of design and production. Often referring to traditional techniques and exploring ways to re-frame them in the contemporary context, Loy’s work builds on heritage in experimental ways.\r\n\r\nLoy believes in pushing the boundaries of material applications, and in creating relevant discourse on new technologies for the future.','Tiffany Loy','','publish','closed','closed','','tiffany-loy','','','2020-08-18 15:34:38','2020-08-18 14:34:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1040',0,'makers','',0),(1041,7,'2020-08-18 10:38:12','2020-08-18 09:38:12','','tiffany-loy-team-judith','','inherit','open','closed','','tiffany-loy-team-judith','','','2020-08-18 10:38:46','2020-08-18 09:38:46','',1040,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/tiffany-loy-team-judith.jpg',0,'attachment','image/jpeg',0),(1042,7,'2020-08-18 10:48:09','2020-08-18 09:48:09','Daniel the Gardener specialises in freehand botanical tattoos and is the in-resident tattooist at Parliament, the renowned London tattoo studio. His intricate freehand-drawn tattoos are characterised by monochrome floral and botanical motifs, each one a transformative composition that is deeply personal to the client.\r\n\r\nFor London Craft Week, Daniel has taken inspiration from the William Morris Gallery’s collection of original drawings, wallpaper and textiles to create a unique design, to be tattooed live in the Gallery. Like Morris, Daniel takes endless inspiration from the beautiful flower and leaf shapes found in nature, but rather than applying them to the flat surfaces of walls and furniture, Daniel expertly applies them to the shapes and contours of the human body.','Daniel the Gardener','','publish','closed','closed','','daniel-the-gardener','','','2020-08-18 10:48:09','2020-08-18 09:48:09','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1042',0,'makers','',0),(1043,7,'2020-08-18 10:42:35','2020-08-18 09:42:35','','cdaniel-gardener','','inherit','open','closed','','cdaniel-gardener','','','2020-08-18 10:42:50','2020-08-18 09:42:50','',1042,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/cdaniel-gardener.jpg',0,'attachment','image/jpeg',0),(1044,7,'2020-08-18 10:52:13','2020-08-18 09:52:13','Luke works as a lute maker based in Colchester, Essex, where he makes, repairs and refurbishes lutes and related early plucked instruments. As an active player as well as maker, he has a passion for making the best-sounding Renaissance lutes, and first and foremost focuses on sound quality and playability.\r\n\r\nLuke comments that ‘The lute has such a wonderful sound and repertoire, its music continues to inspire me. Being able to build these beautiful tools for musicians is a key driver behind my work.’','Luke Emmet','','publish','closed','closed','','luke-emmet','','','2020-08-18 10:52:13','2020-08-18 09:52:13','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1044',0,'makers','',0),(1045,7,'2020-08-18 10:50:34','2020-08-18 09:50:34','','luke-emmett-luthier','','inherit','open','closed','','luke-emmett-luthier','','','2020-08-18 10:51:01','2020-08-18 09:51:01','',1044,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/luke-emmett-luthier.jpg',0,'attachment','image/jpeg',0),(1046,7,'2020-08-18 10:57:17','2020-08-18 09:57:17','Hubert Kwisthout has been a bagpipe enthusiast since an early age and started out playing with a Scottish pipeband in his home country of Holland. He moved to the UK in the 1970s to learn pipe making and has been making them ever since. Uilleann pipes are the national bagpipe of Ireland and are known for having a sweeter and quieter sound than other bagpipes. You can even try them out if you wish!','Hubert Kwisthout','','publish','closed','closed','','hubert-kwisthout','','','2020-08-18 10:57:17','2020-08-18 09:57:17','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1046',0,'makers','',0),(1047,7,'2020-08-18 10:55:25','2020-08-18 09:55:25','','heathcliff2851038b','','inherit','open','closed','','heathcliff2851038b','','','2020-08-18 10:55:45','2020-08-18 09:55:45','',1046,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/heathcliff2851038b.jpg',0,'attachment','image/jpeg',0),(1048,7,'2020-08-18 12:06:05','2020-08-18 11:06:05','Jack Darach is one of Britain’s leading young woodwind instrument makers. Based in Brighton, Jack was awarded the QEST (Queen Elizabeth Scholarship Trust) Turners’ Livery Company Prize for 2016. In 2017/2018 he became a recipient of a travelling fellowship from the Winston Churchill Memorial Trust to pursue research into recorder making across Europe and Japan. He produces a range of modern and historical instruments based on those found in European museums and his own research.','Jack Darach Recorders','','publish','closed','closed','','jack-darach-recorders','','','2020-08-18 15:37:16','2020-08-18 14:37:16','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1048',0,'makers','',0),(1049,1,'2020-08-18 11:19:23','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 11:19:23','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=acf-field-group&p=1049',0,'acf-field-group','',0),(1051,7,'2020-08-18 12:04:06','2020-08-18 11:04:06','','27-jack-darasch','','inherit','open','closed','','27-jack-darasch','','','2020-08-18 12:04:56','2020-08-18 11:04:56','',1048,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/27-jack-darasch.jpg',0,'attachment','image/jpeg',0),(1052,7,'2020-08-18 12:13:13','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 12:13:13','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1052',0,'makers','',0),(1053,7,'2020-08-18 12:16:35','2020-08-18 11:16:35','Niebisch &amp; Tree specialise in concert harp repair and restoration as well as making a range of bespoke harps to their own design. Whilst being passionate about keeping alive the skills of harp making that have been used for hundreds of years, they combine it with modern techniques and machinery, allowing them to achieve and maintain the highest standards of excellence.','Niebisch & Tree Harps','','publish','closed','closed','','niebisch-tree-harps','','','2020-08-18 12:16:35','2020-08-18 11:16:35','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1053',0,'makers','',0),(1054,7,'2020-08-18 12:25:27','2020-08-18 11:25:27','Isabelle is a jewellery and travel insider and the founder of Toronto-based <a href=\"https://www.ruepigalle.ca\" data-cke-saved-href=\"https://www.ruepigalle.ca\">Rue Pigalle</a>. In addition to profiling—and championing—independent designers on her blog and social platforms, this former lawyer creates bespoke trips for curious women who want meaningful travel experiences that celebrate jewellery, art and culture.\r\n\r\nBorn and raised in France, Isabelle says she grew up with an appreciation for handcrafted pieces and their power to inspire and evoke emotions. On her trips to New York, Paris and London, she brings her guests on private visits to artists’ ateliers and haute couture salons as well as behind-the-scenes tours at museums. A Rue Pigalle tour is its own beautifully crafted work of art.','Isabelle Fish','','publish','closed','closed','','isabelle-fish','','','2020-08-18 15:33:06','2020-08-18 14:33:06','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1054',0,'makers','',0),(1055,7,'2020-08-18 12:22:34','2020-08-18 11:22:34','','isabellefishheadshotsjuly62016-0692','','inherit','open','closed','','isabellefishheadshotsjuly62016-0692','','','2020-08-18 12:22:50','2020-08-18 11:22:50','',1054,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/isabellefishheadshotsjuly62016-0692.jpg',0,'attachment','image/jpeg',0),(1056,7,'2020-08-18 12:23:36','2020-08-18 11:23:36','','RPxLCW_Logo_NoPadding-02_0','','inherit','open','closed','','rpxlcw_logo_nopadding-02_0','','','2020-08-18 12:23:56','2020-08-18 11:23:56','',1054,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/RPxLCW_Logo_NoPadding-02_0.png',0,'attachment','image/png',0),(1057,7,'2020-08-18 12:32:19','2020-08-18 11:32:19','Denise de Cordova was born in Birkenhead in1957. She trained at the Laird School of Arts and Crafts, Birkenhead (1975–1976) and Brighton Polytechnic (1977–1980). In 1981 she was selected for the Royal College of Art Travel Scholarship to Carrara, Italy, and in 1983 gained an MA in Sculpture from the Royal College of Art. She was the Henry Moore Foundation Fellow in 1984–1985.\r\n\r\nDe Cordova works in many different media including sculpture and heavily embroidered drawings, to ceramics, which she makes under her nom de plume Amy Bird. She has had 15 solo shows to-date, including three with the Eagle Gallery (2007, 2010 and 2011). Congregation – an installation of her ceramics and sculpture took place in 2013 at Jesus College, Cambridge. She has shown her work with Flowers Gallery and at the Royal Academy Summer Exhibition on numerous occasions and has participated in over 60 international group exhibitions internationally. She has collaborated with painter James Fisher on Camouflage – an installation of sculpture and paintings for the London Art Fair 2015.\r\n\r\nDe Cordova’s work has been commissioned for a number of public institutions including the Norwich Crown Court (1987), Battersea Park Old English Garden (1989) and Jesus College (2015).','Denise de Cordova','','publish','closed','closed','','denise-de-cordova','','','2020-08-18 12:32:19','2020-08-18 11:32:19','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1057',0,'makers','',0),(1058,7,'2020-08-18 12:30:12','2020-08-18 11:30:12','','denise','','inherit','open','closed','','denise','','','2020-08-18 12:32:09','2020-08-18 11:32:09','',1057,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/denise.png',0,'attachment','image/png',0),(1059,7,'2020-08-18 12:36:48','2020-08-18 11:36:48','lacammalleri combines Sardinian typical textiles alongside handwoven patterns in cushions, placemats and bags. Each piece is unique, stylish and full of Italian chic.','lacammalleri','','publish','closed','closed','','lacammalleri','','','2020-08-18 12:36:48','2020-08-18 11:36:48','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1059',0,'makers','',0),(1060,7,'2020-08-18 12:35:19','2020-08-18 11:35:19','','lacammalleri','','inherit','open','closed','','unnamed-3','','','2020-08-18 12:36:39','2020-08-18 11:36:39','',1059,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-3.jpg',0,'attachment','image/jpeg',0),(1061,7,'2020-08-18 12:39:40','2020-08-18 11:39:40','Jude Tucker\'s graceful sculptures and carvings in stone depict a series of common flowers, trees and seeds. The ephemeral delicacy of her subject is underlined by its translation into an immutable form. Time is halted - a moment preserved - in the sensitively rendered works. Using a variety of different stones, Jude\'s intricate works which celebrate natural beauty and form.\r\n\r\nJude Tucker trained at City and Guilds in stone carving. She is the first woman to have been commissioned to carve grotesques for St George’s Chapel in Windsor.','Jude Tucker','','publish','closed','closed','','jude-tucker','','','2020-08-18 12:39:40','2020-08-18 11:39:40','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1061',0,'makers','',0),(1062,7,'2020-08-18 12:38:17','2020-08-18 11:38:17','','Jude Tucker','','inherit','open','closed','','unnamed-2','','','2020-08-18 12:38:35','2020-08-18 11:38:35','',1061,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-2.jpg',0,'attachment','image/jpeg',0),(1063,7,'2020-08-18 12:43:27','2020-08-18 11:43:27','With a touch of humour, lightness and freshness, Charlotte’s figures move comfortably across dishes, canvases, prints and paper.\r\n\r\nHer imagery may come from her research at the archives of the ceramic Spode Museum Trust archive of copper engravings in Stoke-on-Trent, the Wallace Collection or the Victoria Gallery in Liverpool, amongst others. Motifs and patterns found on the original engravings and archives are printed, scanned, re-drawn, cut and layered to shape the language for her images. Her signature women, presented as silhouettes, are dressed in pattern and form part of the landscapes through which they meander. She appropriates every media with confidence.\r\n\r\nHer narrative is unique, regardless of the support that she chooses to use. Charlotte was awarded the Jerwood Drawing Prize for drawing with a scalpel. Since her residencies at Spode (1998-2004) and at the Wallace Collection (2005), she has been drawn to ceramics, using vases, dinner or tea sets as a platform where we can find her signature female figure meandering. Her installations may contain more than 350 pieces. Charlotte studied at the Slade School of Art, University College London.\r\n\r\nFrom 1998 until 2004 she embarked on a series of projects at the Spode factory with access to their archive transfers. In 2002 she exhibited a cabinet of 35 vases, a ceramic installation at the Victoria and Albert Museum. In 2005 she was appointed as the first Associate Artist at the Wallace Collection London making papercuts &amp; ceramics which culminated in a solo exhibition at the Wallace Collection in 2007 .\r\n\r\nAs winner of the Jerwood Drawing Prize in 2006 she participated in Drawing Breath, the survey UK touring exhibition. Her work is represented in many public collections including British Council, Women’s Art Collection New Hall University of Cambridge, the Victoria &amp; Albert Museum. Charlotte is Professor in Fine Art at London College of Fashion, University of the Arts London.','Charlotte Hodes','','publish','closed','closed','','charlotte-hodes','','','2020-08-18 15:32:05','2020-08-18 14:32:05','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1063',0,'makers','',0),(1064,7,'2020-08-18 12:42:10','2020-08-18 11:42:10','','jcf7276-andrea-harari','','inherit','open','closed','','jcf7276-andrea-harari','','','2020-08-18 12:42:22','2020-08-18 11:42:22','',1063,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jcf7276-andrea-harari.jpg',0,'attachment','image/jpeg',0),(1065,7,'2020-08-18 12:43:34','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 12:43:34','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1065',0,'makers','',0),(1066,7,'2020-08-18 12:47:13','2020-08-18 11:47:13','Kazuhito hand picks grasses, leaves and twigs from his garden, allotment or nearby fields, sowing each blade through the paper or patiently tying twigs together. His works encompass Nature and Time: time for the grasses to grow, for them to be tender to embroider the works. As the grasses dry and mature they embark on a subtle colour shift, comparative to seasonal change.\r\n\r\nOnce harvested, the hawthorn twigs are de-thorned, cleansed and left to dry for a year before he can use them in his works. Then patiently he ties them up with linen twine, white or black, sometimes even stripping the bark off the twigs. Kazuhito also uses pure white Japanese book binding threads and a range of woods including Cedar of Lebanon, Oak, Elm and Walnut. His interest in shadows is an important dimension to his grass, wood and twig sculptures.\r\n\r\n“As the light changes or the point of view is moved, so the shadows will create a new perspective.” Kazuhito trained in Agriculture and Horticulture in Japan the US and in the UK, before studying Art and Garden Design in the UK.\r\n\r\nHis works are in important private and corporate art collections. His work has been purchased by the V&amp;A and is now on display at the museum’s permanent collection of Japanese art in the Toshiba Galleries. Kazuhito received a Special mention at the 2019 Loewe Crafts Prize with his work Kado (Angle).','Kazuhito Takadoi','','publish','closed','closed','','kazuhito-takadoi','','','2020-08-18 12:47:13','2020-08-18 11:47:13','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1066',0,'makers','',0),(1067,7,'2020-08-18 12:46:39','2020-08-18 11:46:39','','courtesy-jaggedart-london-and-kazuhito-takadoi-portrait-1-andrea-harari','','inherit','open','closed','','courtesy-jaggedart-london-and-kazuhito-takadoi-portrait-1-andrea-harari','','','2020-08-18 12:46:51','2020-08-18 11:46:51','',1066,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/courtesy-jaggedart-london-and-kazuhito-takadoi-portrait-1-andrea-harari.jpg',0,'attachment','image/jpeg',0),(1068,7,'2020-08-18 12:49:56','2020-08-18 11:49:56','Some very diverse elements go into the creative mix at Yasemen Hussein’s studio. There’s a mountain of electrical cable, a shelf full of 1970s copper vases retrieved from the windows of local charity shops, some heavy duty welding equipment and… a concrete mixer. She is inspired by mythology, the Italian renaissance and poetry, basically – beauty. Her work is as exuberant and fantastical as it is organic, and she works at any scale – from making intricate objects for a Tim Walker set, to creating vast and dramatic sculptures for atrium spaces. Hussein studied glass work in Illinois, learned “the tricks of the trade of concrete” in California and now sculpts the most intricate copper pieces imaginable.','Yasemen Hussein','','publish','closed','closed','','yasemen-hussein','','','2020-08-18 12:49:56','2020-08-18 11:49:56','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1068',0,'makers','',0),(1069,7,'2020-08-18 12:48:33','2020-08-18 11:48:33','','Yasemen Hussein','','inherit','open','closed','','unnamed-20','','','2020-08-18 12:48:49','2020-08-18 11:48:49','',1068,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-20.jpg',0,'attachment','image/jpeg',0),(1070,7,'2020-08-18 12:55:05','2020-08-18 11:55:05','Rachel trained at Brighton college of Art and was a painter and illustrator before working with paper.\r\n\r\nShe has had a successful career as a paper-artist for over ten years, hand cutting paper with a scalpel rather than a laser as although much more laborious, Rachel likes the idea of the paper having tiny faults and imperfections, enriching it with character.\r\n\r\nUsually her work takes the form of figures made from hundreds of tiny scattered paper birds but for the Posidonia project she has concentrated on the nature of the grass and the value of its presence under the sea.\r\n\r\nEach piece is the ultimate result of studies, sketches and countless provisional works, created until the right form emerges, emulating the essence of the Posidonia grass.\r\n“For me these artworks are a memorial to all that has gone before and a recognition of the various challenges we are having to live through now”\r\n\r\nWhen not collaborating with Katrina and Lizzie, Rachel is represented by Jaggedart Gallery in Marylebone as well as galleries in Suffolk and Barcelona.','Rachel Shaw Ashton','','publish','closed','closed','','rachel-shaw-ashton','','','2020-08-18 15:29:47','2020-08-18 14:29:47','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1070',0,'makers','',0),(1071,7,'2020-08-18 12:52:09','2020-08-18 11:52:09','','Rachel Shaw Ashton','','inherit','open','closed','','image1-2','','','2020-08-18 12:52:15','2020-08-18 11:52:15','',1070,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/image1-2.jpeg',0,'attachment','image/jpeg',0),(1072,7,'2020-08-18 12:57:41','2020-08-18 11:57:41','Lucia Fraser is a London based multidisciplinary artist specialising in painting and ceramics. Her work is an exploration into form, line and surface. She creates work that is gestural and expressive allowing a freedom of form that often journeys into abstraction and her recognisable mark making transfers from canvas to ceramic in a fluid, painterly style. She has collaborated with brands such as Hobbs and Crabtree &amp; Evelyn and her work has been featured in The English Home, House Beautiful and Enki Magazine.','Lucia Fraser','','publish','closed','closed','','lucia-fraser-2','','','2020-08-18 12:57:41','2020-08-18 11:57:41','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1072',0,'makers','',0),(1073,4,'2020-08-18 12:55:47','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','open','','','','','2020-08-18 12:55:47','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?p=1073',0,'post','',0),(1074,7,'2020-08-18 12:56:19','2020-08-18 11:56:19','','Lucia Fraser','','inherit','open','closed','','unnamed-18','','','2020-08-18 12:56:46','2020-08-18 11:56:46','',1072,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-18.jpg',0,'attachment','image/jpeg',0),(1075,7,'2020-08-18 12:59:42','2020-08-18 11:59:42','Tim Walker Studio was established in 2016. It’s focus is on the exploration of material, use and application. The processes of mould making and casting are an integral part of the studio’s practice. As a designer / maker, Tim likes to put an emphasis on originality where every piece is unique and exclusively handmade at his London studio, paying particular attention to surface, texture and tone.\r\n\r\nTim has worked as a freelance art fabricator in London for over a decade, assisting on major projects and producing work for some of the world’s leading artists, galleries and designers such as Rachel Whiteread, Antony Gormley, Helen Marten, Eva Rothchild, Simon Periton, Alison Wilding, Mat Collishaw, Eddie Peake, Ryan Gander and Maarten Baas.','Tim Walker','','publish','closed','closed','','tim-walker','','','2020-08-18 12:59:42','2020-08-18 11:59:42','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1075',0,'makers','',0),(1076,7,'2020-08-18 12:58:37','2020-08-18 11:58:37','','Tim Walker','','inherit','open','closed','','unnamed-17','','','2020-08-18 12:59:05','2020-08-18 11:59:05','',1075,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-17.jpg',0,'attachment','image/jpeg',0),(1077,7,'2020-08-18 13:01:49','2020-08-18 12:01:49','Livia Marin employs everyday objects to enquire into the nature of how we relate to material objects in an era dominated by standardization and global circulation. In this, the work seeks to offer a reflection on the relationship we develop with those often unseen objects that meet our daily needs. Central to the work is a trope of estrangement that works to reverse an excess of familiarity that commands the life of the everyday and the dictates of the marketplace. Marin has exhibited widely both in her native Chile and internationally.','Livia Marin','','publish','closed','closed','','livia-marin','','','2020-08-18 13:01:49','2020-08-18 12:01:49','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1077',0,'makers','',0),(1078,6,'2020-08-18 13:00:17','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','open','','','','','2020-08-18 13:00:17','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?p=1078',0,'post','',0),(1079,7,'2020-08-18 13:00:53','2020-08-18 12:00:53','','Livia Marin','','inherit','open','closed','','unnamed-16','','','2020-08-18 13:01:01','2020-08-18 12:01:01','',1077,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-16.jpg',0,'attachment','image/jpeg',0),(1080,6,'2020-08-18 13:11:29','2020-08-18 12:11:29','In 2016 Vasco Águas created the \'Barbudo Aborrecido\' textile art project with André Matos, having since then developed medium and large-scale tapestries, in which Vasco merges the techniques of macrame and manual weaving, essentially for private collections and some public spaces such as hotels and restaurants.\r\n\r\nIn addition to a large number of anonymous artists and artisans that he follows and admires, he highlights the artists Sheila Hicks, Ann Hamilton and Beatriz González as main inspirations.','Barbudo Aborrecido','','publish','closed','closed','','barbudo-aborrecido','','','2020-08-18 13:11:29','2020-08-18 12:11:29','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1080',0,'makers','',0),(1081,7,'2020-08-18 13:07:19','2020-08-18 12:07:19','Jacky Puzey combines traditional embroidery skills with digital technology to stitch stunning 3D tableaux in rich, vibrant colours that flow across furniture, walls and clothes. Featuring a menagerie of embellished creatures; squirrels chatter, foxes prowl and parakeets pirouette in Jacky’s feral pageant. Jacky fuses fur, feathers, velvet and organza with digital embroidery and unique fabrics of her own design, to create tactile textures and to bring her pieces alive. From feathered interior screens to shimmering metallic bomber jackets, Jacky’s creations combine references to classical mythology, hints of baroque decadence and a nod to punk rebellion. Her interiors collections are embellished with layered histories and intricate embroidery to create a luxurious urban baroque, from statement cocktail chairs to couture embroidered wallpapers.\r\n\r\nHer work is exhibited regularly at Decorex and London Craft Week. She also featured at Focus 2019 at Design Centre Chelsea Harbour, with Watts of Westminster, and as part of Material: Textile at Messums Wiltshire 2019.  Jacky regularly undertakes bespoke commissions for private clients and interior/fashion designers. Her textile art works, from limited edition furniture to stunning textile wall art pieces,  continue to attract clients from across the world, who appreciate her love of innovation, her sense of colour and of texture, resulting in highly original, sumptuous embroideries for a connoisseur clientele. Her studio works with a highly skilled professional team of upholsterers, printers, hand embroiderers, pattern cutters and digital technologists.','Jacky Puzey','','publish','closed','closed','','jacky-puzey','','','2020-08-18 13:07:19','2020-08-18 12:07:19','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1081',0,'makers','',0),(1082,7,'2020-08-18 13:05:01','2020-08-18 12:05:01','','Jacky Puzey','','inherit','open','closed','','jacky-puzey-portrait-01a-jo-hounsome-photography-copy','','','2020-08-18 13:06:27','2020-08-18 12:06:27','',1081,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jacky-puzey-portrait-01a-jo-hounsome-photography-copy.jpg',0,'attachment','image/jpeg',0),(1083,7,'2020-08-18 13:11:01','2020-08-18 12:11:01','Maria Sigma | Woven Textiles is an award-winning textile London based brand specialising in zero waste ethical hand-woven textiles.\r\n\r\nHer approach to design is based on the idea of creating aesthetically engaging and functional textiles and objects via Zero Waste design and craftsmanship. By emphasising the raw quality of the materials and texture and removing any superfluous elements, Maria’s work pays close attention to usability and aiming at producing high-quality luxurious sustainable products designed to become timeless heirlooms.\r\n\r\nMaria’s concept of textile design and production reflects her dedication to zero waste design/production. She strives to decrease to the minimum yarn waste and unnecessary cuts, carbon footprints, the use of machinery, water and electric energy.\r\n\r\nShe exclusively uses natural undyed materials. British wool is her material of choice because of its excellent qualities and its transformable character.\r\n\r\nFor Maria craft is more than just a way of making things; it’s a way of thinking and living in the most sustainable way. She strongly believes that craft will be the necessary opposite to our machine-made digital world and a sustainable alternative to industrial mass-production.\r\n\r\nSo far Maria has had the honour to collaborate with exceptional interior designers, architects, fashion designers, magazines and galleries such as Susie Atkinson Interior Design Studio, Studio Reed, MAKE Hauser &amp; Wirth Somerset Gallery and Hole &amp; Corner Magazine.\r\n\r\nHer vision is to have a sustainable creative craft-based business. In the the next five years Maria aspires to be setting up her own weaving studio/showroom and space for workshops open to the public.','Maria Sigma','','publish','closed','closed','','maria-sigma','','','2020-08-18 13:11:01','2020-08-18 12:11:01','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1083',0,'makers','',0),(1084,6,'2020-08-18 13:10:25','2020-08-18 12:10:25','Barbudo Aborrecido','Barbudo Aborrecido','Barbudo Aborrecido','inherit','open','closed','','vasco','','','2020-08-18 13:10:54','2020-08-18 12:10:54','',1080,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/vasco.jpg',0,'attachment','image/jpeg',0),(1085,7,'2020-08-18 13:10:28','2020-08-18 12:10:28','','Maria Sigma','','inherit','open','closed','','maria-sigma-portrait','','','2020-08-18 13:10:51','2020-08-18 12:10:51','',1083,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/maria-sigma-portrait.jpg',0,'attachment','image/jpeg',0),(1086,7,'2020-08-18 13:13:38','2020-08-18 12:13:38','Susannah is an embroidery artist based in Richmond upon Thames. Her work is influenced by the colours and textures of the natural world, with Kew Gardens providing the inspiration for her debut range, ‘The Botanical Collection’. Susannah has combined her love of monochrome pencil drawings with colourful hand embroidery and beading. Her designs translate perfectly into a range of luxury wallpapers, fabrics and soft furnishings for a sophisticated space.\r\n\r\nThe Botanical Collection consists of four designs, three of which come in two different colourways. Susannah has applied her designs to form a range of hand- embroidered artworks and decorative cushions.  Also seen in her collection is a selection of cocktail chairs. This March Susannah will be launching her first two decorative bone china wall plates.\r\n\r\nPrior to founding her interiors line, she ​pursued a career in the fashion industry for 19 years, designing for large international companies, high street retailers, independent labels, agents and studios, and she sold her textile designs worldwide. During this time she was experimenting with materials like leather and paint, whilst learning crafts such as tapestry and machine embroidery.\r\n\r\nAll Susannah’s designs are produced and printed in the UK onto high quality wallpaper, soft furnishing fabric and tablewear.','Susannah Weiland','','publish','closed','closed','','susannah-weiland','','','2020-08-18 13:13:38','2020-08-18 12:13:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1086',0,'makers','',0),(1087,6,'2020-08-18 13:17:24','2020-08-18 12:17:24','Maria makes handmade pieces with a unique self contemporary identity. References are taken from everyday details: a picture, a pattern, a lost object on the street, that piece of wood that she\r\nbrought from the beach …\r\n\r\nThe research is an essential object process – from the concept to the functionality all is explore and define. The art techniques used have ancient origins – respecting and perpetuating the old generations knowledge.','Maria Pratas','','publish','closed','closed','','maria-pratas','','','2020-08-18 13:17:24','2020-08-18 12:17:24','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1087',0,'makers','',0),(1088,7,'2020-08-18 13:12:37','2020-08-18 12:12:37','','Susannah Weiland','','inherit','open','closed','','susannah-w-portrait','','','2020-08-18 13:12:49','2020-08-18 12:12:49','',1086,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/susannah-w-portrait.jpg',0,'attachment','image/jpeg',0),(1089,7,'2020-08-18 13:15:59','2020-08-18 12:15:59','Domitilla Biondi’s mission is to bring the poetry of Beauty into people’s heart, embracing it professionally since June 2016. Her innovative technique consists in carving in a meditative state, using only a surgical blade, and letting the mathematical laws of Harmony emerge through magnificent miniatures. Her bas-reliefs, always different depending on the slant of light/shadows on the surface, total white on white, resonate with harmonic frequencies and nicety of her personality. Each piece is uniquely inspired and unrepeatable, without any preliminary design, to honor the gift of inner inspiration, which is part of her path of personal research as professional sound healer. In 2018 begun investigating the emotional concept of fragility through porcelain, producing a series of objects of a porcelain that she defines as eggshell because of the extreme thinness of the sculpted surface.\r\n\r\n&nbsp;','Domitilla Biondi ','','publish','closed','closed','','domitilla-biondi','','','2020-08-18 13:15:59','2020-08-18 12:15:59','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1089',0,'makers','',0),(1090,7,'2020-08-18 13:14:51','2020-08-18 12:14:51','','Domitilla Biondi ','','inherit','open','closed','','unnamed-15','','','2020-08-18 13:14:58','2020-08-18 12:14:58','',1089,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-15.jpg',0,'attachment','image/jpeg',0),(1091,7,'2020-08-18 13:19:19','2020-08-18 12:19:19','Lis Costa\'s sculpted paper works explore both organic and abstract shapes, playing with lights and shades with paper cuts to achieve a delicate result.\r\n\r\nUsing thick Fabriano paper, Lis sculpts and shapes, carving extremely thin layers to create forms. In spite of an absence of colour, richness and depth is given by the subte layering of sculpted shavings, that are accumulated and staggered, creating protruding waves and rhythms. Sometimes the paper is not cut but only slightly pushed from the back, offering contrast and inviting the eye to circulate in these three dimensional landscapes. Repetition, sequence and layering of simple carved shapes create movement and flow with an elegant simplicity.','Lis Costa','','publish','closed','closed','','lis-costa','','','2020-08-18 13:19:19','2020-08-18 12:19:19','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1091',0,'makers','',0),(1092,6,'2020-08-18 13:16:14','2020-08-18 12:16:14','Maria Pratas','Maria Pratas','Maria Pratas','inherit','open','closed','','maria-pratas','','','2020-08-18 13:16:36','2020-08-18 12:16:36','',1087,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/maria-pratas.jpg',0,'attachment','image/jpeg',0),(1093,6,'2020-08-18 13:22:13','2020-08-18 12:22:13','Fulana Beltrana Sicrana makes textile sculptures, designed and handmade by Benedetta Maxia in her studio in Lisbon.\r\nMade from a combination of vintage, recycled, limited-edition and sample fabrics the creations are therefore one-of-a-kind, collectible and also inspired by someone real.\r\n\r\nFernando Pessoa is part of the ‘Lusitana’ collection inspired by and a tribute to the portuguese culture. Her work has been published in more technical magazines, such as ‘Stuffed – The Crafting of Softies’, and ‘Textiel Plus’, as well as in magazines such as ‘FLOW Netherlands’.','Fulana Beltrana Sicrana','','publish','closed','closed','','fulana-beltrana-sicrana','','','2020-08-18 13:22:13','2020-08-18 12:22:13','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1093',0,'makers','',0),(1094,7,'2020-08-18 13:18:58','2020-08-18 12:18:58','','Lis Costa','','inherit','open','closed','','unnamed-14','','','2020-08-18 13:19:07','2020-08-18 12:19:07','',1091,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-14.jpg',0,'attachment','image/jpeg',0),(1095,7,'2020-08-18 13:22:55','2020-08-18 12:22:55','Almost paper-like, Alison Gautrey’s spun porcelain vessels in a monochrome palette are luminously translucent. These weightless pieces capture the feeling of movement within the simplicity of form. In these sculptural works, Alison successfully combines certain randomness in the process with an intuitive vision given by her design background, paired with her knowledge of material.\r\n\r\nInspired by recently published images of Saturn and Jupiter, her latest works explore cosmic matter and the planets. There is a distinct contrast between the exterior and interior surfaces where technique and tonal variation create unique patterns. The interior is blended and chaotic whilst the exterior remains calm with controlled bands of defined pigment.\r\n\r\nRepetition of the same simple form allows Alison to present a range of differences and contrasts, masterly combining randomness, chance and control with the use of pigment in a delicate surface.','Alison Gautrey','','publish','closed','closed','','alison-gautrey','','','2020-08-18 13:22:55','2020-08-18 12:22:55','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1095',0,'makers','',0),(1096,6,'2020-08-18 13:21:39','2020-08-18 12:21:39','Fulana Beltrana Sicrana','Fulana Beltrana Sicrana','Fulana Beltrana Sicrana','inherit','open','closed','','benedetta-maxia-fulana-beltrana-sicrana','','','2020-08-18 13:21:59','2020-08-18 12:21:59','',1093,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/benedetta-maxia-fulana-beltrana-sicrana.jpeg',0,'attachment','image/jpeg',0),(1097,7,'2020-08-18 13:21:42','2020-08-18 12:21:42','','Alison Gautrey','','inherit','open','closed','','unnamed-13','','','2020-08-18 13:21:58','2020-08-18 12:21:58','',1095,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-13.jpg',0,'attachment','image/jpeg',0),(1098,6,'2020-08-18 13:24:35','2020-08-18 12:24:35','Jose Miguel Marty is a Chilean artist who has been working on the revitalisation of popular craftsmanship techniques for six years, specifically on Chilean indigenous basket-making, using local raw materials.\r\n\r\nIn his work MAPUKURAM, he builds up these sculptural volumes by mixing different kinds of basket-making´s techniques. Jose Miguel tries to avoid any functional characteristic on those art pieces to rescue the sculpture’s contemplative properties.','Jose Miguel Marty','','publish','closed','closed','','jose-miguel-marty','','','2020-08-18 13:24:35','2020-08-18 12:24:35','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1098',0,'makers','',0),(1099,7,'2020-08-18 13:24:48','2020-08-18 12:24:48','Christopher Riggio’s work is centered on ornamentation within utility. The aesthetic quality of the vases, carrier vessels and jars he creates simulates the refinement of French luxury goods conglomerate Cartier of the late 1920’s period. Riggio’s explorations were triggered by the heightened material contrast observed in the painting Moon in Venice by Italian artist Lucio Fontana. Through an act of layering, he draws attention to a sustainable luxury. His work Paste evocates a subtlety of materials and their points of convergence through the use of simulated gemstones and, glass inlay, and through the decorative use of fractured glass. Christopher Riggio uncovers a desire to revive lost glamour and to evoke a sense of nostalgia through new material sophistication.','Christopher Riggio','','publish','closed','closed','','christopher-riggio','','','2020-08-18 13:24:48','2020-08-18 12:24:48','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1099',0,'makers','',0),(1100,6,'2020-08-18 13:23:09','2020-08-18 12:23:09','Jose Miguel Marty','Jose Miguel Marty','Jose Miguel Marty','inherit','open','closed','','jose','','','2020-08-18 13:23:27','2020-08-18 12:23:27','',1098,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jose.jpeg',0,'attachment','image/jpeg',0),(1101,7,'2020-08-18 13:24:20','2020-08-18 12:24:20','','Christopher Riggio','','inherit','open','closed','','unnamed-12','','','2020-08-18 13:24:39','2020-08-18 12:24:39','',1099,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-12.jpg',0,'attachment','image/jpeg',0),(1102,6,'2020-08-18 13:27:07','2020-08-18 12:27:07','As a contemporary craftsman Manuel is interested in the contemplation of the landscape and how it influences the local culture.\r\n\r\nAfter visiting different regions of Chile looking to learn about their cultures and capturing images that examine the places and the experience of travelling, his work has been nourished; inspiring him to create different utilitarian objects with a territorial identity.\r\n\r\nHe seeks to establish a dialogue between nature and the daily rituals, such as food and clothing, that the inhabitants of a community develop.','Manuel Martinez Contreras','','publish','closed','closed','','manuel-martinez-contreras','','','2020-08-18 13:27:07','2020-08-18 12:27:07','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1102',0,'makers','',0),(1103,6,'2020-08-18 13:25:51','2020-08-18 12:25:51','Manuel Martinez Contreras','Manuel Martinez Contreras','Manuel Martinez Contreras','inherit','open','closed','','ngen-kutxal-blanco-y-negro-2','','','2020-08-18 13:26:07','2020-08-18 12:26:07','',1102,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/ngen-kutxal-blanco-y-negro-2.jpg',0,'attachment','image/jpeg',0),(1104,7,'2020-08-18 13:28:22','2020-08-18 12:28:22','Maria Wojdat\'s early creative training and work was in graphic design, it was a time when the industry was changing from drawing boards to computers. As work became more computer based, Maria realised she missed using her hands and making things, that realisation led to ceramics and an MA in ceramic design at Bath Spa University. Since graduating, Maria has exhibited nationally and internationally and now works from her studio in Bath.\r\n\r\nEach piece Maria makes is a unique journey which encompasses an appreciation of chance and explores the balance between colour, line and form. Inspired by opposing themes of spontaneity/control, organic/geometric, the forms emerge from a process which examines the relationship between instinctive action and form - intuitive, almost unconsidered movements allow and encourage the unexpected to develop coupled with an eye for precision and clean lines.','Maria Wojdat','','publish','closed','closed','','maria-wojdat','','','2020-08-18 13:28:22','2020-08-18 12:28:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1104',0,'makers','',0),(1105,6,'2020-08-18 13:32:34','2020-08-18 12:32:34','Romilly is an imaginative maker, originally trained as a bookbinder she then discovered a new world of working in metal.\r\n\r\nShe makes through her “translators” - Lucie Gledhill, Anna Wales, Laura Ngyou and Rachel Jones, who have become her hands as her own don’t work anymore. She says that often a piece will come fully formed into her head, then it can be deconstructed into its component parts to see whether it is possible for it to work.\r\n\r\nRomilly asks for a sense of the hand behind the work rather than striving for mechanical perfection. They have developed a language; a shorthand, to describe the different shapes that they use; shingle, weeds etc. Much of the work is made from these different elements, small shapes which on their own don’t mean much but when clustered together become interesting.\r\n\r\nPatina is very important to her; a sense of age is created but not too strongly controlled. Romilly is aware of the organic nature of her work, she says she is; “applauding the natural world that constantly does it better”. Romilly was a finalist in the 2017 Women’s Hour Craft Prize shown at the V&amp;AMuseum.','Romilly Saumarez Smith','','publish','closed','closed','','romilly-saumarez-smith','','','2020-08-18 13:32:34','2020-08-18 12:32:34','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1105',0,'makers','',0),(1106,7,'2020-08-18 13:27:29','2020-08-18 12:27:29','','Maria Wojdat','','inherit','open','closed','','unnamed-11','','','2020-08-18 13:27:44','2020-08-18 12:27:44','',1104,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-11.jpg',0,'attachment','image/jpeg',0),(1107,6,'2020-08-18 13:28:24','2020-08-18 12:28:24','Romilly Saumarez Smith','Romilly Saumarez Smith','Romilly Saumarez Smith','inherit','open','closed','','romilly-saumarez-smith-profile-pic','','','2020-08-18 13:28:38','2020-08-18 12:28:38','',1105,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/romilly-saumarez-smith-profile-pic.jpg',0,'attachment','image/jpeg',0),(1108,7,'2020-08-18 13:31:38','2020-08-18 12:31:38','The ambition in Laura\'s work is to generate a kind of intrigue and an appeal that touches a powerful nerve (perhaps ancient in its origin) that we cannot precisely locate. Her work has been driven by a personal (and solitary) desire to build and shape form with her hands.  The thrill of making an internal space by turning and tying the material into position provokes a strong desire to make.  It responds primarily to the structural features of a particular site, in much same way as the questing foot of a Weaver bird might regard the flex of a bough or a colony of wasps might collaborate within the rafters. She also responds to the feeling of the site and the opportunity to give the work (and in some way, the host structure) a sense of movement, of slow growth, as if the work will continue to grow when the viewer’s back is turned.  Sometimes the curvaceous outline of the work will stand out in deep contrast with its surroundings and sometimes it is mistaken within a viewer’s peripheral vision as an assumed part of the natural world and is only fully registered during a quizzical second glance.\r\n\r\nLaura is still powerfully driven to create spaces of some kind and over a decade into her work, her passions have returned not only to merging with the simplicity of dry stone walls (where she began), but also towards connections with architecture.\r\n\r\nLaura’s installation have inhabited the facades and grounds of the Holburne Museum, Bath;  the Ruthin Craft Centre, Wales; The Gallery, Winchester Discovery Centre; Blackwell, The Arts and Crafts House, Cumbria; Derby Museum and Art Gallery and Chatsworth, amongst others.','Laura Ellen Bacon','','publish','closed','closed','','laura-ellen-bacon','','','2020-08-18 13:31:38','2020-08-18 12:31:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1108',0,'makers','',0),(1109,7,'2020-08-18 13:30:09','2020-08-18 12:30:09','','Sculptor Laura Ellen Bacon photographed by Alun Callender','Sculptor Laura Ellen Bacon photographed by Alun Callender','inherit','open','closed','','sculptor-laura-ellen-bacon-photographed-by-alun-callender','','','2020-08-18 13:30:42','2020-08-18 12:30:42','',1108,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-10.jpg',0,'attachment','image/jpeg',0),(1110,7,'2020-08-18 13:35:24','2020-08-18 12:35:24','Rachel studied Art, Design and Bookbinding at The University of Brighton from 1977–1981. After winning the Designer Bookbinders competition in 1980 and 2004, Rachel was elected a Fellow of Designer Bookbinders in 2005 and is currently serving as President.\r\n\r\nFrom her bindery in Sussex, Rachel undertakes a wide range of work, including design bindings and tuition.\r\n\r\n&nbsp;','Rachel Ward-Sale','','publish','closed','closed','','rachel-ward-sale','','','2020-08-18 13:35:24','2020-08-18 12:35:24','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1110',0,'makers','',0),(1111,6,'2020-08-18 13:32:39','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 13:32:39','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1111',0,'makers','',0),(1112,6,'2020-08-18 13:32:51','2020-08-18 12:32:51','Rachel Jones','Rachel Jones','Rachel Jones','inherit','open','closed','','rachel-jones-profile-pic','','','2020-08-18 13:33:24','2020-08-18 12:33:24','',1111,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rachel-jones-profile-pic.jpg',0,'attachment','image/jpeg',0),(1113,6,'2020-08-18 13:33:10','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 13:33:10','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1113',0,'makers','',0),(1114,6,'2020-08-18 13:35:07','2020-08-18 12:35:07','Inspired by alchemy and the art of gold as a material, Rachel Jones explores the alloying of metals to produce her own unique colour palette to allow her to “paint” with metal. Through experimenting with the proportions of gold, silver and copper, Rachel has created over twenty unique colours, whilst maintaining the value of traditional 18ct gold. Rachel’s Sunset Gold collection fades through blended tones of red, white and yellow gold to enhance the natural hues in one-of-a kind gemstones, celebrating the classic unity of these traditional materials in a fresh, contemporary way.\r\n\r\nWith over ten years of experience at the bench, Rachel specialises in bespoke pieces working directly with clients. Over the past decade Rachel has worked for notable jewellers Lin Cheung, Ruth Tomlinson, Mark Nuell and Romilly Saumarez Smith as well as teaching and consulting at Bishopsland Educational Trust.\r\n\r\nSince graduating in 2018 from the Royal College of Art, Rachel has continued to research and experiment from her workshop at Gill Wing Jewellery, Islington as their resident Goldsmith.','Rachel Jones','','publish','closed','closed','','rachel-jones','','','2020-08-18 13:35:07','2020-08-18 12:35:07','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1114',0,'makers','',0),(1115,7,'2020-08-18 13:34:36','2020-08-18 12:34:36','','Rachel Ward-Sale','','inherit','open','closed','','imgp1506','','','2020-08-18 13:34:59','2020-08-18 12:34:59','',1110,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/imgp1506.jpg',0,'attachment','image/jpeg',0),(1116,6,'2020-08-18 13:38:55','2020-08-18 12:38:55','','','','publish','closed','closed','','1116','','','2020-08-18 13:38:55','2020-08-18 12:38:55','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1116',0,'makers','',0),(1117,7,'2020-08-18 13:40:41','2020-08-18 12:40:41','Kate is a multi award-winning artist bookbinder, specialising in contemporary fine bindings to commission or for exhibition. Kate uses traditional materials and techniques to produce a unique, modern binding that reflects the text, illustrations and typeface of the book.\r\n\r\nKate also works with individuals and private presses to produce the whole book, whether one-offs or limited editions, and can advise on all aspects of the book production from printing, through layout, to binding and boxes.\r\n\r\nKate is a Fellow of Designer Bookbinders and has books in the library of Human Imagination, the British Library, Bodleian and Yale University Libraries, as well as many public and private collections internationally. She is a regular binder to the Booker Prize, and has featured on BBC’s The One Show.\r\n\r\nKate is a very experienced teacher and has initiated many converts to the joys of bookbinding with patience and humour, with regular slots at West Dean College and Soho House, amongst others.','Kate Holland','','publish','closed','closed','','kate-holland','','','2020-08-18 15:25:15','2020-08-18 14:25:15','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1117',0,'makers','',0),(1118,6,'2020-08-18 13:37:56','2020-08-18 12:37:56','Anna Wales','Anna Wales','Anna Wales','inherit','open','closed','','anna-wales-studio-portrait-72-dpi-photo-by-lee-hodges','','','2020-08-18 13:38:06','2020-08-18 12:38:06','',1116,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/anna-wales-studio-portrait-72-dpi-photo-by-lee-hodges.jpg',0,'attachment','image/jpeg',0),(1119,7,'2020-08-18 13:39:20','2020-08-18 12:39:20','','Kate Holland','','inherit','open','closed','','bbportrait','','','2020-08-18 13:40:00','2020-08-18 12:40:00','',1117,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/bbportrait.jpg',0,'attachment','image/jpeg',0),(1120,6,'2020-08-18 13:43:31','2020-08-18 12:43:31','Nicolas is a designer from the Pontifical Catholic University of Chile, having dedicated more than 25 years to jewellery making and the design of small-scale objects.\r\n\r\n\"My work has a special emphasis on design and is characterized by a constant search for new shapes through experimentation with different materials, giving special importance to the crafts.\"\r\n\r\nHe regularly participates in fairs, handicraft and contemporary jewellery and design exhibitions in Chile and abroad.\r\nRecognized with the Seal of Excellence of Artesanía Chile in 2009 for innovation in design and production, and for excellence in the use of materials.','Nicolas Hernandez','','publish','closed','closed','','nicolas-hernandez','','','2020-08-18 13:43:31','2020-08-18 12:43:31','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1120',0,'makers','',0),(1121,6,'2020-08-18 13:40:06','2020-08-18 12:40:06','Nicolas Hernandez','Nicolas Hernandez','Nicolas Hernandez','inherit','open','closed','','nicolas','','','2020-08-18 13:40:22','2020-08-18 12:40:22','',1120,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/nicolas.jpg',0,'attachment','image/jpeg',0),(1122,7,'2020-08-18 13:44:14','2020-08-18 12:44:14','Tracey Bush\'s work has often dealt with the impact that man makes on the environment and she began nine wild plants after reading ecological thinkers, who note that the average Western adult can recognise over 1000 brand names or logos, but fewer than ten local, indigenous plants. posing the question \'which nine wild plants could you confidently identify?\' Bush began emailing a range of people and collecting their responses.\r\n\r\nThese collages and drawing interweave a theme of lost knowledge with the rigour of scientific specimens. Bush referred to the herbarium handbook as well as to her own observed drawings to make templates for hand-drawn plant silhouettes; she then collaged fragments of found materials illustrating sweet packet, cigarette and fizzy drink logos etc. the combination of austere black line drawing with the attention-grabbing colours and type styles of brand names and packaging is compelling.','Tracey Bush','','publish','closed','closed','','tracey-bush','','','2020-08-18 15:48:24','2020-08-18 14:48:24','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1122',0,'makers','',0),(1123,7,'2020-08-18 13:43:04','2020-08-18 12:43:04','','traceyandsnail','','inherit','open','closed','','traceyandsnail','','','2020-08-18 13:43:11','2020-08-18 12:43:11','',1122,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/traceyandsnail.jpeg',0,'attachment','image/jpeg',0),(1125,7,'2020-08-18 13:45:32','2020-08-18 12:45:32','','studio-pic-by-yseult','','inherit','open','closed','','studio-pic-by-yseult','','','2020-08-18 13:45:37','2020-08-18 12:45:37','',1124,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/studio-pic-by-yseult.jpeg',0,'attachment','image/jpeg',0),(1126,7,'2020-08-18 13:48:30','2020-08-18 12:48:30','Emily Kidson is known for her use of laminate and wood with sterling silver. Colour is central to her work and is the backdrop to a minimal, modern aesthetic with areas of intricate detail.\r\n\r\nHer inspiration comes from anywhere and everywhere, whether a quickly-captured image or the careful contemplation of a painting. Nature, art and architecture are particular influences.\r\n\r\nEmily has come back to making after a career as an art librarian. Her use of laminate started when she discovered it as samples in the Materials Collection at Central Saint Martin’s library in 2013.','Emily Kidson','','publish','closed','closed','','1126','','','2020-08-18 15:22:28','2020-08-18 14:22:28','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1126',0,'makers','',0),(1127,7,'2020-08-18 13:47:42','2020-08-18 12:47:42','','Emily Kidson','','inherit','open','closed','','emilykidson','','','2020-08-18 13:47:52','2020-08-18 12:47:52','',1126,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/emilykidson.jpeg',0,'attachment','image/jpeg',0),(1128,7,'2020-08-18 13:50:31','2020-08-18 12:50:31','Lucas Ferreira‘s works are made from small hand crafted fragments of ceramic. Small flat rectangles are joined together to form a circle. Each fragment, the same size and shape, one next to the other, almost sewn together, accumulated to form sequences, rhythms, which are then altered by the inclusion of black pieces.\r\n\r\nRepetition, sequence, order and interruption convey the method by which the fragments are meticulously arranged creating geometric and abstract shapes. Some of the works appear at the same time in a series, where the alteration of the black pieces marks different spaces and rhythm in the compositions. The work is subtle, intriguing. Only a closer look will offer the viewer a rendition of what it is about. “My work is inspired by geological formations. I enjoy crafting minimalist textured studies inspired by how rocky surfaces are reshaped over time.”\r\n\r\nLucas studied Film Production in the London College of Communication. He learnt ceramics by assisting his mother, the ceramic artist Valeria Nascimento in her studio. Lucas has shown in galleries in the UK and abroad and recently joined jaggedart.','Lucas Ferreira','','publish','closed','closed','','lucas-ferreira','','','2020-08-18 13:50:31','2020-08-18 12:50:31','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1128',0,'makers','',0),(1129,7,'2020-08-18 13:49:35','2020-08-18 12:49:35','','Lucas Ferreira','','inherit','open','closed','','lucasferreira','','','2020-08-18 13:49:52','2020-08-18 12:49:52','',1128,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lucasferreira.png',0,'attachment','image/png',0),(1130,6,'2020-08-18 13:52:43','2020-08-18 12:52:43','Wu is an interdisciplinary artist focusing on metalwork, sculpture and enamel jewellery design. He started his professional career with works mainly demonstrating his masterful craftwork skills, later advancing his works by weaving in reflections and observations of the natural elements apparent in Taiwan. Additionally, as well as his creative process being quite different from the typical craft-making process, the shapes or\r\nfunctions of Wu’s works are not assigned until he decides what would be the best way to express his thoughts.\r\n\r\nWith sophisticated skill in shaping and refining his works, Wu uses craft to communicate with the relationship between the audience and the world around us through his own interpretation. From accessories to spatial sculptures, Wu has received awards for his work in Taiwan, Japan, Lithuania and\r\nItaly, and has also previously been a speaker for a Hermes workshop in Hong Kong.','Wu Ching-Chih','','publish','closed','closed','','wu-ching-chih','','','2020-08-18 13:52:43','2020-08-18 12:52:43','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1130',0,'makers','',0),(1131,6,'2020-08-18 13:51:24','2020-08-18 12:51:24','Wu Ching-Chih','Wu Ching-Chih','Wu Ching-Chih','inherit','open','closed','','wuchingchih','','','2020-08-18 13:51:51','2020-08-18 12:51:51','',1130,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/wuchingchih.jpg',0,'attachment','image/jpeg',0),(1132,6,'2020-08-18 13:54:26','2020-08-18 12:54:26','Lee was once a graphic design student, however he eventually found enjoyment and inspiration from learning the practice of lacquer art. Through combing paper (the material he uses to scratch on for his designs) and lacquer arts, Lee is blazing a trail in Taiwan’s lacquerware making scene.\r\n\r\nRather than relying on traditionally used material such as wood, ceramics and bamboo as bases for lacquerwares, Lee chooses paper for his works, a result which has amazed professional circles in Japan and elsewhere. Foldable, sturdy and highly decorative, Lee’s waterproof paper lacquerware can serve as containers, wine cups, pins and wall decorations, diversifying further the form and the use of lacquer art. As well as paper, Lee has also made lacquerware on steel and textile bases.','Lee Chi-Hong','','publish','closed','closed','','lee-chi-hong','','','2020-08-18 13:54:26','2020-08-18 12:54:26','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1132',0,'makers','',0),(1133,6,'2020-08-18 13:53:30','2020-08-18 12:53:30','Lee Chi-Hong','Lee Chi-Hong','Lee Chi-Hong','inherit','open','closed','','leechihong','','','2020-08-18 13:53:40','2020-08-18 12:53:40','',1132,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/leechihong.jpeg',0,'attachment','image/jpeg',0),(1134,7,'2020-08-18 13:54:28','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 13:54:28','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1134',0,'makers','',0),(1135,6,'2020-08-18 13:56:18','2020-08-18 12:56:18','Yi’s lacquer works defy conventional traditions primarily through her use of bright colors, various finishes and playful ideas from which they are inspired. Most of her works celebrate her childhood memories, for example, the series of Colorful Taiwanese Toys has won her wide applause. Her current project \'Desserts\' is a lively representation of her favorite food and a wish to make all desserts here to stay. For her delicate and cheerful works, Yi has received awards globally, including Taiwan, Japan, US and Germany.\r\n\r\nIn 2015, Yi founded her own studio in Taiwan, and defined the studio’s key concept as bringing out the playful side of lacquer art by offering DIY courses, lifestyle products, and accessories such as jewellery. The studio’s creative approach to lacquer making has built up a profile independent from Taiwan’s long succession of Japanese skills and aesthetics.','Yi Yu-An','','publish','closed','closed','','yi-yu-an','','','2020-08-18 13:56:18','2020-08-18 12:56:18','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1135',0,'makers','',0),(1136,6,'2020-08-18 13:55:11','2020-08-18 12:55:11','Yi Yu-An','Yi Yu-An','Yi Yu-An','inherit','open','closed','','yi-yu','','','2020-08-18 13:55:21','2020-08-18 12:55:21','',1135,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/yi-yu.jpg',0,'attachment','image/jpeg',0),(1137,6,'2020-08-18 13:58:58','2020-08-18 12:58:58','Soledad has lived in San Pedro de Atacama for almost 30 years. Surrounded by a vast and amazing landscape, she connects with the ancient local language: pre-Columbian pottery.\r\n\r\n\"My work is deeply rooted in the ancestral and powerful pre-Columbian pottery tradition and its ancient shaping, burnishing and firing processes. It is in the slowness of the process of building each piece, where I try to find a sort of rhythm between volume and form, stillness and movement, balance and tension.\r\nI make one-of-a-kind handbuilt, sculptural vessels using the old techniques of pinching, coiling and paddling.\r\nEach piece is burnished with a small river stone several times during the drying process, in order to achieve a certain tactile surface. Each piece undergoes one or two firings, depending on the color and surface I am looking for. I make a low temperature gas kiln firing and I also make the traditional open sky firing, using llama and goat dung as fuel. On a low temperature gas kiln firing I can obtain an evenly red surface on pieces. If I want a red surface but with some smoke and black marks, I make the traditional firing with an oxidizing atmosphere.\r\nIf I am looking for a smoked black graphite marks surface, I make the traditional firing with a strong reduction atmosphere.\"\r\n\r\nThrough an ongoing relation with clay, her work is meant to express intuitions and sensations that are constantly present when inhabiting the vast Atacama Desert and Altiplano territory and its outstanding atmosphere. The territory has become a part of the artist\'s own identity; silence, solitude and vastness have shaped Soledad and her work.','Soledad Christie Browne','','publish','closed','closed','','soledad-christie-browne','','','2020-08-18 13:58:58','2020-08-18 12:58:58','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1137',0,'makers','',0),(1138,6,'2020-08-18 13:57:13','2020-08-18 12:57:13','Soledad Christie Browne','Soledad Christie Browne','Soledad Christie Browne','inherit','open','closed','','soledad-christie-browne-piece-portrait','','','2020-08-18 13:57:30','2020-08-18 12:57:30','',1137,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/soledad-christie-browne-piece-portrait.jpg',0,'attachment','image/jpeg',0),(1139,1,'2020-08-18 14:43:48','2020-08-18 13:43:48','a:7:{s:8:\"location\";a:1:{i:0;a:1:{i:0;a:3:{s:5:\"param\";s:9:\"post_type\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:6:\"makers\";}}}s:8:\"position\";s:6:\"normal\";s:5:\"style\";s:7:\"default\";s:15:\"label_placement\";s:3:\"top\";s:21:\"instruction_placement\";s:5:\"label\";s:14:\"hide_on_screen\";s:0:\"\";s:11:\"description\";s:0:\"\";}','Realted Makers','realted-makers','publish','closed','closed','','group_5f3bda99435c3','','','2020-08-18 14:44:13','2020-08-18 13:44:13','',0,'https://lcw.hdksites.co.uk/?post_type=acf-field-group&#038;p=1139',100,'acf-field-group','',0),(1140,1,'2020-08-18 14:43:48','2020-08-18 13:43:48','a:11:{s:4:\"type\";s:11:\"post_object\";s:12:\"instructions\";s:87:\"Add related makers. If not selected the makers will automatically relate by discipline.\";s:8:\"required\";i:0;s:17:\"conditional_logic\";i:0;s:7:\"wrapper\";a:3:{s:5:\"width\";s:0:\"\";s:5:\"class\";s:0:\"\";s:2:\"id\";s:0:\"\";}s:9:\"post_type\";a:1:{i:0;s:6:\"makers\";}s:8:\"taxonomy\";s:0:\"\";s:10:\"allow_null\";i:0;s:8:\"multiple\";i:1;s:13:\"return_format\";s:2:\"id\";s:2:\"ui\";i:1;}','Related Makers','related_makers','publish','closed','closed','','field_5f3bdaa0e3056','','','2020-08-18 14:43:48','2020-08-18 13:43:48','',1139,'https://lcw.hdksites.co.uk/?post_type=acf-field&p=1140',0,'acf-field','',0),(1141,7,'2020-08-18 15:23:39','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 15:23:39','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1141',0,'makers','',0),(1142,7,'2020-08-18 15:41:56','2020-08-18 14:41:56','Jeremy May transforms reclaimed books into unique pieces of jewellery carefully cut from the pages of the book.  The layers of text and images are visible through the lacquered surface of each piece, which is painted and polished before being returned to the space in the book from whence it came.  Jeremy trawls through book markets on his travels to foreign countries; each book chosen has a history; it was bought, read, written on, sold on or given as a gift. In time, it was passed on to a street vendor, a second hand bookshop, or offered to Jeremy.  Often geometric in shape, the form and colour of each piece is inspired by a specific quote from each respective book.\r\n\r\nJeremy trained as a Landscape Architect and created his first paper ring in 2007.','Jeremy May','','publish','closed','closed','','jeremy-may','','','2020-08-18 15:41:56','2020-08-18 14:41:56','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1142',0,'makers','',0),(1143,7,'2020-08-18 15:41:19','2020-08-18 14:41:19','','jeremy-may-portrait','','inherit','open','closed','','jeremy-may-portrait','','','2020-08-18 15:41:29','2020-08-18 14:41:29','',1142,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jeremy-may-portrait.jpeg',0,'attachment','image/jpeg',0),(1144,7,'2020-08-18 15:44:39','2020-08-18 14:44:39','Chanelle is the one woman band behind Studio Nelle, each product is handcrafted using leather reclaimed from the fashion industry. By creating pieces from materials that already exist in abundance in the world, she is saying no to wasteful production practices that harm our environment - a way of promoting reuse and recycling in the fashion community.\r\n\r\nChanelle believes everyone should have a creative outlet in order to sustain maintain a healthy mindset. Making with your hands can reduce stress, increase self-esteem and boost confidence. Chanelle introduces participants to the art of leather craft as her way of promoting a more conscious and mindful lifestyle through a creative outlet.','Chanelle Joseph','','publish','closed','closed','','chanelle-joseph','','','2020-08-18 15:44:39','2020-08-18 14:44:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1144',0,'makers','',0),(1145,7,'2020-08-18 15:44:12','2020-08-18 14:44:12','','chanelle','','inherit','open','closed','','chanelle','','','2020-08-18 15:44:26','2020-08-18 14:44:26','',1144,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/chanelle.jpg',0,'attachment','image/jpeg',0),(1146,7,'2020-08-18 15:47:23','2020-08-18 14:47:23','Jonty Bottomley is a 24 year old maker from South East London who’ll try his hand on more or less anything. Jonty has always had a series of making projects starting off from simple portable boomboxes, through art and framing, into Jewellery and display cabinets. From there he has been getting increasingly experimented with wood and metal, from small projects like spinning tops and light pulls, through pens and bowls up to desks, chests of drawers and beds.','Jonty Bottomley','','publish','closed','closed','','jonty-bottomley','','','2020-08-18 15:47:23','2020-08-18 14:47:23','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1146',0,'makers','',0),(1147,7,'2020-08-18 15:46:37','2020-08-18 14:46:37','','jonty','','inherit','open','closed','','jonty','','','2020-08-18 15:46:44','2020-08-18 14:46:44','',1146,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jonty.jpg',0,'attachment','image/jpeg',0),(1148,7,'2020-08-18 15:53:19','2020-08-18 14:53:19','Lily Pearmain is a Peckham based ceramic artist, driven by experimenting with new processes and approaches to clay as a material, while keeping work clean using minimal glazing and simple forms. Her work is technically complicated, but visually minimal, and subtly balanced, with the forms taking on human proportion. She enjoys the satisfaction and fluidity found in production making, as well as the opportunity to experiment with one off pieces using the techniques honed in production making. She predominantly uses the potters wheel, even for sculptural pieces, with minimal glazing.\r\n\r\nPeckham Craft Show is excited to be showing Lily’s work for the second time at Copeland Gallery between the 9th to the 12th of May. Her work will be exhibited alongside 50 mixed media makers in curated still lifes.','Lily Pearmain','','publish','closed','closed','','lily-pearmain','','','2020-08-18 15:53:19','2020-08-18 14:53:19','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1148',0,'makers','',0),(1149,7,'2020-08-18 15:52:10','2020-08-18 14:52:10','','lily-pearmain-04','','inherit','open','closed','','lily-pearmain-04','','','2020-08-18 15:52:26','2020-08-18 14:52:26','',1148,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lily-pearmain-04.jpg',0,'attachment','image/jpeg',0),(1150,7,'2020-08-18 15:55:58','2020-08-18 14:55:58','Helena Lacy is a London based Sculptor and Ceramicist. Helena creates abstract sculptures from clay usually based on the female body as a form. She likes to take separate aspects of the body that are traditionally feminine such as the curves of breasts and hips - these parts are then put back together, creating an abstracted expression of the female body. This is the theme behind a lot of her work, being re-inventive with a single form. Helena’s vases play with heights and levels, to create unique practical sculptures that are for displaying both succulents and cut flowers together. She draws inspiration for these vases from the Japanese art of flower arrangement, Ikebana.\r\n\r\nPeckham Craft Show is excited to be showing Helena’s work for the third year in a row at Copeland Gallery between the 9th to the 12th of May. Helena’s work will be exhibited alongside 50 mixed media makers in curated still lifes.','Helena Lacy','','publish','closed','closed','','helena-lacy','','','2020-08-18 15:55:58','2020-08-18 14:55:58','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1150',0,'makers','',0),(1151,7,'2020-08-18 15:54:39','2020-08-18 14:54:39','','helena-lacy','','inherit','open','closed','','helena-lacy-03','','','2020-08-18 15:54:57','2020-08-18 14:54:57','',1150,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/helena-lacy-03.jpg',0,'attachment','image/jpeg',0),(1152,7,'2020-08-18 15:58:59','2020-08-18 14:58:59','Freya Bramble-Carter is a London based ceramicist. Freya\'s ideology centres around her identity as a black female artist with a strong voice, that has derived from having a Rastafari father who through his own success introduced her to the world of clay. Freya studied Fine Art at Chelsea College of Arts, but has been working with clay since she was a child, firing pots in her father’s studio. Having always felt a strong physical connection to the clay she works with, Freya believes in creating pieces with soul, that inspire and become a source of energy in the home and is determined to bring a piece of the craft into the homes of others.\r\n\r\nPeckham Craft Show is excited to be showing Freya’s work for the third year in a row at Copeland Gallery between the 9th to the 12th of May. Hannah’s work will be exhibited alongside 50 mixed media makers in curated still lifes.','Freya Bramble-Carter','','publish','closed','closed','','freya-bramble-carter','','','2020-08-18 15:58:59','2020-08-18 14:58:59','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1152',0,'makers','',0),(1153,7,'2020-08-18 15:57:24','2020-08-18 14:57:24','','freya-bramble-carter','','inherit','open','closed','','freya-bramble-carter-02','','','2020-08-18 15:57:33','2020-08-18 14:57:33','',1152,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/freya-bramble-carter-02.png',0,'attachment','image/png',0),(1154,7,'2020-08-18 16:03:41','2020-08-18 15:03:41','Hannah Bould is a potter who lives and works in North London. After initially studying Illustration at Camberwell College of Art, Hannah went on to work in Fine Art printmaking, before getting involved with clay in 2012. Now working full-time from her garden studio; making functional, wheel thrown, stoneware ceramics, Hannah’s work is primarily monochromatic and she mostly works with wax resist, focusing on geometric bold shapes and expressive painterly marks.\r\n\r\nPeckham Craft Show is excited to be showing Hannah’s work for the second year in a row at Copeland Gallery between the 9th to the 12th of May. Hannah’s work will be exhibited alongside 50 mixed media makers in curated still lifes.','Hannah Bould','','publish','closed','closed','','hannah-bould','','','2020-08-18 16:03:41','2020-08-18 15:03:41','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1154',0,'makers','',0),(1155,7,'2020-08-18 16:02:09','2020-08-18 15:02:09','','hannah-bould','','inherit','open','closed','','hannah-bould-01','','','2020-08-18 16:02:19','2020-08-18 15:02:19','',1154,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/hannah-bould-01.jpg',0,'attachment','image/jpeg',0),(1156,7,'2020-08-18 16:03:45','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 16:03:45','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1156',0,'makers','',0),(1157,3,'2020-08-18 16:06:36','2020-08-18 15:06:36','Rahel Zoller is a book arts and design specialist technician and member of the Artists’ Book Cooperative. Rahel has published several artists’ books and exhibited internationally. Her books are part of several collections, including the Artists’ Books Tate Library Collection and the archive of MACBA, Barcelona.','Rahel Zoller','','trash','closed','closed','','rahel-zoller-2__trashed','','','2020-08-18 17:52:39','2020-08-18 16:52:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1157',0,'makers','',0),(1158,3,'2020-08-18 16:11:41','2020-08-18 15:11:41','Jessica Jue is a London-based silversmith who explores traditional techniques to craft beautiful contemporary designs. Inspired by themes of balance and harmony, she aims to create a sense of movement and rhythm within her collection.\r\n\r\nFluid and playful curves form the organic visual narrative. Jue manipulates her forms through techniques of raising and chasing, while also exploring various surface textures, most recently with the addition of gold.','Jessica Jue','','trash','closed','closed','','jessica-jue-2__trashed','','','2020-08-18 17:52:28','2020-08-18 16:52:28','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1158',0,'makers','',0),(1159,3,'2020-08-18 16:09:10','2020-08-18 15:09:10','','jessica-jue-hot-bench-working-13','','inherit','open','closed','','jessica-jue-hot-bench-working-13-2','','','2020-08-18 16:09:23','2020-08-18 15:09:23','',1158,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jessica-jue-hot-bench-working-13.jpeg',0,'attachment','image/jpeg',0),(1160,7,'2020-08-18 16:11:59','2020-08-18 15:11:59','Charlotte Couttie is a designer based in London, originally from New Zealand. Charlotte is interested in a broad range of materials and textures, which are the driving force behind her designs. Her love of colour, and for the handmade imperfections that craft practise creates – is what influences her practice. The products created move between the disciplines of jewellery making and textile prints.','Charlotte Couttie','','publish','closed','closed','','charlotte-couttie','','','2020-08-18 16:11:59','2020-08-18 15:11:59','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1160',0,'makers','',0),(1161,7,'2020-08-18 16:10:37','2020-08-18 15:10:37','','Charlotte Couttie','','inherit','open','closed','','char-profile','','','2020-08-18 16:10:51','2020-08-18 15:10:51','',1160,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/char-profile.jpg',0,'attachment','image/jpeg',0),(1162,3,'2020-08-18 16:15:10','2020-08-18 15:15:10','Sean Gwee is interested in structures, hosting, pots, performance and process. He works informally and improvisationally but always rigorously with friends and whoever shows up. Finishing his final year at the Architectural Association, Sean is the recipient of the Mark Fisher Scholarship, a scholarship in memory of Mark Fisher, pioneer of the modern rock performance and designer for the likes of Pink Floyd and the Rolling Stones.','Sean Gwee','','trash','closed','closed','','sean-gwee-2__trashed','','','2020-08-18 17:52:19','2020-08-18 16:52:19','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1162',0,'makers','',0),(1163,7,'2020-08-18 16:17:22','2020-08-18 15:17:22','Based in Deptford &amp; East Dulwich in South London and Lower Stable Street in Coal Drops Yard Kings Cross. iyouall offers a considered collection of products with simplicity, quality, and functionality running through its core. The store was set up by Fleur Paterson &amp; Matt Cottis from iya studio which has been at the forefront of creative design for over 12 years. They work with individuals and brands, both start-up and global, to develop ideas and identities across the physical and digital worlds. To follow this philosophy, the store\'s products are sourced from local designers and makers, along with global brands, to offer a curated selection for those with an eye for design.\r\n\r\niyouall is a considered collection of homeware, accessories, stationery, furniture and curios beautifully packaged with simplicity, quality and functionality running through their core.','iyouall','','publish','closed','closed','','iyouall','','','2020-08-18 16:17:22','2020-08-18 15:17:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1163',0,'makers','',0),(1164,7,'2020-08-18 16:14:59','2020-08-18 15:14:59','','fleur-paterson','Founder and owner of IYA Studio in Deptford Fleur Paterson designed the interior of the show home at Signal Townhouses in Greenwich\nPhoto Matt Grayson \nWARNING WHARF USE ONLY - CONTACT PHOTOGRAPHER FOR FURTHER USE ON 07790 775981','inherit','open','closed','','fleur-paterson','','','2020-08-18 16:15:56','2020-08-18 15:15:56','',1163,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/fleur-paterson.jpg',0,'attachment','image/jpeg',0),(1165,3,'2020-08-18 16:18:05','2020-08-18 15:18:05','Tiffany Loy is a Singaporean textile weaver, first trained in industrial design at National University of Singapore, then textile-weaving at Kawashima Textile School. Loy is a receipient of DesignSingapore Scholarship, graduating in 2020 with an MA in Textiles from the Royal College of Art, specialising in woven textiles.\r\n\r\nSince the founding of her eponymous studio in 2014, Loy’s experimental works have been exhibited internationally, in France, Italy, Japan, United Kingdom, and Singapore, and at venues such as Singapore Art Museum, Kyoto Municipal Art Museum, and La Triennale di Milano. Loy’s background in product and textile design has led to her unique approach in cross-breeding design methodologies.\r\n\r\nEquipped with skills from both disciplines, Loy freely challenges existing modes of design and production. Often referring to traditional techniques and exploring ways to re-frame them in the contemporary context, Loy’s work builds on heritage in experimental ways.\r\n\r\nLoy believes in pushing the boundaries of material applications, and in creating relevant discourse on new technologies for the future.','Tiffany Loy','','trash','closed','closed','','tiffany-loy-2__trashed','','','2020-08-18 17:52:06','2020-08-18 16:52:06','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1165',0,'makers','',0),(1166,3,'2020-08-18 16:16:31','2020-08-18 15:16:31','','tiffany-loy-team-judith','','inherit','open','closed','','tiffany-loy-team-judith-2','','','2020-08-18 16:16:54','2020-08-18 15:16:54','',1165,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/tiffany-loy-team-judith-1.jpg',0,'attachment','image/jpeg',0),(1167,7,'2020-08-18 16:21:25','2020-08-18 15:21:25','Makers Cabinet are inspired by the most time-honoured materials and mechanisms ever made. We often reflect on our past to design for now and the future. Our products are designed to be kept forever as we counter what is ephemeral and standardised.\r\n\r\nWe are committed to creating a community of makers who are satisfied, inspired and cherish the functional tools with which they create with. That is why our new designs always start with conversations in the workplace where we attempt to understand what can be improved to provoke creativity.\r\n\r\nOur first product the Høvel was launched In 2017 alongside our Product Design degree at Central Saint Martins. Høvel is a miniature hand plane used for sharpening pencils to any given point. Its easily replaceable carbon steel blades allow you to keep it supremely sharp and rid yourself of pencil lead breaking frustration.\r\n\r\nLater on this year we will be launching our second product - the Iris. Iris is designed to perfectly measure and aid in the drawing of circles. Its stainless-steel leaves rotate inside of a solid brass enclosing, scaling to the perfect size. It was heavily inspired by cameras evoking the seductive aperture openings of a lens. Its red dot allows you to naturally gauge the Iris for creating repeat and changing circles. The Iris will be launching on Kickstarter on Tuesday 7th May 2019.\r\n\r\nOur well-designed objects have caught the attention of industry leaders within the stationery and gift markets. Later this month we will be exhibiting at the London Stationery Show’s Launchpad where we will be on the Trend Tours route  and will be holding a workshop demonstrating \"how to properly sharpen a pencil.\" Earlier this year our Founder and Head of Design Odin Adargh was awarded a ‘Star Choice’ in Stationery Matters’ Thirty under Thirty award and we have been shortlisted for a Prize in the Stationery Awards for Høvel. Alongside this we were awarded a spot in the Central Research Laboratory’s Accelerator program allowing us to boost the growth of our company by developing products and meeting business front-runners.','Makers Cabinet','','publish','closed','closed','','makers-cabinet','','','2020-08-18 16:21:25','2020-08-18 15:21:25','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1167',0,'makers','',0),(1168,3,'2020-08-18 16:21:18','2020-08-18 15:21:18','Daniel the Gardener specialises in freehand botanical tattoos and is the in-resident tattooist at Parliament, the renowned London tattoo studio. His intricate freehand-drawn tattoos are characterised by monochrome floral and botanical motifs, each one a transformative composition that is deeply personal to the client.\r\n\r\nFor London Craft Week, Daniel has taken inspiration from the William Morris Gallery’s collection of original drawings, wallpaper and textiles to create a unique design, to be tattooed live in the Gallery. Like Morris, Daniel takes endless inspiration from the beautiful flower and leaf shapes found in nature, but rather than applying them to the flat surfaces of walls and furniture, Daniel expertly applies them to the shapes and contours of the human body.','Daniel the Gardener','','trash','closed','closed','','daniel-the-gardener-2__trashed','','','2020-08-18 17:51:14','2020-08-18 16:51:14','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1168',0,'makers','',0),(1169,7,'2020-08-18 16:20:02','2020-08-18 15:20:02','','makers-cabinet','','inherit','open','closed','','makers-cabinet','','','2020-08-18 16:20:19','2020-08-18 15:20:19','',1167,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/makers-cabinet.jpg',0,'attachment','image/jpeg',0),(1170,3,'2020-08-18 16:20:32','2020-08-18 15:20:32','','cdaniel-gardener','','inherit','open','closed','','cdaniel-gardener-2','','','2020-08-18 16:20:41','2020-08-18 15:20:41','',1168,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/cdaniel-gardener-1.jpg',0,'attachment','image/jpeg',0),(1171,3,'2020-08-18 16:24:04','2020-08-18 15:24:04','Luke works as a lute maker based in Colchester, Essex, where he makes, repairs and refurbishes lutes and related early plucked instruments. As an active player as well as maker, he has a passion for making the best-sounding Renaissance lutes, and first and foremost focuses on sound quality and playability.\r\n\r\nLuke comments that ‘The lute has such a wonderful sound and repertoire, its music continues to inspire me. Being able to build these beautiful tools for musicians is a key driver behind my work.’','Luke Emmet','','trash','closed','closed','','luke-emmet-2__trashed','','','2020-08-18 17:51:52','2020-08-18 16:51:52','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1171',0,'makers','',0),(1172,7,'2020-08-18 16:24:40','2020-08-18 15:24:40','Born in Indonesia in 1993, Tobing Dewi is a visual artist and designer.  A graduate from Petra Christian University, using mainly ink and watercolours, Dewi expresses herself through artwork with monochrome and shading effects. Dewi gets her inspiration from her daily life and focusing on feelings, human, and relationships. In 2015, after graduating from university, Dewi founded a label \"obie\". Dewi likes to try new things; that\'s why obie products develop over time from prints and merchandise to clothing and then home and living.','By.Obie','','publish','closed','closed','','by-obie','','','2020-08-18 16:24:40','2020-08-18 15:24:40','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1172',0,'makers','',0),(1173,3,'2020-08-18 16:22:56','2020-08-18 15:22:56','','luke-emmett-luthier','','inherit','open','closed','','luke-emmett-luthier-2','','','2020-08-18 16:23:09','2020-08-18 15:23:09','',1171,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/luke-emmett-luthier-1.jpg',0,'attachment','image/jpeg',0),(1174,7,'2020-08-18 16:23:43','2020-08-18 15:23:43','','byobie-profile-picture','','inherit','open','closed','','byobie-profile-picture','','','2020-08-18 16:24:03','2020-08-18 15:24:03','',1172,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/byobie-profile-picture.jpg',0,'attachment','image/jpeg',0),(1175,3,'2020-08-18 16:26:00','2020-08-18 15:26:00','Hubert Kwisthout has been a bagpipe enthusiast since an early age and started out playing with a Scottish pipeband in his home country of Holland. He moved to the UK in the 1970s to learn pipe making and has been making them ever since. Uilleann pipes are the national bagpipe of Ireland and are known for having a sweeter and quieter sound than other bagpipes. You can even try them out if you wish!','Hubert Kwisthout','','trash','closed','closed','','hubert-kwisthout-2__trashed','','','2020-08-18 17:45:32','2020-08-18 16:45:32','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1175',0,'makers','',0),(1176,7,'2020-08-18 16:27:17','2020-08-18 15:27:17','Ray G Brown is a designer and maker of uncustomary crafted objects. His work explores the poetic qualities of materials - especially those which are often overlooked or discarded. He studied Furniture Making and Product Design at The Cass School of Art and Design, where he first developed his technique of forming ceramics with combustible cardboard moulds. He recently collaborated with the craftsmen of the historic Stoke-on-Trent pottery Royal Stafford, to create a slip-cast version of this characterful making process.','Ray G Brown','','publish','closed','closed','','ray-g-brown','','','2020-08-18 16:27:17','2020-08-18 15:27:17','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1176',0,'makers','',0),(1177,3,'2020-08-18 16:25:23','2020-08-18 15:25:23','','heathcliff2851038b','','inherit','open','closed','','heathcliff2851038b-2','','','2020-08-18 16:25:36','2020-08-18 15:25:36','',1175,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/heathcliff2851038b-1.jpg',0,'attachment','image/jpeg',0),(1178,3,'2020-08-18 16:28:18','2020-08-18 15:28:18','Jack Darach is one of Britain’s leading young woodwind instrument makers. Based in Brighton, Jack was awarded the QEST (Queen Elizabeth Scholarship Trust) Turners’ Livery Company Prize for 2016. In 2017/2018 he became a recipient of a travelling fellowship from the Winston Churchill Memorial Trust to pursue research into recorder making across Europe and Japan. He produces a range of modern and historical instruments based on those found in European museums and his own research.','Jack Darach Recorders','','trash','closed','closed','','jack-darach-recorders-2__trashed','','','2020-08-18 17:51:26','2020-08-18 16:51:26','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1178',0,'makers','',0),(1179,7,'2020-08-18 16:26:38','2020-08-18 15:26:38','','ray-g-brown','','inherit','open','closed','','ray-g-brown','','','2020-08-18 16:26:57','2020-08-18 15:26:57','',1176,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/ray-g-brown.jpg',0,'attachment','image/jpeg',0),(1180,3,'2020-08-18 16:27:27','2020-08-18 15:27:27','','27-jack-darasch','','inherit','open','closed','','27-jack-darasch-2','','','2020-08-18 16:28:10','2020-08-18 15:28:10','',1178,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/27-jack-darasch-1.jpg',0,'attachment','image/jpeg',0),(1181,7,'2020-08-18 16:31:13','2020-08-18 15:31:13','Elizabeth studied Ceramics and Glass at University in High Wtycombe, going on to complete the Hot Glass Techniques class at Bournemouth and Poole College.\r\n\r\nThrough taking short courses in Borosilicate glass working in the UK, youtube videos and an informal apprenticeship Elizabeth gained the basic knowledge to start developing her skills on her own.\r\n\r\nSetting up her business with the help of the Prince’s Trust Enterprise Programme in 2012 gave her the encouragement to continue. In January 2016 Elizabeth took a class at Corning Museum of Glass with Suellen Fowler, a modern master of glass sculpture and whose initial colour experiments have given the Borosilicate glass palette such diversity.\r\n\r\nElizabeth works from her studio in Angmering, West Sussex and is a relatively new member of the Sussex Guild of Craftsmen. Her work is inspired by the Natural World, particularly the Octopus. Using and oxygen propane flame glass rods are melted together to create flowing arms with swirling colours. Attention is paid to create an animal that has a character as well as trying to stick to the reality of the subject as much as possible. Everything is cooled slowly within a kiln to ‘de-stress’ the glass in a process Called annealing takes place.','Elizabeth Welch','','publish','closed','closed','','elizabeth-welch','','','2020-08-18 16:31:13','2020-08-18 15:31:13','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1181',0,'makers','',0),(1182,3,'2020-08-18 16:30:28','2020-08-18 15:30:28','Niebisch &amp; Tree specialise in concert harp repair and restoration as well as making a range of bespoke harps to their own design. Whilst being passionate about keeping alive the skills of harp making that have been used for hundreds of years, they combine it with modern techniques and machinery, allowing them to achieve and maintain the highest standards of excellence.','Niebisch & Tree Harps','','trash','closed','closed','','niebisch-tree-harps-2__trashed','','','2020-08-18 17:51:08','2020-08-18 16:51:08','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1182',0,'makers','',0),(1183,7,'2020-08-18 16:29:09','2020-08-18 15:29:09','','image1-2','','inherit','open','closed','','image1-2-2','','','2020-08-18 16:29:24','2020-08-18 15:29:24','',1181,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/image1-2.jpg',0,'attachment','image/jpeg',0),(1184,3,'2020-08-18 16:32:46','2020-08-18 15:32:46','Isabelle is a jewellery and travel insider and the founder of Toronto-based <a href=\"https://www.ruepigalle.ca\" data-cke-saved-href=\"https://www.ruepigalle.ca\">Rue Pigalle</a>. In addition to profiling—and championing—independent designers on her blog and social platforms, this former lawyer creates bespoke trips for curious women who want meaningful travel experiences that celebrate jewellery, art and culture.\r\n\r\nBorn and raised in France, Isabelle says she grew up with an appreciation for handcrafted pieces and their power to inspire and evoke emotions. On her trips to New York, Paris and London, she brings her guests on private visits to artists’ ateliers and haute couture salons as well as behind-the-scenes tours at museums. A Rue Pigalle tour is its own beautifully crafted work of art.','Isabelle Fish','','trash','closed','closed','','isabelle-fish-2__trashed','','','2020-08-18 17:50:55','2020-08-18 16:50:55','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1184',0,'makers','',0),(1185,7,'2020-08-18 16:35:24','2020-08-18 15:35:24','Jaejun Lee is a Korean ceramicist working in Cardiff, UK. In 2017, he applied for the Tier 1 \'Exceptional Talent\' Visa and The Art Council England let him to stay and work in the UK for 5 years. He moved to Cardiff and set up his own studio in 2018 and now he spent most of his days in the studio. His work in its purity carries the traditional humble aesthetic of Korean ceramics across the seas to the UK where they are enriched by the colours and vibrancy of a land with so many different cultures. His work is simple yet striking, preserving and spreading the Korean wisdom in ceramic beauty.','Jaejun Lee','','publish','closed','closed','','jaejun-lee','','','2020-08-18 16:35:24','2020-08-18 15:35:24','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1185',0,'makers','',0),(1186,3,'2020-08-18 16:32:15','2020-08-18 15:32:15','','isabellefishheadshotsjuly62016-0692','','inherit','open','closed','','isabellefishheadshotsjuly62016-0692-2','','','2020-08-18 16:32:28','2020-08-18 15:32:28','',1184,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/isabellefishheadshotsjuly62016-0692-1.jpg',0,'attachment','image/jpeg',0),(1187,7,'2020-08-18 16:32:36','2020-08-18 15:32:36','','jaejun-lee','','inherit','open','closed','','jaejun-lee','','','2020-08-18 16:32:59','2020-08-18 15:32:59','',1185,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jaejun-lee.jpg',0,'attachment','image/jpeg',0),(1188,3,'2020-08-18 16:35:46','2020-08-18 15:35:46','Denise de Cordova was born in Birkenhead in1957. She trained at the Laird School of Arts and Crafts, Birkenhead (1975–1976) and Brighton Polytechnic (1977–1980). In 1981 she was selected for the Royal College of Art Travel Scholarship to Carrara, Italy, and in 1983 gained an MA in Sculpture from the Royal College of Art. She was the Henry Moore Foundation Fellow in 1984–1985.\r\n\r\nDe Cordova works in many different media including sculpture and heavily embroidered drawings, to ceramics, which she makes under her nom de plume Amy Bird. She has had 15 solo shows to-date, including three with the Eagle Gallery (2007, 2010 and 2011). Congregation – an installation of her ceramics and sculpture took place in 2013 at Jesus College, Cambridge. She has shown her work with Flowers Gallery and at the Royal Academy Summer Exhibition on numerous occasions and has participated in over 60 international group exhibitions internationally. She has collaborated with painter James Fisher on Camouflage – an installation of sculpture and paintings for the London Art Fair 2015.\r\n\r\nDe Cordova’s work has been commissioned for a number of public institutions including the Norwich Crown Court (1987), Battersea Park Old English Garden (1989) and Jesus College (2015).','Denise de Cordova','','trash','closed','closed','','denise-de-cordova-2__trashed','','','2020-08-18 17:50:43','2020-08-18 16:50:43','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1188',0,'makers','',0),(1189,3,'2020-08-18 16:34:33','2020-08-18 15:34:33','','denise','','inherit','open','closed','','denise-2','','','2020-08-18 16:34:48','2020-08-18 15:34:48','',1188,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/denise-1.png',0,'attachment','image/png',0),(1190,7,'2020-08-18 16:38:21','2020-08-18 15:38:21','A fine artist working with the medium of porcelain and textiles, Remy\'s installations and artworks focus on memories, fragility and deterioration. Remy\'s installations have caught the attention of multiple European art awards, having been shortlisted and showcased in Latvia and The Netherlands this year alone. Notable press includes House of CoCo and Amelia\'s Magazine.\r\n\r\nRemy Dubibe is supported and represented by Future Icons.','Remy Dubibe','','publish','closed','closed','','remy-dubibe','','','2020-08-18 16:38:21','2020-08-18 15:38:21','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1190',0,'makers','',0),(1191,3,'2020-08-18 16:37:15','2020-08-18 15:37:15','lacammalleri combines Sardinian typical textiles alongside handwoven patterns in cushions, placemats and bags. Each piece is unique, stylish and full of Italian chic.','lacammalleri','','trash','closed','closed','','lacammalleri-2__trashed','','','2020-08-18 17:50:25','2020-08-18 16:50:25','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1191',0,'makers','',0),(1192,3,'2020-08-18 16:36:31','2020-08-18 15:36:31','','unnamed-3','','inherit','open','closed','','unnamed-3-2','','','2020-08-18 16:36:45','2020-08-18 15:36:45','',1191,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-3-1.jpg',0,'attachment','image/jpeg',0),(1193,7,'2020-08-18 16:37:04','2020-08-18 15:37:04','','remy-chandelier-high-high-definition','','inherit','open','closed','','remy-chandelier-high-high-definition','','','2020-08-18 16:37:21','2020-08-18 15:37:21','',1190,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/remy-chandelier-high-high-definition.jpg',0,'attachment','image/jpeg',0),(1194,3,'2020-08-18 16:38:52','2020-08-18 15:38:52','Jude Tucker\'s graceful sculptures and carvings in stone depict a series of common flowers, trees and seeds. The ephemeral delicacy of her subject is underlined by its translation into an immutable form. Time is halted - a moment preserved - in the sensitively rendered works. Using a variety of different stones, Jude\'s intricate works which celebrate natural beauty and form.\r\n\r\nJude Tucker trained at City and Guilds in stone carving. She is the first woman to have been commissioned to carve grotesques for St George’s Chapel in Windsor.','Jude Tucker','','trash','closed','closed','','jude-tucker-2__trashed','','','2020-08-18 17:50:07','2020-08-18 16:50:07','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1194',0,'makers','',0),(1195,3,'2020-08-18 16:38:12','2020-08-18 15:38:12','','unnamed-2','','inherit','open','closed','','unnamed-2-2','','','2020-08-18 16:38:38','2020-08-18 15:38:38','',1194,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-2-1.jpg',0,'attachment','image/jpeg',0),(1196,7,'2020-08-18 16:40:56','2020-08-18 15:40:56','A recent graduate from the Royal College of Art\'s Ceramics and Glass course, Judy McKenzie\'s postgraduate collection focuses on celebrating the Japanese ceramic processes of Nerikomi and Kintsugi. Her hand-built artworks have led her to win international awards and the attention of numerous galleries and press alike.\r\n\r\nJudy McKenzie is supported and represented by Future Icons.','Judy McKenzie','','publish','closed','closed','','judy-mckenzie','','','2020-08-18 16:40:56','2020-08-18 15:40:56','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1196',0,'makers','',0),(1197,3,'2020-08-18 16:40:54','2020-08-18 15:40:54','With a touch of humour, lightness and freshness, Charlotte’s figures move comfortably across dishes, canvases, prints and paper.\r\n\r\nHer imagery may come from her research at the archives of the ceramic Spode Museum Trust archive of copper engravings in Stoke-on-Trent, the Wallace Collection or the Victoria Gallery in Liverpool, amongst others. Motifs and patterns found on the original engravings and archives are printed, scanned, re-drawn, cut and layered to shape the language for her images. Her signature women, presented as silhouettes, are dressed in pattern and form part of the landscapes through which they meander. She appropriates every media with confidence.\r\n\r\nHer narrative is unique, regardless of the support that she chooses to use. Charlotte was awarded the Jerwood Drawing Prize for drawing with a scalpel. Since her residencies at Spode (1998-2004) and at the Wallace Collection (2005), she has been drawn to ceramics, using vases, dinner or tea sets as a platform where we can find her signature female figure meandering. Her installations may contain more than 350 pieces. Charlotte studied at the Slade School of Art, University College London.\r\n\r\nFrom 1998 until 2004 she embarked on a series of projects at the Spode factory with access to their archive transfers. In 2002 she exhibited a cabinet of 35 vases, a ceramic installation at the Victoria and Albert Museum. In 2005 she was appointed as the first Associate Artist at the Wallace Collection London making papercuts &amp; ceramics which culminated in a solo exhibition at the Wallace Collection in 2007 .\r\n\r\nAs winner of the Jerwood Drawing Prize in 2006 she participated in Drawing Breath, the survey UK touring exhibition. Her work is represented in many public collections including British Council, Women’s Art Collection New Hall University of Cambridge, the Victoria &amp; Albert Museum. Charlotte is Professor in Fine Art at London College of Fashion, University of the Arts London.','Charlotte Hodes','','trash','closed','closed','','charlotte-hodes-2__trashed','','','2020-08-18 17:49:50','2020-08-18 16:49:50','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1197',0,'makers','',0),(1198,7,'2020-08-18 16:40:11','2020-08-18 15:40:11','','lcwbargehouse-oxo-towerjudy-mckenzie','','inherit','open','closed','','lcwbargehouse-oxo-towerjudy-mckenzie','','','2020-08-18 16:40:36','2020-08-18 15:40:36','',1196,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehouse-oxo-towerjudy-mckenzie.jpg',0,'attachment','image/jpeg',0),(1199,3,'2020-08-18 16:40:18','2020-08-18 15:40:18','','jcf7276-andrea-harari','','inherit','open','closed','','jcf7276-andrea-harari-2','','','2020-08-18 16:40:35','2020-08-18 15:40:35','',1197,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jcf7276-andrea-harari-1.jpg',0,'attachment','image/jpeg',0),(1200,3,'2020-08-18 16:42:51','2020-08-18 15:42:51','Kazuhito hand picks grasses, leaves and twigs from his garden, allotment or nearby fields, sowing each blade through the paper or patiently tying twigs together. His works encompass Nature and Time: time for the grasses to grow, for them to be tender to embroider the works. As the grasses dry and mature they embark on a subtle colour shift, comparative to seasonal change.\r\n\r\nOnce harvested, the hawthorn twigs are de-thorned, cleansed and left to dry for a year before he can use them in his works. Then patiently he ties them up with linen twine, white or black, sometimes even stripping the bark off the twigs. Kazuhito also uses pure white Japanese book binding threads and a range of woods including Cedar of Lebanon, Oak, Elm and Walnut. His interest in shadows is an important dimension to his grass, wood and twig sculptures.\r\n\r\n“As the light changes or the point of view is moved, so the shadows will create a new perspective.” Kazuhito trained in Agriculture and Horticulture in Japan the US and in the UK, before studying Art and Garden Design in the UK.\r\n\r\nHis works are in important private and corporate art collections. His work has been purchased by the V&amp;A and is now on display at the museum’s permanent collection of Japanese art in the Toshiba Galleries. Kazuhito received a Special mention at the 2019 Loewe Crafts Prize with his work Kado (Angle).','Kazuhito Takadoi','','trash','closed','closed','','kazuhito-takadoi-2__trashed','','','2020-08-18 17:49:39','2020-08-18 16:49:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1200',0,'makers','',0),(1201,3,'2020-08-18 16:42:07','2020-08-18 15:42:07','','courtesy-jaggedart-london-and-kazuhito-takadoi-portrait-1-andrea-harari','','inherit','open','closed','','courtesy-jaggedart-london-and-kazuhito-takadoi-portrait-1-andrea-harari-2','','','2020-08-18 16:42:32','2020-08-18 15:42:32','',1200,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/courtesy-jaggedart-london-and-kazuhito-takadoi-portrait-1-andrea-harari-1.jpg',0,'attachment','image/jpeg',0),(1202,7,'2020-08-18 16:47:07','2020-08-18 15:47:07','Dominic developed his interest in art, architecture and antiques when living in Paris in the early 1980s. After returning to London to work in the City he soon realised how important his newly-found interests were to him, and decided to turn his passions into a career. Gifted with an eye for detail and artistic talent, he started an apprenticeship with Lucinda Compton which gave him the opportunity to learn and develop restoration skills.\r\n\r\nDominic’s high level of restoration work earned him a valuable reputation and in 1998 he and Lucinda joined forces to establish Compton &amp; Schuster Ltd. The business primarily undertook the restoration and conservation of decorative antique furniture.','Dominic Schuster','','publish','closed','closed','','dominic-schuster','','','2020-08-18 16:47:07','2020-08-18 15:47:07','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1202',0,'makers','',0),(1203,4,'2020-08-18 16:49:04','2020-08-18 15:49:04','Lucy Porter of Lucy Elisabeth creates sculptural illustration susing carefully formed monochrome and coloured wire, taking delight in the quality of line that wire creates; its shape, shadow and form. She calls herself a sculptural illustrator and her work explores the concept of frameworks, patterns, plant and skeletal forms. Lucy is inspired by natural structures: climbing foliage, human and animal anatomy. Her aim is to simplify, highlight and identify certain patterns in nature and use them to create repeated forms that can be moved and placed to interact with their immediate surroundings.\r\n\r\nThe process of bending wire is immediate and intimate. Each gesture she makes is irrevocably a commitment by Lucy to creating an expressive line that exists in three dimensions. Within her work she aims to create dynamic contrasts between solid three dimensional lines and the negative spaces in between. Lucy’s larger scale wirework sculptures are created to interact with the space around them, creating shadows and movement. She loves the immediacy of wire, the sense of creating a line that draws within a space, rather than on a sheet of paper.\r\n\r\nLucy Elisabeth joined the Design-Nation portfolio in 2018.','Lucy Elisabeth','','publish','closed','closed','','lucy-elisabeth','','','2020-08-18 16:49:04','2020-08-18 15:49:04','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1203',0,'makers','',0),(1204,3,'2020-08-18 16:44:22','2020-08-18 15:44:22','Some very diverse elements go into the creative mix at Yasemen Hussein’s studio. There’s a mountain of electrical cable, a shelf full of 1970s copper vases retrieved from the windows of local charity shops, some heavy duty welding equipment and… a concrete mixer. She is inspired by mythology, the Italian renaissance and poetry, basically – beauty. Her work is as exuberant and fantastical as it is organic, and she works at any scale – from making intricate objects for a Tim Walker set, to creating vast and dramatic sculptures for atrium spaces. Hussein studied glass work in Illinois, learned “the tricks of the trade of concrete” in California and now sculpts the most intricate copper pieces imaginable.','Yasemen Hussein','','trash','closed','closed','','yasemen-hussein-2__trashed','','','2020-08-18 17:49:23','2020-08-18 16:49:23','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1204',0,'makers','',0),(1205,3,'2020-08-18 16:43:40','2020-08-18 15:43:40','','unnamed-20','','inherit','open','closed','','unnamed-20-2','','','2020-08-18 16:44:04','2020-08-18 15:44:04','',1204,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-20-1.jpg',0,'attachment','image/jpeg',0),(1206,3,'2020-08-18 16:47:40','2020-08-18 15:47:40','Rachel trained at Brighton college of Art and was a painter and illustrator before working with paper.\r\n\r\nShe has had a successful career as a paper-artist for over ten years, hand cutting paper with a scalpel rather than a laser as although much more laborious, Rachel likes the idea of the paper having tiny faults and imperfections, enriching it with character.\r\n\r\nUsually her work takes the form of figures made from hundreds of tiny scattered paper birds but for the Posidonia project she has concentrated on the nature of the grass and the value of its presence under the sea.\r\n\r\nEach piece is the ultimate result of studies, sketches and countless provisional works, created until the right form emerges, emulating the essence of the Posidonia grass.\r\n“For me these artworks are a memorial to all that has gone before and a recognition of the various challenges we are having to live through now”\r\n\r\nWhen not collaborating with Katrina and Lizzie, Rachel is represented by Jaggedart Gallery in Marylebone as well as galleries in Suffolk and Barcelona.','Rachel Shaw Ashton','','trash','closed','closed','','rachel-shaw-ashton-2__trashed','','','2020-08-18 17:49:09','2020-08-18 16:49:09','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1206',0,'makers','',0),(1207,4,'2020-08-18 16:44:59','2020-08-18 15:44:59','','lucy-elisabeth-studio-portrait','','inherit','open','closed','','lucy-elisabeth-studio-portrait','','','2020-08-18 16:45:07','2020-08-18 15:45:07','',1203,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lucy-elisabeth-studio-portrait.jpg',0,'attachment','image/jpeg',0),(1208,7,'2020-08-18 16:45:16','2020-08-18 15:45:16','','lcwpitzhangerdominic-schuster','','inherit','open','closed','','lcwpitzhangerdominic-schuster','','','2020-08-18 16:45:39','2020-08-18 15:45:39','',1202,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwpitzhangerdominic-schuster.jpg',0,'attachment','image/jpeg',0),(1209,3,'2020-08-18 16:47:20','2020-08-18 15:47:20','','image1-2','','inherit','open','closed','','image1-2-3','','','2020-08-18 16:47:29','2020-08-18 15:47:29','',1206,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/image1-2-1.jpeg',0,'attachment','image/jpeg',0),(1210,7,'2020-08-18 16:50:39','2020-08-18 15:50:39','Zhang Ping is an artist living and working in Suzhou, Jiangsu Province, the birthplace of Chinese national cultural heritage Suzhou Embroidery. She has been working in this discipline for 20 years with extensive experience. She is now Director of Gu Wenxia Master’s Suzhou Embroidery Studio.\r\n\r\nWith the mission of innovation and heritage of Suzhou Embroidery, Zhang Ping has taken part in many creation and repair projects, including costumes making for the TV series A Dream in Red Mansions(directed by Ms.LI Shaohong), adopted by one of China’s four great classic novels.\r\n\r\nWith her excellent craftsmanship, she has mended dozens of heavily-damaged textiles (imperial quilts, wardrobes and sofa) conserved in various pavilions of the Palace Museum, including Wenyuan Pavilion (the imperial library), Shoukang Pavilion (living space for the emperor’s mother and grand-mother), Pavilion of Elegance (living space for imperial concubines). In addition to the collections in the national museums, she also undertook the repair of fabrics in provincial institutions, such as wedding dress of Soong Ching-ling’s mother collected in Guangdong Zhongshan Memorial Hall.','Zhang Ping','','publish','closed','closed','','zhang-ping','','','2020-08-18 16:50:39','2020-08-18 15:50:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1210',0,'makers','',0),(1211,3,'2020-08-18 16:49:07','2020-08-18 15:49:07','Lucia Fraser is a London based multidisciplinary artist specialising in painting and ceramics. Her work is an exploration into form, line and surface. She creates work that is gestural and expressive allowing a freedom of form that often journeys into abstraction and her recognisable mark making transfers from canvas to ceramic in a fluid, painterly style. She has collaborated with brands such as Hobbs and Crabtree &amp; Evelyn and her work has been featured in The English Home, House Beautiful and Enki Magazine.','Lucia Fraser','','trash','closed','closed','','lucia-fraser-3__trashed','','','2020-08-18 17:48:57','2020-08-18 16:48:57','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1211',0,'makers','',0),(1212,3,'2020-08-18 16:48:35','2020-08-18 15:48:35','','unnamed-18','','inherit','open','closed','','unnamed-18-2','','','2020-08-18 16:48:58','2020-08-18 15:48:58','',1211,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-18-1.jpg',0,'attachment','image/jpeg',0),(1213,7,'2020-08-18 16:48:45','2020-08-18 15:48:45','','27-jack-darasch','','inherit','open','closed','','27-jack-darasch-3','','','2020-08-18 16:48:45','2020-08-18 15:48:45','',1210,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/27-jack-darasch-2.jpg',0,'attachment','image/jpeg',0),(1214,4,'2020-08-18 16:51:20','2020-08-18 15:51:20','Laura Elizabeth Smith is a London based glass artist, and originallyfrom the island of Bermuda. With over a decade’s experience working with hand-blown glass, she set up her practice in 2014. Laura uses her skills in hot glass to capture the incandescent qualities of glass combined with precious metals, copper, silver and gold. Inspiration is drawn from capturing a moment in time in glass. She specialises in combining metals in hot glass, a process in which shehas crafted a unique aesthetic. She designs and makes lighting, interior accessories and sculpture.\r\n\r\nMany inspirations for Laura’s collections begin with growing up on an island where nature and the elemental world are close, and they continueto be a source of concepts. Her most recent work explores the idea of rawopals emerging from the earth: sculptural vessel pieces sit on a low plinth of rusted corten steel, as if emerging from the earth. Laura has created acompanion lighting installation using recycled lighting elements. Her collection celebrates the beauty of opals in their raw state, with polished elements to contrast. To create this special aesthetic the pieces have surface inclusions of metals with bright silvers and burnt black copper, to signify both the elemental quality of opals and their inherent mysticism.\r\n\r\nLaura Elizabeth has been a member of Design-Nation since 2018.','Laura Elizabeth Smith','','publish','closed','closed','','laura-elizabeth-smith','','','2020-08-18 16:51:20','2020-08-18 15:51:20','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1214',0,'makers','',0),(1215,3,'2020-08-18 16:50:19','2020-08-18 15:50:19','Tim Walker Studio was established in 2016. It’s focus is on the exploration of material, use and application. The processes of mould making and casting are an integral part of the studio’s practice. As a designer / maker, Tim likes to put an emphasis on originality where every piece is unique and exclusively handmade at his London studio, paying particular attention to surface, texture and tone.\r\n\r\nTim has worked as a freelance art fabricator in London for over a decade, assisting on major projects and producing work for some of the world’s leading artists, galleries and designers such as Rachel Whiteread, Antony Gormley, Helen Marten, Eva Rothchild, Simon Periton, Alison Wilding, Mat Collishaw, Eddie Peake, Ryan Gander and Maarten Baas.','Tim Walker','','trash','closed','closed','','tim-walker-2__trashed','','','2020-08-18 17:48:40','2020-08-18 16:48:40','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1215',0,'makers','',0),(1216,7,'2020-08-18 16:49:28','2020-08-18 15:49:28','','lcwamazing-chinazhang-ping','','inherit','open','closed','','lcwamazing-chinazhang-ping','','','2020-08-18 16:49:56','2020-08-18 15:49:56','',1210,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwamazing-chinazhang-ping.jpg',0,'attachment','image/jpeg',0),(1217,3,'2020-08-18 16:49:47','2020-08-18 15:49:47','','unnamed-17','','inherit','open','closed','','unnamed-17-2','','','2020-08-18 16:49:59','2020-08-18 15:49:59','',1215,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-17-1.jpg',0,'attachment','image/jpeg',0),(1218,3,'2020-08-18 16:51:16','2020-08-18 15:51:16','Livia Marin employs everyday objects to enquire into the nature of how we relate to material objects in an era dominated by standardization and global circulation. In this, the work seeks to offer a reflection on the relationship we develop with those often unseen objects that meet our daily needs. Central to the work is a trope of estrangement that works to reverse an excess of familiarity that commands the life of the everyday and the dictates of the marketplace. Marin has exhibited widely both in her native Chile and internationally.','Livia Marin','','trash','closed','closed','','livia-marin-2__trashed','','','2020-08-18 17:48:22','2020-08-18 16:48:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1218',0,'makers','',0),(1219,4,'2020-08-18 16:50:43','2020-08-18 15:50:43','','laura-elizabeth-glass-studio-portrait','','inherit','open','closed','','laura-elizabeth-glass-studio-portrait','','','2020-08-18 16:51:05','2020-08-18 15:51:05','',1214,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/laura-elizabeth-glass-studio-portrait.jpg',0,'attachment','image/jpeg',0),(1220,3,'2020-08-18 16:50:54','2020-08-18 15:50:54','','unnamed-16','','inherit','open','closed','','unnamed-16-2','','','2020-08-18 16:51:03','2020-08-18 15:51:03','',1218,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-16-1.jpg',0,'attachment','image/jpeg',0),(1221,3,'2020-08-18 16:53:33','2020-08-18 15:53:33','Jacky Puzey combines traditional embroidery skills with digital technology to stitch stunning 3D tableaux in rich, vibrant colours that flow across furniture, walls and clothes. Featuring a menagerie of embellished creatures; squirrels chatter, foxes prowl and parakeets pirouette in Jacky’s feral pageant. Jacky fuses fur, feathers, velvet and organza with digital embroidery and unique fabrics of her own design, to create tactile textures and to bring her pieces alive. From feathered interior screens to shimmering metallic bomber jackets, Jacky’s creations combine references to classical mythology, hints of baroque decadence and a nod to punk rebellion. Her interiors collections are embellished with layered histories and intricate embroidery to create a luxurious urban baroque, from statement cocktail chairs to couture embroidered wallpapers.\r\n\r\nHer work is exhibited regularly at Decorex and London Craft Week. She also featured at Focus 2019 at Design Centre Chelsea Harbour, with Watts of Westminster, and as part of Material: Textile at Messums Wiltshire 2019.  Jacky regularly undertakes bespoke commissions for private clients and interior/fashion designers. Her textile art works, from limited edition furniture to stunning textile wall art pieces,  continue to attract clients from across the world, who appreciate her love of innovation, her sense of colour and of texture, resulting in highly original, sumptuous embroideries for a connoisseur clientele. Her studio works with a highly skilled professional team of upholsterers, printers, hand embroiderers, pattern cutters and digital technologists.','Jacky Puzey','','trash','closed','closed','','jacky-puzey-2__trashed','','','2020-08-18 17:48:08','2020-08-18 16:48:08','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1221',0,'makers','',0),(1222,7,'2020-08-18 16:53:43','2020-08-18 15:53:43','Based in the Netherlands, Nightshop is headed up by artist and designer Ward van Gemert. Nightshop’s range of furniture and home accessories are designed as blank canvasses for their distinctive contemporary artwork. The result, highly polished functional items for residential and commercial use. Bespoke pieces of their collection can be found in the Boijmans van Beuningen Museum in Rotterdam and in galleries across Europe and the USA. Notable press include Elle Decoration, Icon Magazine and Frame Magazine.\r\n\r\nNightshop is supported and represented by Future Icons.','Ward van Gemert','','publish','closed','closed','','ward-van-gemert','','','2020-08-18 16:53:43','2020-08-18 15:53:43','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1222',0,'makers','',0),(1223,4,'2020-08-18 16:53:30','2020-08-18 15:53:30','After a degree in 3D Design at Camberwell College of Arts, Darren Appiagyei founded his studio in 2017 with the support of the Worshipful Company of Turners. He takes inspiration for his contemporary turned wooden vessels from the pieces he finds on regular trips to Woodlands Farm in southeast London, acharitable trust with a commitment to biodiversity. He seeks “hidden gems”, pieces of wood covered with burr, with interesting grains and beautiful textures: his ideas about the shapes to create develop organically from these finds.\r\n\r\nDarren’s ambition in his award-winning work is to enhance the natural beauty of the wood he uses through shaping and mark making, underpinnedby hisdeep love and fascination with wood in its rawest form. With every vessel hem akes he seeks to embracethe intrinsic beauty of the wood: cracks, textures, knots or lack of symmetry. Every vessel is unique, a careful revelation of the inner beauty of the wood, deliberately finished in a way that retains and highlightsits natural features. Darren sees his work as a way to educate viewers on a variety of woods. His most recent achievement is being selected for the prestigious Cove Park Craft &amp; Design residency for summer 2020.\r\n\r\nDarren has been a member of Design-Nation’s scheme for recent graduates since 2018.Portrait by @ourcreativenature','Darren Appiagyei','','publish','closed','closed','','darren-appiagyei','','','2020-08-18 16:53:30','2020-08-18 15:53:30','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1223',0,'makers','',0),(1224,3,'2020-08-18 16:52:17','2020-08-18 15:52:17','','jacky-puzey-portrait-01a-jo-hounsome-photography-copy','','inherit','open','closed','','jacky-puzey-portrait-01a-jo-hounsome-photography-copy-2','','','2020-08-18 16:52:47','2020-08-18 15:52:47','',1221,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jacky-puzey-portrait-01a-jo-hounsome-photography-copy-1.jpg',0,'attachment','image/jpeg',0),(1225,7,'2020-08-18 16:52:53','2020-08-18 15:52:53','','lcwbargehousefuture-craft-ward-van-gemert','','inherit','open','closed','','lcwbargehousefuture-craft-ward-van-gemert','','','2020-08-18 16:53:08','2020-08-18 15:53:08','',1222,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehousefuture-craft-ward-van-gemert.jpg',0,'attachment','image/jpeg',0),(1226,4,'2020-08-18 16:52:56','2020-08-18 15:52:56','','darren-appiagyei-portrait-photo-by-ourcreativenature','','inherit','open','closed','','darren-appiagyei-portrait-photo-by-ourcreativenature','','','2020-08-18 16:53:07','2020-08-18 15:53:07','',1223,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/darren-appiagyei-portrait-photo-by-ourcreativenature.jpg',0,'attachment','image/jpeg',0),(1227,4,'2020-08-18 16:55:23','2020-08-18 15:55:23','Arra Textiles was launched in 2016 by Lucy MacDonald who studied Design for Textiles at Heriot Watt University in her native Scotland and Turku University of Applied Sciences in Finland. With inspiration drawn from rugged seascapes and landscapes, each bespoke piece Lucy produces has been designed and created in her carbon neutral Arra Textiles studio on Royal Deeside, in the northeast of Scotland.\r\n\r\nArra Textiles has a strong design signature with a complex, contemporary twist, blending yarn shades and weave structures to dramatic effect; essentially telling a story through cloth. With a considered narrative, Lucy uses natural, traceable materials with an emphasis on heritage techniques, to create unique pieces of heirloom quality, with craftsmanship and feeling at the heart of each design. She has a strong commitment to sustainability, and feels that by using natural, traceable materials and processes she can contribute, albeit in a small way. Lucy is happy to design and make craft pieces to order.\r\n\r\nArra Textiles has been a member of Design-Nation since 2019.','Arra Textiles','','publish','closed','closed','','arra-textiles','','','2020-08-18 16:55:23','2020-08-18 15:55:23','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1227',0,'makers','',0),(1228,3,'2020-08-18 16:54:57','2020-08-18 15:54:57','Maria Sigma | Woven Textiles is an award-winning textile London based brand specialising in zero waste ethical hand-woven textiles.\r\n\r\nHer approach to design is based on the idea of creating aesthetically engaging and functional textiles and objects via Zero Waste design and craftsmanship. By emphasising the raw quality of the materials and texture and removing any superfluous elements, Maria’s work pays close attention to usability and aiming at producing high-quality luxurious sustainable products designed to become timeless heirlooms.\r\n\r\nMaria’s concept of textile design and production reflects her dedication to zero waste design/production. She strives to decrease to the minimum yarn waste and unnecessary cuts, carbon footprints, the use of machinery, water and electric energy.\r\n\r\nShe exclusively uses natural undyed materials. British wool is her material of choice because of its excellent qualities and its transformable character.\r\n\r\nFor Maria craft is more than just a way of making things; it’s a way of thinking and living in the most sustainable way. She strongly believes that craft will be the necessary opposite to our machine-made digital world and a sustainable alternative to industrial mass-production.\r\n\r\nSo far Maria has had the honour to collaborate with exceptional interior designers, architects, fashion designers, magazines and galleries such as Susie Atkinson Interior Design Studio, Studio Reed, MAKE Hauser &amp; Wirth Somerset Gallery and Hole &amp; Corner Magazine.\r\n\r\nHer vision is to have a sustainable creative craft-based business. In the the next five years Maria aspires to be setting up her own weaving studio/showroom and space for workshops open to the public.','Maria Sigma','','trash','closed','closed','','maria-sigma-2__trashed','','','2020-08-18 17:47:54','2020-08-18 16:47:54','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1228',0,'makers','',0),(1229,3,'2020-08-18 16:54:21','2020-08-18 15:54:21','','maria-sigma-portrait','','inherit','open','closed','','maria-sigma-portrait-2','','','2020-08-18 16:54:36','2020-08-18 15:54:36','',1228,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/maria-sigma-portrait-1.jpg',0,'attachment','image/jpeg',0),(1230,7,'2020-08-18 16:57:35','2020-08-18 15:57:35','A graduate from the Department of Sculpture, Academy of Arts &amp; Design, Tsinghua University in 1986, PAN Youlong serves as Dean, Professor and Master Tutor of Sculpture Department of Xiamen Academy of Arts &amp; Design, Fuzhou University in Fujian Province. He is also in charge of Intangible Cultural Heritage Research Center and Arts &amp; Crafts Institute of Fuzhou University. Specialising in sculpture, he cultivates many young artists in the discipline of clay sculpture, relief and public environmental sculpture.\r\n\r\nHe is also one of the Directors of China Arts and Crafts Institute, Vice President of Fujian Sculptor Association and Fujian Sculpture Institute as well as Executive Director of Sculpture Art Committee of Fujian Arts &amp; Crafts Association.\r\n\r\nHis artworks are collected by important institutions such as the Great Hall of the People in Beijing and provincial government building in Fujian Province.\r\n\r\nIn 2017, he was awarded National Master of Chinese Traditional Arts and Crafts.','PAN Youlong','','publish','closed','closed','','pan-youlong','','','2020-08-18 16:57:35','2020-08-18 15:57:35','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1230',0,'makers','',0),(1231,4,'2020-08-18 16:54:42','2020-08-18 15:54:42','','arra-textiles-lucy-macdonald-portrait-2020','','inherit','open','closed','','arra-textiles-lucy-macdonald-portrait-2020','','','2020-08-18 16:55:17','2020-08-18 15:55:17','',1227,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/arra-textiles-lucy-macdonald-portrait-2020.jpg',0,'attachment','image/jpeg',0),(1232,3,'2020-08-18 16:56:13','2020-08-18 15:56:13','Susannah is an embroidery artist based in Richmond upon Thames. Her work is influenced by the colours and textures of the natural world, with Kew Gardens providing the inspiration for her debut range, ‘The Botanical Collection’. Susannah has combined her love of monochrome pencil drawings with colourful hand embroidery and beading. Her designs translate perfectly into a range of luxury wallpapers, fabrics and soft furnishings for a sophisticated space.\r\n\r\nThe Botanical Collection consists of four designs, three of which come in two different colourways. Susannah has applied her designs to form a range of hand- embroidered artworks and decorative cushions.  Also seen in her collection is a selection of cocktail chairs. This March Susannah will be launching her first two decorative bone china wall plates.\r\n\r\nPrior to founding her interiors line, she ​pursued a career in the fashion industry for 19 years, designing for large international companies, high street retailers, independent labels, agents and studios, and she sold her textile designs worldwide. During this time she was experimenting with materials like leather and paint, whilst learning crafts such as tapestry and machine embroidery.\r\n\r\nAll Susannah’s designs are produced and printed in the UK onto high quality wallpaper, soft furnishing fabric and tablewear.','Susannah Weiland','','trash','closed','closed','','susannah-weiland-2__trashed','','','2020-08-18 17:47:42','2020-08-18 16:47:42','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1232',0,'makers','',0),(1233,4,'2020-08-18 16:58:22','2020-08-18 15:58:22','Steve Wager has over 40 years experience as a Goldsmith / Silversmith and Jeweller. He carried out his 5 year apprenticeship with Algernon Asprey. He then worked for over 25 years with the Asprey family in Bond Street where he mastered a wealth of experience in chasing, box making, forging, hammering, raising and mounting.\r\n\r\nSteve is a Freeman of the City of London and the Worshipful Company of Goldsmiths. Steve is also a fellow of the Institute of Professional Goldsmiths and the Society of Designer Craftsmen.\r\n\r\nSteve has been the craftsman behind such prestigious projects as the Cricket World Cup, the Ryder Cup, trophies for the Royal Ascot races and repairs to the FA Cup. He has also created commissions for HRH the Prince of Wales and other members of the Royal Family; the Sultans of Brunei and Oman amongst other prominent clients.\r\n\r\nSteve Wager of S.E.W Ltd manufacturing gold -silversmiths provides a selection of excellent Silversmithing and allied trade workshops/classes in our London studio. We cater for both beginners and for those who have experience in these crafts. Expect practical hands-on creative and rewarding days.','Steve Wager','','publish','closed','closed','','steve-wager','','','2020-08-18 16:58:22','2020-08-18 15:58:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1233',0,'makers','',0),(1234,3,'2020-08-18 16:55:41','2020-08-18 15:55:41','','susannah-w-portrait','','inherit','open','closed','','susannah-w-portrait-2','','','2020-08-18 16:55:54','2020-08-18 15:55:54','',1232,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/susannah-w-portrait-1.jpg',0,'attachment','image/jpeg',0),(1235,7,'2020-08-18 16:56:19','2020-08-18 15:56:19','','lcwamazing-chinapan-youlong','','inherit','open','closed','','lcwamazing-chinapan-youlong','','','2020-08-18 16:56:59','2020-08-18 15:56:59','',1230,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwamazing-chinapan-youlong.jpg',0,'attachment','image/jpeg',0),(1236,3,'2020-08-18 16:57:47','2020-08-18 15:57:47','Domitilla Biondi’s mission is to bring the poetry of Beauty into people’s heart, embracing it professionally since June 2016. Her innovative technique consists in carving in a meditative state, using only a surgical blade, and letting the mathematical laws of Harmony emerge through magnificent miniatures. Her bas-reliefs, always different depending on the slant of light/shadows on the surface, total white on white, resonate with harmonic frequencies and nicety of her personality. Each piece is uniquely inspired and unrepeatable, without any preliminary design, to honor the gift of inner inspiration, which is part of her path of personal research as professional sound healer. In 2018 begun investigating the emotional concept of fragility through porcelain, producing a series of objects of a porcelain that she defines as eggshell because of the extreme thinness of the sculpted surface.','Domitilla Biondi ','','trash','closed','closed','','domitilla-biondi-2__trashed','','','2020-08-18 17:47:22','2020-08-18 16:47:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1236',0,'makers','',0),(1237,3,'2020-08-18 16:57:06','2020-08-18 15:57:06','','unnamed-15','','inherit','open','closed','','unnamed-15-2','','','2020-08-18 16:57:26','2020-08-18 15:57:26','',1236,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-15-1.jpg',0,'attachment','image/jpeg',0),(1238,3,'2020-08-18 16:58:56','2020-08-18 15:58:56','Lis Costa\'s sculpted paper works explore both organic and abstract shapes, playing with lights and shades with paper cuts to achieve a delicate result.\r\n\r\nUsing thick Fabriano paper, Lis sculpts and shapes, carving extremely thin layers to create forms. In spite of an absence of colour, richness and depth is given by the subte layering of sculpted shavings, that are accumulated and staggered, creating protruding waves and rhythms. Sometimes the paper is not cut but only slightly pushed from the back, offering contrast and inviting the eye to circulate in these three dimensional landscapes. Repetition, sequence and layering of simple carved shapes create movement and flow with an elegant simplicity.','Lis Costa','','trash','closed','closed','','lis-costa-2__trashed','','','2020-08-18 17:47:07','2020-08-18 16:47:07','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1238',0,'makers','',0),(1239,4,'2020-08-18 16:58:10','2020-08-18 15:58:10','','steve-wager-studio-portrait','','inherit','open','closed','','steve-wager-studio-portrait','','','2020-08-18 16:58:17','2020-08-18 15:58:17','',1233,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/steve-wager-studio-portrait.jpg',0,'attachment','image/jpeg',0),(1240,4,'2020-08-18 17:01:15','2020-08-18 16:01:15','Momoka Gomi (b.1991) is a Nottingham UK based Textile Artist.\r\n\r\nMomoka trained to be a Kimono Dresser at the age of 17. She graduated from Musashino Art University BA in Tokyo, Japan (2014). She received a scholarship from Paul Smith to carry her academic study at Nottingham Trent University MA, Nottingham (2015).\r\n\r\nHer work is often inspired by memories and how they decay over time in our brain. She mostly works with Cotton Denim and Silkyarn, both of which share the characteristic of memories, creating potential change in the fabric as time passes. Through this method, she often dyes or discolours the fabric after it\'s woven, creating a colour glow that is never the same twice.\r\n\r\nMomoka and her pieces were featured on Kirstie’s Handmade Christmas 2019 as part of “Behind the Scenes - Most Inspiring Crafters across the country” in their programme. She was selected for the Craft Council Hothouse Programme 2019. In 2018, Momoka was chosen to go on an Hangzhou Creative and Cultural Expo in China with 24 other businesses in East Midlands. Select craft fairs and festivals include ‘Lustre’ at Lake Side Art Gallery in Nottingham (2018), ‘The Contemporary CraftFestival’ in Bovey Tracey (2018), and ‘Handmade at Kew’ in London (2017).','Momoka Gomi','','publish','closed','closed','','momoka-gomi','','','2020-08-18 17:01:15','2020-08-18 16:01:15','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1240',0,'makers','',0),(1241,3,'2020-08-18 16:58:37','2020-08-18 15:58:37','','unnamed-14','','inherit','open','closed','','unnamed-14-2','','','2020-08-18 16:58:48','2020-08-18 15:58:48','',1238,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-14-1.jpg',0,'attachment','image/jpeg',0),(1242,7,'2020-08-18 17:01:12','2020-08-18 16:01:12','A true master craftsman, Kevin Stamper designs and painstakingly creates his fine furniture and wall pieces from his Wimbledon studio in London. Kevin’s unique marquetry process has gained him awards through Worshipful Company of Furniture Makers to feature articles by the Wall Street Journal.\r\n\r\nKevin Stamper is supported and represented by Future Icons.','Kevin Stamper','','publish','closed','closed','','kevin-stamper','','','2020-08-18 17:01:12','2020-08-18 16:01:12','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1242',0,'makers','',0),(1243,3,'2020-08-18 17:00:16','2020-08-18 16:00:16','Almost paper-like, Alison Gautrey’s spun porcelain vessels in a monochrome palette are luminously translucent. These weightless pieces capture the feeling of movement within the simplicity of form. In these sculptural works, Alison successfully combines certain randomness in the process with an intuitive vision given by her design background, paired with her knowledge of material.\r\n\r\nInspired by recently published images of Saturn and Jupiter, her latest works explore cosmic matter and the planets. There is a distinct contrast between the exterior and interior surfaces where technique and tonal variation create unique patterns. The interior is blended and chaotic whilst the exterior remains calm with controlled bands of defined pigment.\r\n\r\nRepetition of the same simple form allows Alison to present a range of differences and contrasts, masterly combining randomness, chance and control with the use of pigment in a delicate surface.','Alison Gautrey','','trash','closed','closed','','alison-gautrey-2__trashed','','','2020-08-18 17:46:47','2020-08-18 16:46:47','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1243',0,'makers','',0),(1244,3,'2020-08-18 16:59:42','2020-08-18 15:59:42','','unnamed-13','','inherit','open','closed','','unnamed-13-2','','','2020-08-18 16:59:55','2020-08-18 15:59:55','',1243,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-13-1.jpg',0,'attachment','image/jpeg',0),(1245,7,'2020-08-18 17:00:32','2020-08-18 16:00:32','','lcwbargehousefuture-craft-kevin-stamper-veneering-2','','inherit','open','closed','','lcwbargehousefuture-craft-kevin-stamper-veneering-2','','','2020-08-18 17:00:57','2020-08-18 16:00:57','',1242,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehousefuture-craft-kevin-stamper-veneering-2.jpg',0,'attachment','image/jpeg',0),(1246,3,'2020-08-18 17:01:37','2020-08-18 16:01:37','Christopher Riggio’s work is centered on ornamentation within utility. The aesthetic quality of the vases, carrier vessels and jars he creates simulates the refinement of French luxury goods conglomerate Cartier of the late 1920’s period. Riggio’s explorations were triggered by the heightened material contrast observed in the painting Moon in Venice by Italian artist Lucio Fontana. Through an act of layering, he draws attention to a sustainable luxury. His work Paste evocates a subtlety of materials and their points of convergence through the use of simulated gemstones and, glass inlay, and through the decorative use of fractured glass. Christopher Riggio uncovers a desire to revive lost glamour and to evoke a sense of nostalgia through new material sophistication.','Christopher Riggio','','trash','closed','closed','','christopher-riggio-2__trashed','','','2020-08-18 17:46:32','2020-08-18 16:46:32','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1246',0,'makers','',0),(1247,4,'2020-08-18 17:00:41','2020-08-18 16:00:41','','momokaportratebw','','inherit','open','closed','','momokaportratebw','','','2020-08-18 17:00:55','2020-08-18 16:00:55','',1240,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/momokaportratebw.jpg',0,'attachment','image/jpeg',0),(1248,3,'2020-08-18 17:01:07','2020-08-18 16:01:07','','unnamed-12','','inherit','open','closed','','unnamed-12-2','','','2020-08-18 17:01:29','2020-08-18 16:01:29','',1246,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-12-1.jpg',0,'attachment','image/jpeg',0),(1249,4,'2020-08-18 17:03:42','2020-08-18 16:03:42','Valérie Wartelle is a contemporary fibre artist whose main fascination lies within the manipulation of textiles and fibres as an expressive art form. Taking the rural environment as her inspiration, and using wet felting as her primary practice, she explores long-term interests of texture, colour, layering and process to create contemplative and ethereal wall hung pieces. These are highly textured artworks in which cloth is embedded, prints disguised and threads unravelled.\r\n\r\nExplorative and experimental work has always been at the heart of Valérie’s creative practice. Recently she has been seeking a more incidental and intuitive expression in larger-scale work and more dynamic mark making. Aware the sheer physicality of the task alone would be demanding, the making is muscular and rhythmic as she executes the steps again and again -place, spray, roll, squeeze, stretch. “It seems repetition nudges me into a meditative space”, she explains. “It invites me to trust myself, and let the haptic connections sinuously paint a new space for the viewer to contemplate.”\r\n\r\nValérie Wartelle is a French-born award-winning artist working and living in West Yorkshire. Her work is held in private collections in Canada, France, Greece, Switzerland, USA, and the UK. Valeriehas been a member ofthe Design-Nation portfolio since 2019.','Valérie Wartelle','','publish','closed','closed','','valerie-wartelle','','','2020-08-18 17:03:42','2020-08-18 16:03:42','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1249',0,'makers','',0),(1250,7,'2020-08-18 17:03:59','2020-08-18 16:03:59','Defied by the artful marriage of hand-carved ceramics and blown glass, Vezzini &amp; Chen produce some the most exciting lighting and home accessories in the UK at the moment. Vezzini &amp; Chen’s award-winning practice has previously been invited to showcase collections at The Design Museum, Collect at Saatchi, Design Days Dubai and Milan Design Week. Notable press includes Icon Magazine, Elle Decoration Italy and Vogue.\r\n\r\nThe duo met and began working together while on the MA course at the Royal College of Art, forming their London studio after graduating. Cristina Vezzini specialises in handcrafted ceramics and Stan Chen is an accomplished glassblower.\r\n\r\nVezzini &amp; Chen is supported and represented by Future Icons.','Vezzini & Chen','','publish','closed','closed','','vezzini-chen','','','2020-08-18 17:03:59','2020-08-18 16:03:59','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1250',0,'makers','',0),(1251,3,'2020-08-18 17:02:49','2020-08-18 16:02:49','Maria Wojdat\'s early creative training and work was in graphic design, it was a time when the industry was changing from drawing boards to computers. As work became more computer based, Maria realised she missed using her hands and making things, that realisation led to ceramics and an MA in ceramic design at Bath Spa University. Since graduating, Maria has exhibited nationally and internationally and now works from her studio in Bath.\r\n\r\nEach piece Maria makes is a unique journey which encompasses an appreciation of chance and explores the balance between colour, line and form. Inspired by opposing themes of spontaneity/control, organic/geometric, the forms emerge from a process which examines the relationship between instinctive action and form - intuitive, almost unconsidered movements allow and encourage the unexpected to develop coupled with an eye for precision and clean lines.','Maria Wojdat','','trash','closed','closed','','maria-wojdat-2__trashed','','','2020-08-18 17:46:18','2020-08-18 16:46:18','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1251',0,'makers','',0),(1252,3,'2020-08-18 17:02:15','2020-08-18 16:02:15','','unnamed-11','','inherit','open','closed','','unnamed-11-2','','','2020-08-18 17:02:29','2020-08-18 16:02:29','',1251,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-11-1.jpg',0,'attachment','image/jpeg',0),(1253,3,'2020-08-18 17:04:27','2020-08-18 16:04:27','The ambition in Laura\'s work is to generate a kind of intrigue and an appeal that touches a powerful nerve (perhaps ancient in its origin) that we cannot precisely locate. Her work has been driven by a personal (and solitary) desire to build and shape form with her hands.  The thrill of making an internal space by turning and tying the material into position provokes a strong desire to make.  It responds primarily to the structural features of a particular site, in much same way as the questing foot of a Weaver bird might regard the flex of a bough or a colony of wasps might collaborate within the rafters. She also responds to the feeling of the site and the opportunity to give the work (and in some way, the host structure) a sense of movement, of slow growth, as if the work will continue to grow when the viewer’s back is turned.  Sometimes the curvaceous outline of the work will stand out in deep contrast with its surroundings and sometimes it is mistaken within a viewer’s peripheral vision as an assumed part of the natural world and is only fully registered during a quizzical second glance.\r\n\r\nLaura is still powerfully driven to create spaces of some kind and over a decade into her work, her passions have returned not only to merging with the simplicity of dry stone walls (where she began), but also towards connections with architecture.\r\n\r\nLaura’s installation have inhabited the facades and grounds of the Holburne Museum, Bath;  the Ruthin Craft Centre, Wales; The Gallery, Winchester Discovery Centre; Blackwell, The Arts and Crafts House, Cumbria; Derby Museum and Art Gallery and Chatsworth, amongst others.','Laura Ellen Bacon','','trash','closed','closed','','laura-ellen-bacon-2__trashed','','','2020-08-18 17:46:03','2020-08-18 16:46:03','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1253',0,'makers','',0),(1254,7,'2020-08-18 17:03:11','2020-08-18 16:03:11','','Photographer ©Sylvain Deleu 2019 all rights protected.  Do not use the photograph without the authorisation of the photographer if used for the web like blogs etc please contact me beforehand  sylvaindeleu@mac.com  or call me tel: 0044(0) 7 870649 206 Th','','inherit','open','closed','','photographer-sylvain-deleu-2019-all-rights-protected-do-not-use-the-photograph-without-the-authorisation-of-the-photographer-if-used-for-the-web-like-blogs-etc-please-contact-me-beforehand-s','','','2020-08-18 17:03:51','2020-08-18 16:03:51','',1250,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehousefuture-craft-vezzini-and-chen.jpg',0,'attachment','image/jpeg',0),(1255,4,'2020-08-18 17:03:14','2020-08-18 16:03:14','','John Ross 15/10/2015','Valerie Wartelle studio, The Artworks, Halifax','inherit','open','closed','','john-ross-15-10-2015','','','2020-08-18 17:03:34','2020-08-18 16:03:34','',1249,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/valerie-wartelle-studio-portrait.jpg',0,'attachment','image/jpeg',0),(1256,3,'2020-08-18 17:03:46','2020-08-18 16:03:46','','Sculptor Laura Ellen Bacon photographed by Alun Callender','Sculptor Laura Ellen Bacon photographed by Alun Callender','inherit','open','closed','','sculptor-laura-ellen-bacon-photographed-by-alun-callender-2','','','2020-08-18 17:04:04','2020-08-18 16:04:04','',1253,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unnamed-10-1.jpg',0,'attachment','image/jpeg',0),(1257,4,'2020-08-18 17:06:52','2020-08-18 16:06:52','Jacqui Ramrayka is a London-based ceramicist with a love of the vessel in its many forms. The idea of containment fascinates and continually challenges her and although she began my ceramics journey as a hand builder, she found throwing on the wheel suited her exploration better.\r\n\r\nAs well natural and urban landscapes, Jacqui finds inspiration in the seemingly random and mundane –rusty metal tools, peeling layers of paint, found objects that suggest a fragment of a story. This stimulus is reflected in how she glazes her vessels; surfaces are gradually built through layers of glazes and multiple firing, ensuring each piece is unique. For Jacqui, crafts is very much about working through a process with her hands, and developing deep understanding of her materials.\r\n\r\nAfter completing her degree, Jacqui founded the ceramics studio Archway Ceramics, along with a group of fellow graduates. She combined working there with teaching until she had her family. Following a stint at Kingsgate Workshops, she now works from her studio at home, alongside running ceramics workshops for children and adults. She joined Design-Nation in 2019.','Jacqui Ramrayka','','publish','closed','closed','','jacqui-ramrayka','','','2020-08-18 17:06:52','2020-08-18 16:06:52','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1257',0,'makers','',0),(1258,3,'2020-08-18 17:07:19','2020-08-18 16:07:19','<h3>Rachel studied Art, Design and Bookbinding at The University of Brighton from 1977–1981. After winning the Designer Bookbinders competition in 1980 and 2004, Rachel was elected a Fellow of Designer Bookbinders in 2005 and is currently serving as President.</h3>\r\n<h3></h3>\r\n<h3>From her bindery in Sussex, Rachel undertakes a wide range of work, including design bindings and tuition.</h3>','Rachel Ward-Sale','','trash','closed','closed','','rachel-ward-sale-2__trashed','','','2020-08-18 17:45:51','2020-08-18 16:45:51','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1258',0,'makers','',0),(1259,7,'2020-08-18 17:06:31','2020-08-18 16:06:31','Following a recent move to London, the award-winning Barnaby Goode launches his MA collection at the 31st edition of the London Art Fair. Driven by process and materials, Barnaby is currently developing new collections due for release in A/W 2019. Barnaby’s artworks have been exhibited across the UK and Spain.\r\n\r\nBarnaby Goode is supported and represented by Future Icons.','Barnaby Goode','','publish','closed','closed','','barnaby-goode','','','2020-08-18 17:06:31','2020-08-18 16:06:31','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1259',0,'makers','',0),(1260,3,'2020-08-18 17:05:23','2020-08-18 16:05:23','','imgp1506','','inherit','open','closed','','imgp1506-2','','','2020-08-18 17:05:56','2020-08-18 16:05:56','',1258,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/imgp1506-1.jpg',0,'attachment','image/jpeg',0),(1261,4,'2020-08-18 17:05:34','2020-08-18 16:05:34','','Jacqui-Ramrayka-studio-portrait','','inherit','open','closed','','olympus-digital-camera-5','','','2020-08-18 17:06:14','2020-08-18 16:06:14','',1257,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jacqui-ramrayka-portrait-2020.jpeg',0,'attachment','image/jpeg',0),(1262,7,'2020-08-18 17:05:44','2020-08-18 16:05:44','','lcwbargehousefuture-craft-barnaby-goode-black-and-white','','inherit','open','closed','','lcwbargehousefuture-craft-barnaby-goode-black-and-white','','','2020-08-18 17:05:56','2020-08-18 16:05:56','',1259,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehousefuture-craft-barnaby-goode-black-and-white.jpg',0,'attachment','image/jpeg',0),(1263,7,'2020-08-18 17:08:40','2020-08-18 16:08:40','Trained and educated in Tokyo, designer and metalsmith Kei Tominaga now resides in London to produce architecturally inspired metal objects, jewellery and wall panels. Kei’s award-winning collections have gained her significant press worldwide and her work is stocked through notable retailers across the UK. Press includes Monocle, Frame and Icon Magazine.\r\n\r\nKei Tominaga is supported and represented by Future Icons.','Kei Tominaga','','publish','closed','closed','','kei-tominaga','','','2020-08-18 17:08:40','2020-08-18 16:08:40','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1263',0,'makers','',0),(1264,4,'2020-08-18 17:09:17','2020-08-18 16:09:17','Based in Folkestone’s Creative Quarter in South East England, Heather Orr specialises in Constructed Textiles. The Heather Orr studio creates innovative lighting and handmade interior products using traditional textile processes, for the contemporary interior.\r\n\r\nWith a focus on sustainability, recycled and reclaimed materials are sourced where possible such as recycled cotton cord and reclaimed vintage frames. The Reclaimed Collection gives old shades a new lease of life, discarded vintage lampshades are stripped back, given a fresh coating and knotted with a choice of yarn in a range of colours and finishes. All yarns and fabrics used within our collections conform to OEKO-TEX® standard 100, tested for harmful substances.\r\n\r\nThe Heather Orr Home Collections are inspired by a love of process and craftsmanship alongside a high level of finish. Materials such as raffia, recycled cotton and linen feature alongside a range of silky-soft viscose tape yarns, which are corded in the Heather Orr studio and finished by hand with custom-made Perspex beads.\r\n\r\nHeather’s specific interests lie in the link between making, health and wellbeing. A desire to inspire others through teaching has led to a range of exciting workshops for students and creatives in partnership with others. In response to the need for us to stay at home, Heather has adapted her popular range of workshops into a series of online videos, accompanied by a materials kit delivered to your door which are available via the website.\r\n\r\nHeather (MA RCA, FHEA) works as a Senior Tutor at Morley College London and is a Fellow of the Higher Education Authority.\r\n\r\nAfter graduating from the Royal College of Art in 2009 with an MA in Knitted Textiles, Heather went on to collaborate with Fashion Designer and fellow RCA graduate, Jane Bowler. Clients also Include: BBC, Soho House, Spotify Design, Spinexpo, Textile View Magazine and WGSN.','Heather Orr','','publish','closed','closed','','heather-orr','','','2020-08-18 17:09:17','2020-08-18 16:09:17','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1264',0,'makers','',0),(1265,3,'2020-08-18 17:09:21','2020-08-18 16:09:21','<h3>Kate is a multi award-winning artist bookbinder, specialising in contemporary fine bindings to commission or for exhibition. Kate uses traditional materials and techniques to produce a unique, modern binding that reflects the text, illustrations and typeface of the book.</h3>\r\n<h3></h3>\r\n<h3>Kate also works with individuals and private presses to produce the whole book, whether one-offs or limited editions, and can advise on all aspects of the book production from printing, through layout, to binding and boxes.</h3>\r\n<h3></h3>\r\n<h3>Kate is a Fellow of Designer Bookbinders and has books in the library of Human Imagination, the British Library, Bodleian and Yale University Libraries, as well as many public and private collections internationally. She is a regular binder to the Booker Prize, and has featured on BBC’s The One Show.</h3>\r\n<h3></h3>\r\n<h3>Kate is a very experienced teacher and has initiated many converts to the joys of bookbinding with patience and humour, with regular slots at West Dean College and Soho House, amongst others.</h3>','Kate Holland','','trash','closed','closed','','kate-holland-2__trashed','','','2020-08-18 17:45:26','2020-08-18 16:45:26','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1265',0,'makers','',0),(1266,7,'2020-08-18 17:08:13','2020-08-18 16:08:13','','lcwbargehousefuture-craft-kei-tominaga','','inherit','open','closed','','lcwbargehousefuture-craft-kei-tominaga','','','2020-08-18 17:08:30','2020-08-18 16:08:30','',1263,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehousefuture-craft-kei-tominaga.jpg',0,'attachment','image/jpeg',0),(1267,3,'2020-08-18 17:08:35','2020-08-18 16:08:35','','bbportrait','','inherit','open','closed','','bbportrait-2','','','2020-08-18 17:08:45','2020-08-18 16:08:45','',1265,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/bbportrait-1.jpg',0,'attachment','image/jpeg',0),(1268,4,'2020-08-18 17:08:38','2020-08-18 16:08:38','','heather-orr-profile','','inherit','open','closed','','heather-orr-profile','','','2020-08-18 17:08:53','2020-08-18 16:08:53','',1264,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/heather-orr-profile.jpg',0,'attachment','image/jpeg',0),(1269,4,'2020-08-18 17:10:39','2020-08-18 16:10:39','Jay. Francois-Campbell started sewing aged seven, initially trained by her parents, who were both garment construction experts. She is the third generation of her family trained as a bespoke tailor, and was apprentice to four London tailors. She trained in several disciplines; bespoke, military wear, period, costume/fantasy, traditional, modern, alterations and dancewear.\r\n\r\nJay trained at Central St Martins School of Art, London College of Fashion and Arts University in Bournemouth to study art and design, pattern cutting, costume construction and draping on the stand, working as freelancer before joining the Royal Opera House, where she worked for more than 15 years in the ladies and men’s department, as a senior tailor and later on as assistant cutter, producing top quality tailored garments for numerous world class artistes including; Bryn Terfel, Darcey Bussell and Carlos Acosta.\r\n\r\nIn a career spanning more than 25 years, Jay has worked on more than 100 productions for TV, film, opera and ballet such as; The Royal Ballet, English National Opera, Lion King, Les Miserable’s, Phantom of the Opera and Madame Tussauds, working with many designers including; Ralph and Russo, Gareth Pugh, Nikki Gillibrand, Nancy Bryant, Jenny Tiramani and John McFarlane.\r\n\r\nRecently she has focused her attention on film, working on productions such as the Mission Impossible Franchise and Death on the Nile.\r\n\r\nIn 2016, Jay became an author. ‘Simple Tailoring and Alterations’ is available throughout the UK and across the world in countries including; Australia, Germany, USA and Spain.\r\n\r\nJay currently enjoys working as a freelance theatrical tailor and cutter from her studio in Kent. She specialises in performance tailoring (opera and ballet), pushing the boundaries of traditional tailoring in the 21st century.\r\n\r\nShe mentors and encourages the next generation of tailors as a visiting university lecturer.','Jay. Francois-Campbell','','publish','closed','closed','','jay-francois-campbell','','','2020-08-18 17:10:39','2020-08-18 16:10:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1269',0,'makers','',0),(1270,3,'2020-08-18 17:10:53','2020-08-18 16:10:53','Tracey Bush\'s work has often dealt with the impact that man makes on the environment and she began nine wild plants after reading ecological thinkers, who note that the average Western adult can recognise over 1000 brand names or logos, but fewer than ten local, indigenous plants. posing the question \'which nine wild plants could you confidently identify?\' Bush began emailing a range of people and collecting their responses.\r\n\r\nThese collages and drawing interweave a theme of lost knowledge with the rigour of scientific specimens. Bush referred to the herbarium handbook as well as to her own observed drawings to make templates for hand-drawn plant silhouettes; she then collaged fragments of found materials illustrating sweet packet, cigarette and fizzy drink logos etc. the combination of austere black line drawing with the attention-grabbing colours and type styles of brand names and packaging is compelling.','Tracey Bush','','trash','closed','closed','','tracey-bush-2__trashed','','','2020-08-18 17:45:09','2020-08-18 16:45:09','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1270',0,'makers','',0),(1271,7,'2020-08-18 17:11:45','2020-08-18 16:11:45','Claire Coles designs and handcrafts some of the finest handmade couture wallpaper and appliqué artworks on the market today. Claire\'s collections has led her to collaborate with leading luxury brands such as Perrier Jouet, Missoni, Liberty, Paul Smith, the V&amp;A shop to name a few. Alongside these commissions, Claire\'s wallpaper has been acquired by the Geffrye Museum for their permanent collection.  Notable press includes The Times, Vogue, Financial Times, The Stylist and the Elle Decoration.\r\n\r\nClaire Coles is supported and represented by Future Icons.','Claire Coles','','publish','closed','closed','','claire-coles','','','2020-08-18 17:11:45','2020-08-18 16:11:45','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1271',0,'makers','',0),(1272,3,'2020-08-18 17:10:15','2020-08-18 16:10:15','','traceyandsnail','','inherit','open','closed','','traceyandsnail-2','','','2020-08-18 17:10:22','2020-08-18 16:10:22','',1270,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/traceyandsnail-1.jpeg',0,'attachment','image/jpeg',0),(1273,4,'2020-08-18 17:10:21','2020-08-18 16:10:21','','jay-francois-campbell','','inherit','open','closed','','jay-francois-campbell','','','2020-08-18 17:10:28','2020-08-18 16:10:28','',1269,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jay-francois-campbell.jpeg',0,'attachment','image/jpeg',0),(1274,4,'2020-08-18 17:12:10','2020-08-18 16:12:10','Vesna’s practice is concerned with questioning the traditional use of materials and the accepted concept of beauty. She creates poetical and abstract pieces in a variety of materials mixing millinery craftsmanship with other disciplines.\r\n\r\nAfter receiving Harold Tillman Scholarship in 2009, Vesna graduated with an MA Fashion Artefacts from University of the Arts London. Over the years she has worked with many up and coming designers, artists and private clients as well as being a workshop facilitator at London College of Fashion. Vesna lectures at Morley College and Kensington and Chelsea College.\r\n\r\nLeather pieces from her MA collection were included in The Hat Book by Papadakis. Vesna’s work has also featured in multiple publications including Arts Thread, Hat Magazine, Attire Accessories, and online publications like Dazed Digital, Vogue online etc.\r\n\r\nVesna is enthusiastic and approachable practitioner who loves to encourage all to explore their creativity with confidence and self-belief.','Vesna Pesic','','publish','closed','closed','','vesna-pesic','','','2020-08-18 17:12:10','2020-08-18 16:12:10','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1274',0,'makers','',0),(1275,3,'2020-08-18 17:12:19','2020-08-18 16:12:19','Thurle Wright was born in Zimbabwe and now resides in Kent. She initially studied modern languages and literature before specialising in visual art, and achieving her Degree in Textiles from Goldsmiths College. She works with a plethora of text materials, transforming atlases, books and dictionaries into complex paper works. Thurle Wright’s intricate paper works are influenced by language, nature and their systematic and structural properties. Thurle patiently folds, morphs, cuts and contorts her various paper sources, in order to distort and deconstruct their original meaning and purpose. She frequently refers to maps and classical works of literature as her source material. In their original form, by reading a map or a book, the reader is taken on a different type of journey, which is paralleled by the complex transformation that these materials go through as they become artworks. Her paper shapes and the way they are tidily arranged render alluring works of art, which awaken curiosity.\r\n\r\nThurle has exhibited widely with galleries and art fairs across the UK, most notably at the V&amp;A Museum of Childhood, Royal London Hospital and Canary Wharf. She has also showcased work abroad as far as Australia, California, Germany, Paris and Brussels.','Thurle Wright','','trash','closed','closed','','thurle-wright-2__trashed','','','2020-08-18 17:44:51','2020-08-18 16:44:51','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1275',0,'makers','',0),(1276,7,'2020-08-18 17:11:26','2020-08-18 16:11:26','','lcwbargehousefuture-craft-claire-coles-portrait','','inherit','open','closed','','lcwbargehousefuture-craft-claire-coles-portrait','','','2020-08-18 17:11:38','2020-08-18 16:11:38','',1271,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehousefuture-craft-claire-coles-portrait.jpg',0,'attachment','image/jpeg',0),(1277,3,'2020-08-18 17:11:48','2020-08-18 16:11:48','','studio-pic-by-yseult','','inherit','open','closed','','studio-pic-by-yseult-2','','','2020-08-18 17:12:08','2020-08-18 16:12:08','',1275,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/studio-pic-by-yseult-1.jpeg',0,'attachment','image/jpeg',0),(1278,4,'2020-08-18 17:11:57','2020-08-18 16:11:57','','vesna-pesic','','inherit','open','closed','','vesna-pesic','','','2020-08-18 17:12:05','2020-08-18 16:12:05','',1274,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/vesna-pesic.jpg',0,'attachment','image/jpeg',0),(1279,4,'2020-08-18 17:13:38','2020-08-18 16:13:38','London-based Jacky Oliver works mainly in metal, utilizinga range of techniques and processes. She creates work a varying scales, from small hand-held objects through to large-scale architectural pieces, work for commissions, residencies and exhibitions around the UK.\r\n\r\nJacky has a broad and open approach to exploring the various themes that my projects have encompassed. Drawing from narratives both contemporary and historic, herwork brings together research from museums, archives and working with others, to create work that builds up a multi-layered sense of a placeor event. Working in a process-led way means her ideas develop in a fluid way, so that preparatory research leads to thoughtful interpretation of the subject. Jacky selects appropriate technique, materials and scale, to create well informed and carefully considered final outcomes.\r\n\r\nJacky’s newest body of work was launched at the Crafts Council’s Collect Open in February and will be further developed for The Future of Craft. Jacky looks at the provenance of the food we eat and current environmental challenges. Through her work she demonstrates her continued interest in allowing combinations of materials and processes to respond to a narrative, to create thought provoking pieces.\r\n\r\nJacky has created permanent artworks for Leicester University Botanic Garden. She has undertaken residencies for‘Making Peace’ at the National Memorial Arboretum;D Day 70 for Poole Museum and Musée de la Libération, Cherbourg; and commissions for ‘Muse: Makers in Museums’ at Teign Heritage and‘Gather-ing’. Jacky joined Design-Nations’ portfolio in 2019.','Jacky Oliver','','publish','closed','closed','','jacky-oliver','','','2020-08-18 17:13:38','2020-08-18 16:13:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1279',0,'makers','',0),(1280,3,'2020-08-18 17:13:44','2020-08-18 16:13:44','Emily Kidson is known for her use of laminate and wood with sterling silver. Colour is central to her work and is the backdrop to a minimal, modern aesthetic with areas of intricate detail.\r\n\r\nHer inspiration comes from anywhere and everywhere, whether a quickly-captured image or the careful contemplation of a painting. Nature, art and architecture are particular influences.\r\n\r\nEmily has come back to making after a career as an art librarian. Her use of laminate started when she discovered it as samples in the Materials Collection at Central Saint Martin’s library in 2013.','Emily Kidson','','trash','closed','closed','','emily-kidson__trashed','','','2020-08-18 17:44:36','2020-08-18 16:44:36','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1280',0,'makers','',0),(1281,7,'2020-08-18 17:14:22','2020-08-18 16:14:22','','The Jackal','','publish','closed','closed','','the-jackal','','','2020-08-18 17:14:22','2020-08-18 16:14:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1281',0,'makers','',0),(1282,4,'2020-08-18 17:13:17','2020-08-18 16:13:17','','jacky-oliver-portrait-workshop','','inherit','open','closed','','jacky-oliver-portrait-workshop','','','2020-08-18 17:13:32','2020-08-18 16:13:32','',1279,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jacky-oliver-portrait-workshop.jpg',0,'attachment','image/jpeg',0),(1283,3,'2020-08-18 17:13:19','2020-08-18 16:13:19','','emilykidson','','inherit','open','closed','','emilykidson-2','','','2020-08-18 17:13:32','2020-08-18 16:13:32','',1280,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/emilykidson-1.jpeg',0,'attachment','image/jpeg',0),(1284,4,'2020-08-18 17:16:28','2020-08-18 16:16:28','Darren Ball’s embroidery reflects his love of textiles and the visual qualities present in fabric and thread. He uses applique and free machine embroidery to illustrate personal narratives or ideas, inspired by memorabilia,or his collection of vintage ‘Stitchcraft’ knitting and embroidery magazines. Period photographs or drawings provide the figurative element in his work: his ideas evolve from personal experiences, film, textile history or a chance find. Darren works with fabrics he has collected over many years fortheir specific characteristics, and this adds a uniqueness and ‘slowness’ to the handmade production of each piece. He carefully selects each fabric for its colour, surface and possible connotations,as well as its physical quality and response to cutting, layering and sewing. Darren may also include pieces of found embroidery, vintage or knitted fabrics to increase the variety of surface and to reference domestic handwork.\r\n\r\nDarren aims to draw and paint with textiles, and his mark-making is achieved through sewing, contrasting surface qualities and embellishment. Stylistically he is influenced by fashion drawing, particularly the illustrations of Carl Erickson, Christian Berard and Rene Gruau. He admires theireconomical use of line, in which he sees relationshipsto free style embroideryand its relevance to his magazine collection. The scale of his current work reflects the domestic nature of the magazines he collects, adding both intimacy and an appropriateness of his work for domestic interiors.\r\n\r\nDarren is based in Surreyand joined Design-Nation in 2019.','Darren Ball','','publish','closed','closed','','darren-ball','','','2020-08-18 17:16:28','2020-08-18 16:16:28','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1284',0,'makers','',0),(1285,7,'2020-08-18 17:13:49','2020-08-18 16:13:49','','jackal','','inherit','open','closed','','jackal-2','','','2020-08-18 17:13:57','2020-08-18 16:13:57','',1281,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jackal.svg',0,'attachment','image/svg+xml',0),(1286,3,'2020-08-18 17:14:40','2020-08-18 16:14:40','Lucas Ferreira‘s works are made from small hand crafted fragments of ceramic. Small flat rectangles are joined together to form a circle. Each fragment, the same size and shape, one next to the other, almost sewn together, accumulated to form sequences, rhythms, which are then altered by the inclusion of black pieces.\r\n\r\nRepetition, sequence, order and interruption convey the method by which the fragments are meticulously arranged creating geometric and abstract shapes. Some of the works appear at the same time in a series, where the alteration of the black pieces marks different spaces and rhythm in the compositions. The work is subtle, intriguing. Only a closer look will offer the viewer a rendition of what it is about. “My work is inspired by geological formations. I enjoy crafting minimalist textured studies inspired by how rocky surfaces are reshaped over time.”\r\n\r\nLucas studied Film Production in the London College of Communication. He learnt ceramics by assisting his mother, the ceramic artist Valeria Nascimento in her studio. Lucas has shown in galleries in the UK and abroad and recently joined jaggedart.','Lucas Ferreira','','trash','closed','closed','','lucas-ferreira-2__trashed','','','2020-08-18 17:44:12','2020-08-18 16:44:12','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1286',0,'makers','',0),(1287,3,'2020-08-18 17:14:18','2020-08-18 16:14:18','','lucasferreira','','inherit','open','closed','','lucasferreira-2','','','2020-08-18 17:14:26','2020-08-18 16:14:26','',1286,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lucasferreira-1.png',0,'attachment','image/png',0),(1288,7,'2020-08-18 17:16:16','2020-08-18 16:16:16','Neil MacGregor and Valerie Michael have an international reputation as designers and makers of fine, high quality, hand-stitched leather goods. They have been making by hand in an artisanal workshop in Tetbury, Gloucestershire, since 1974. They use only the best vegetable-tanned leathers and source or commission hardware in brass and silver.\r\n\r\n“Our designs aim to reveal something about the nature of leather and craftsmanship, while addressing the practical needs of our customers. The leathers we use are vegetable-tanned, the active ingredients coming from the bark and leaves of various trees and shrubs. We use no machinery in the making, preferring the direct simplicity of hand tools and the quiet rhythms of the workshop.”','Neil MacGregor and Valerie Michael','','publish','closed','closed','','neil-macgregor-and-valerie-michael','','','2020-08-18 17:16:16','2020-08-18 16:16:16','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1288',0,'makers','',0),(1289,4,'2020-08-18 17:15:15','2020-08-18 16:15:15','','darren-ball-portrait-2','','inherit','open','closed','','darren-ball-portrait-2','','','2020-08-18 17:15:31','2020-08-18 16:15:31','',1284,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/darren-ball-portrait-2.jpg',0,'attachment','image/jpeg',0),(1290,7,'2020-08-18 17:15:40','2020-08-18 16:15:40','','lcwpurdeyneil-macgregor-and-valerie-michael','','inherit','open','closed','','lcwpurdeyneil-macgregor-and-valerie-michael','','','2020-08-18 17:15:52','2020-08-18 16:15:52','',1288,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwpurdeyneil-macgregor-and-valerie-michael.jpg',0,'attachment','image/jpeg',0),(1291,7,'2020-08-18 17:20:05','2020-08-18 16:20:05','A fine artist currently working within the ceramic medium, Sally McGill\'s artworks have been showcased and sold at the Royal Academy of Art\'s Summer show no less than six times. Working predominantly in primary colours, Sally\'s artworks and tableware collections evoke mid-century printmaking characteristics and made only as a one off or small batch production collections. Her collections are sold and celebrated in galleries across the UK.\r\n\r\nSally McGillis supported and represented by Future Icons.','Sally McGill','','publish','closed','closed','','sally-mcgill','','','2020-08-18 17:20:05','2020-08-18 16:20:05','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1291',0,'makers','',0),(1292,4,'2020-08-18 17:20:48','2020-08-18 16:20:48','Bronwen Gwillim creates bold, one-off, statement jewellery, small containers and mobiles. Shecallsherself a “plasticsmith”, using existing mountains of thrown-away plasticas a raw resource for making. Originally trainedas a jeweller and silversmith at Camberwell School of Art, she gained an interest in plastics and resins whileundertaking an MA at Bath Spa University. Juxtaposingwaste with recycled silver, Bronwenseeksto challenge perceptions of preciousness, reappraisingplastic as a precious material,to be used sparingly and without damage to theenvironment. Producing one-offs and small batches by hand enables an experimental approach which she finds exciting,and which creates singular and sustainable products.\r\n\r\nWorkingin partnership with a rangeof companies, Bronwen sources plastics that can’t be easily recycled commercially. Finding materials is time consuming and colour and texture is crucial to herselection. Sheemphasises theseintrinsic qualities of thefoundplastics by using only hand tools to cut, file and scratch surfaces. Leftoverdust from cutting is mixed with binders, creatinga new composite material uncannilylike stone. Her slow,considered approach is inspired by natural processes of weathering; object shapes can resemble those found onbeaches.\r\n\r\nBronwen was Design-Nation’s Best Newcomer at MADE London in 2019, when she joined the portfolio. She says, “Craft has always known the importance of working with and understanding materials. This has never been more important than it is today when we must turn our attention to using new materials and production methods in order to be more sustainable. Sadly plastic waste is going to be around for a long time, so we might as well embrace it as an opportunity to make beautiful things.”','Bronwen Gwillim','','publish','closed','closed','','bronwen-gwillim','','','2020-08-18 17:20:48','2020-08-18 16:20:48','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1292',0,'makers','',0),(1293,7,'2020-08-18 17:19:10','2020-08-18 16:19:10','','lcwbargehouse-future-craftfuture-icons-sally-mcgill','','inherit','open','closed','','lcwbargehouse-future-craftfuture-icons-sally-mcgill','','','2020-08-18 17:19:25','2020-08-18 16:19:25','',1291,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehouse-future-craftfuture-icons-sally-mcgill.jpg',0,'attachment','image/jpeg',0),(1294,4,'2020-08-18 17:20:16','2020-08-18 16:20:16','','bronwen-gwillim-portrait-studio','','inherit','open','closed','','bronwen-gwillim-portrait-studio','','','2020-08-18 17:20:31','2020-08-18 16:20:31','',1292,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/bronwen-gwillim-portrait-studio.jpg',0,'attachment','image/jpeg',0),(1295,4,'2020-08-18 17:22:56','2020-08-18 16:22:56','Clare Pentlow is a Midlands-based artist working in paper. Heraim is to constantly challenge and transcend the boundaries of possibilities with my chosen material. Through cutting and foldingshe creates intriguing and “fluffy like”textures which challenge the perceptions of paper. In her practice Clare constantly questions what can be achieved,taking craft forward into the future, while continuing to inspire and challenge her viewers. White paper holds a particular interest to Clare: she loves the way that when layered,cut and folded together different types of white paper can influence the colours revealed in shadows.\r\n\r\nPaper is a continuing source of exploration. Clare embracesthe versatile qualities of strength and fragility and enjoys the challenge of turning an ordinary flat sheet of paper into something extraordinary. Precision hand cutting and folding are combined through methodical repetitive motions,building layer upon layer of paper to createhighly textured mesmerising surfaces which draw the viewer in. The methodical approach Clare takes is rooted in her love of maths and science, and she is continually inspired by patterns in nature.\r\n\r\nClare studied surface design atUniversity of Wales Trinity Saint David and has exhibited at Rugby Art Gallery, Royal Academy’s 2018 Summer Show and Royal Birmingham Society of Artists. She joined Design-Nation’s portfolio in 2019.','Clare Pentlow','','publish','closed','closed','','clare-pentlow','','','2020-08-18 17:22:56','2020-08-18 16:22:56','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1295',0,'makers','',0),(1296,7,'2020-08-18 17:23:11','2020-08-18 16:23:11','Specialising in wheel-thrown ceramics, multi award winning Jo Davies has produced and shown collections through world renowned institutions including the National Portrait Gallery, Yorkshire Sculpture Park to the Somerset House. Represented across UK galleries and retailers, Jo also stocks internationally in South Korea and the USA. Notable press includes Ceramic Review, Period Living and Living Etc.\r\n\r\nJo Davies is supported and represented by Future Icons.','Jo Davies','','publish','closed','closed','','jo-davies','','','2020-08-18 17:23:11','2020-08-18 16:23:11','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1296',0,'makers','',0),(1297,7,'2020-08-18 17:22:18','2020-08-18 16:22:18','','Ceramic Review Magazine','Jo Davies demonstrating making techniques in her studio for the \'masterclass\' feature in Ceramic Review Magazine.','inherit','open','closed','','ceramic-review-magazine','','','2020-08-18 17:23:00','2020-08-18 16:23:00','',1296,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehouse-future-craftfuture-icons-jo-davies.jpg',0,'attachment','image/jpeg',0),(1298,4,'2020-08-18 17:22:38','2020-08-18 16:22:38','','clare-pentlow-portrait','','inherit','open','closed','','clare-pentlow-portrait','','','2020-08-18 17:22:49','2020-08-18 16:22:49','',1295,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/clare-pentlow-portrait.jpg',0,'attachment','image/jpeg',0),(1299,4,'2020-08-18 17:24:18','2020-08-18 16:24:18','Caroline Egleston makes “tile-scapes” - glazed ceramic shapes which fit together to suggest movement as their colours, textures and patterns play together. Brushwork tiles reflect her love of painterly majolica decoration and she uses this technique for spontaneity and delicate layering effects. Her compositions of tiles are kept within the basic grid that is implicit in tiling, to give cohesion to the work but she also explores possibilities for working beyond this framework, with corresponding curved shapes which allude to each other.\r\n\r\nFor Caroline the tonal balance of a piece s crucial, as is subtlety of colour and glaze. She carefully avoids her pieces looking over-arranged or over-worked, and is keen to retain the quality of the clay pieces and immediacy of touch. Plain tiles with textured patterns visually anchor her brushwork designs and Caroline has developed her own glazes (made from natural oxides) for surface interest and subtlety. In the final arrangement she always looks for balance:  rhythm, echo, contrast and surprise, to create a cohesive piece which leads the eye on a journey.\r\n\r\nCaroline trained in majolica techniques at Faenza in Italy and is also a skilled watercolour artist, delighting delicate layering effects. She is aware that tiles should not be dominated by fashion, being fixed on the wall, but enjoys the current trend for strong colour and pattern.  For her, making is a type of research and a part of our restless human endeavour to use materials in a creative, communicative way. She makes and arranges ceramic shapes to try to articulate the patterns unconsciously recorded ‘in the mind’s eye’: aiming for cognition and recognition.\r\n\r\nCaroline joined Design-Nation in 2019 and is based in rural Hampshire.','Caroline Eglestone','','publish','closed','closed','','caroline-eglestone','','','2020-08-18 17:24:18','2020-08-18 16:24:18','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1299',0,'makers','',0),(1300,4,'2020-08-18 17:23:44','2020-08-18 16:23:44','','caroline-egleston','','inherit','open','closed','','caroline-egleston-in-her-studio-workshop','','','2020-08-18 17:24:10','2020-08-18 16:24:10','',1299,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/caroline-egleston-her-studio-portrait.jpg',0,'attachment','image/jpeg',0),(1301,7,'2020-08-18 17:26:25','2020-08-18 16:26:25','Born in Slovakia and educated in the UK, Zuzana Lalikova uses traditional Slovakian embroidery techniques to produce large scale contemporary wall hangings. Geometrics and colour are a recurring theme throughout the collections creating contemporary wall art for interiors and public spaces. Zuzana has previously been invited to produce live embroidery installations for The Courtauld Gallery and Animali Domestici Gallery.\r\n\r\nZuzana Lalikova is supported and represented by Future Icons.','Zuzana Lalikova','','publish','closed','closed','','zuzana-lalikova','','','2020-08-18 17:26:25','2020-08-18 16:26:25','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1301',0,'makers','',0),(1302,4,'2020-08-18 17:26:35','2020-08-18 16:26:35','A textile designer and artist of handwoven work, Pamela Print creates luxury sustainable pieces for the contemporary home and interior spaces.After learning her craft at Central St Martins and gaining 14 years’ experience as a woven textile designer for some of fashion’s best-known brands, she started her own weaving practice in Belgium in 2017. The ambience of urban Brussels and Art Deco architecture are ongoing sources of inspiration to her.\r\n\r\nUsing her digital design skills as a departure point, Pamela’s concepts take shape, evolving as she weaves. She uses a traditional dobby loom to meticulously create each fabric, blending complex weave structures and colour, resulting in intricately woven cloth with bold textile art, and functional interior pieces.Sustainability is central to her practice: she uses pure locally-sourced wool and strives to adhere to zero waste principles, the antithesis of mass-market industrial textiles.\r\n\r\nPamela recently brought her studio to a village in rural Essex and now opens her doors to host workshops and to sell directly from her collections.She also undertakes bespoke commissions for private clients and interior designers. Through her weaving practice and workshops with adults and schools she seeks to foster a return to traditional values in craft practice, paving the way to striking a better equilibrium with her environment.\r\n\r\nPamela has exhibited at the London Design Festival and Clerkenwell  Design Week, and been featured in The Guardian, Evening Standard, and Country &amp; Town House. She joined Design-Nation in 2019.','Pamela Print','','publish','closed','closed','','pamela-print','','','2020-08-18 17:26:35','2020-08-18 16:26:35','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1302',0,'makers','',0),(1303,7,'2020-08-18 17:25:38','2020-08-18 16:25:38','','lcwbargehouse-future-craftfuture-icons-zuzana-lalikova','','inherit','open','closed','','lcwbargehouse-future-craftfuture-icons-zuzana-lalikova','','','2020-08-18 17:25:59','2020-08-18 16:25:59','',1301,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehouse-future-craftfuture-icons-zuzana-lalikova.jpg',0,'attachment','image/jpeg',0),(1304,4,'2020-08-18 17:26:16','2020-08-18 16:26:16','','pamelaprintportraitdesignnation','','inherit','open','closed','','pamelaprintportraitdesignnation','','','2020-08-18 17:26:31','2020-08-18 16:26:31','',1302,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/pamelaprintportraitdesignnation.jpg',0,'attachment','image/jpeg',0),(1305,4,'2020-08-18 17:28:23','2020-08-18 16:28:23','Freya Walker is a London based weaver who graduated with a degree in Textiles and Business Studies in 2018. In an age of mass consumption Freya uses hand weaving to tackle our throw-away culture and to celebrate hand-craft and conscious consuming. Freya uses sustainable, waste and recycled materials in the production of handwoven goods, each different from the next. The idea of Freya’s products and work is to shift the consumer mind-set and emphasise buying quality over quantity. Providing the opportunity to purchase sustainable, hand-made, one off goods because why would you want the same things as everybody else!','Freya Walker','','publish','closed','closed','','freya-walker','','','2020-08-18 17:28:23','2020-08-18 16:28:23','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1305',0,'makers','',0),(1306,7,'2020-08-18 17:28:48','2020-08-18 16:28:48','&nbsp;\r\n\r\nChristabel Balfour is an artist and tapestry weaver, living and working in South East London. She studied at Camberwell College of Art and the Ruskin School of Drawing and Fine Art.\r\n\r\nChristabel Balfour is supported and represented by Future Icons.\r\n\r\nSince graduating in 2013, she has developed a practice as a tapestry weaver, and set up her studio in 2015. She specialises in rugs and woven wall-hangings.','Christabel Balfour','','publish','closed','closed','','christabel-balfour','','','2020-08-18 17:28:48','2020-08-18 16:28:48','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1306',0,'makers','',0),(1307,4,'2020-08-18 17:27:55','2020-08-18 16:27:55','','freya-walker','','inherit','open','closed','','freya-walker','','','2020-08-18 17:28:13','2020-08-18 16:28:13','',1305,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/freya-walker.jpeg',0,'attachment','image/jpeg',0),(1308,7,'2020-08-18 17:28:07','2020-08-18 16:28:07','','lcwbargehouse-future-craftfuture-icons-christabel-balfourdeborah-panes','','inherit','open','closed','','lcwbargehouse-future-craftfuture-icons-christabel-balfourdeborah-panes','','','2020-08-18 17:28:17','2020-08-18 16:28:17','',1306,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwbargehouse-future-craftfuture-icons-christabel-balfourdeborah-panes.jpg',0,'attachment','image/jpeg',0),(1309,4,'2020-08-18 17:29:39','2020-08-18 16:29:39','London-based artist and designer Kira Phoenix K’inan brings together fine art and craft though her glass sculptures, works on paper, installations and multi-exposure photography. Kira’s artwork explores the nature of drawing and how inter-twisting lines create works that are in a constant visual flux. While undertaking her Masters in Glass and Ceramics at the Royal College of Art she began making connections between drawing and glassworks. She also uses processes that allow her to deconstruct the original form and reconstruct objects through an abstracted lens.\r\n\r\nThe Oort Clouds series is a new body of work Kira has developed for The Future of Craft. This series takes inspiration from the shell of icy objects of the same name that are found on the outskirts of our solar system. These works bring together art, craft and science to create a series of unique glass objects that sit perfectly in any interior.\r\n\r\nKira was shortlisted for the Ashurst Emerging Artists Prize in 2019, has taken part in residencies in Stockholm and Edinburgh, and has exhibited globally, with a particular highlight being part of Emerge Bullseye 2018. She also has a BA (Hons) in Fine Art from Central St Martins and joined the Design-Nation portfolio in 2019.','Kira Phoenix K\'inan','','publish','closed','closed','','kira-phoenix-kinan','','','2020-08-18 17:29:39','2020-08-18 16:29:39','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1309',0,'makers','',0),(1310,7,'2020-08-18 17:31:58','2020-08-18 16:31:58','After the birth of her first son in 2009, in a quiet moment in her parent’s kitchen table in Norfolk, Pheasant Feather Art was born. Clare picked up a pheasant feather from her father’s stash, dipped it in his fountain pen inks and started \'\'doodling\'\'.\r\n\r\nClare took this idea back to Scotland, where she, her husband Charlie and their two small boys live. “I started painting chickens and friends’ dogs and people loved the result and suggested that I should do stationery and prints, so I did! I continued to listen to what my clients wanted and where possible put these ideas and my creations went into production. I now offer place mats, stationery, crockery and fabric. I have developed and am exploring collaborations into other exciting products”.\r\n\r\n&nbsp;','Clare Brownlow','','publish','closed','closed','','clare-brownlow','','','2020-08-18 17:31:58','2020-08-18 16:31:58','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1310',0,'makers','',0),(1311,4,'2020-08-18 17:29:23','2020-08-18 16:29:23','','kiraphoenix-bw-kinanoortcloudportrait1','','inherit','open','closed','','kiraphoenix-bw-kinanoortcloudportrait1','','','2020-08-18 17:29:29','2020-08-18 16:29:29','',1309,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/kiraphoenix-bw-kinanoortcloudportrait1.jpg',0,'attachment','image/jpeg',0),(1312,4,'2020-08-18 17:31:20','2020-08-18 16:31:20','Laura Thomas is an award-winning textile artist and designer specialising in producing striking textiles for contemporary spaces. As an expert in woven textiles, Laura has always been thoroughly absorbed by its infinite scope for exploration and experimentation, whether in colour and line, woven and unwoven principles, or the juxtaposition of hard and soft materials.\r\n\r\nLaura has a first-class degree, an MA from the Royal College of Art and two research fellowships under her belt, all in the weave discipline. Laura established her studio practice in South Wales in 2003, and has worked on an extremely diverse range of projects spanning public art, commercial textile design, curation, artist residencies and creating work for exhibition.\r\n\r\nThis breadth of practice and multi-faceted approach has made her somewhat unusual in the woven textiles sphere. Whether it be site-specific textile art laminated in glass or contract upholstery design, underpinning all of Laura’s work is an inherent practical curiosity to exploit weave principles, celebrate the beauty of yarns and create striking aesthetics for this ancient craft.\r\n\r\nLaura joined the Design-Nation portfolio in 2019.','Laura Thomas','','publish','closed','closed','','laura-thomas','','','2020-08-18 17:31:20','2020-08-18 16:31:20','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1312',0,'makers','',0),(1313,7,'2020-08-18 17:30:24','2020-08-18 16:30:24','','lcwpurdeyclare-brownlow','','inherit','open','closed','','lcwpurdeyclare-brownlow','','','2020-08-18 17:30:43','2020-08-18 16:30:43','',1310,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwpurdeyclare-brownlow.jpg',0,'attachment','image/jpeg',0),(1314,4,'2020-08-18 17:30:38','2020-08-18 16:30:38','','laura-laura-thomas-bwdesign-nation-memberwwwdesignnationcoukphoto-by-mohamed-hassan','','inherit','open','closed','','laura-laura-thomas-bwdesign-nation-memberwwwdesignnationcoukphoto-by-mohamed-hassan','','','2020-08-18 17:31:06','2020-08-18 16:31:06','',1312,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/laura-laura-thomas-bwdesign-nation-memberwwwdesignnationcoukphoto-by-mohamed-hassan.jpg',0,'attachment','image/jpeg',0),(1315,4,'2020-08-18 17:33:05','2020-08-18 16:33:05','Rachel Fitzpatrick works at the interface between art and design. She uses a variety of tactile materials to create wonderfully playful one-off installations and limited edition pieces, for corporate and private interiors and special events.\r\n\r\nFrom her County Down base in Northern Ireland Rachel travels the world creating and producing work for international clients, through commissions for both private homes and commercial ventures. She has installed sculptures and other commissions in a wide variety of settings including car manufacturer Peugeot’s flagship showrooms in Paris and Berlin, Velcro Ltd UK and New York’s luxury 5th Avenue store Bergdorf Goodman. Rachel was commissioned to produce lighting sculptures by a Los Angeles based design agency for Hollywood A-listers, and been showcased by the European Cultural Centre during Venice Architecture Biennale.\r\n\r\nRachel is on the board of Craft NI and joined Design-Nation in 2019.','Rachel Fitzpatrick','','publish','closed','closed','','rachel-fitzpatrick','','','2020-08-18 17:33:05','2020-08-18 16:33:05','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1315',0,'makers','',0),(1316,7,'2020-08-18 17:35:16','2020-08-18 16:35:16','Fflur Owen studies the mesmerising textures within the natural world and then captures this beauty in her work. She fuses leather with other organic materials, hand building forms and patterns that embody nature and our relationship with the natural world. Fflur’s work focuses on the impact we have on landscapes as well as wildlife, hopefully making the viewer question what they can do to preserve it.\r\n\r\nOrganic and instinctive; one piece of work often leads to the next. In the absence of a template, her ideas take shape in the coordinated activities of eyes, ears, hands, and tools. Within the making process, Fflur responds, develops and adapts her techniques depending on the shape or form. Each individual hand sculpted piece has thousands of leather disks meticulously placed to form complex textured patterns.','Fflur Owen','','publish','closed','closed','','fflur-owen','','','2020-08-18 17:35:16','2020-08-18 16:35:16','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1316',0,'makers','',0),(1317,4,'2020-08-18 17:32:34','2020-08-18 16:32:34','','rachel-fitzpatrick-bw-portrait','','inherit','open','closed','','rachel-fitzpatrick-bw-portrait','','','2020-08-18 17:32:43','2020-08-18 16:32:43','',1315,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rachel-fitzpatrick-bw-portrait.jpeg',0,'attachment','image/jpeg',0),(1318,7,'2020-08-18 17:33:45','2020-08-18 16:33:45','','Photographed by Alun Callender as part of his Cockpit Arts Pop-up Studio project','Photographed by Alun Callender as part of his Cockpit Arts Pop-up Studio project','inherit','open','closed','','photographed-by-alun-callender-as-part-of-his-cockpit-arts-pop-up-studio-project','','','2020-08-18 17:34:32','2020-08-18 16:34:32','',1316,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwcockpit-artsfflur-owenalun-callender.jpg',0,'attachment','image/jpeg',0),(1319,4,'2020-08-18 17:35:19','2020-08-18 16:35:19','Use of strong colour is key to the beauty of Coucou Manou’s designs. Designer and maker Nell Beale says, “I love pattern and colour. More and more I seem to use the pieces I design as canvasses. Colour has always been hugely important to me throughout my life, from the clothes that I picked as a teenager to the way I decorate my own house. When I see a particular colour, it can make me really nostalgic. I love playing with colour schemes and I want to make beautiful things that make people go wow.”\r\n\r\nBased near Bath, Coucou Manou makes unusual and striking furniture, often to order, using a mix of veneered sheet materials, solid timbers and Valchromat. The latter is a high quality high-density fibre board that is created ecologically from existing wood waste, dyed throughout so that the colour is solid. The transformation of these materials relies on the use of CNC machines to produce pattern, shapes and form. The pieces start from Nell’s original detailed drawings, which are transformed into plans for CNC  precision-cutting and routing. Nell works closely with her local CNC company, specifying, discussing and carefully assessing the possibilities and pitfalls, and developing solutions for any issues. After cutting, the various components come back to her rural workshop, where she is meticulous in use of her cabinet making skills to join, sand, hand assemble, paint and finish each piece of furniture.\r\n\r\nNell was part of Crafts Council’s Injection programme in 2015 and joined the Design-Nation portfolio in 2017.','Nell Beale','','publish','closed','closed','','nell-beale','','','2020-08-18 17:35:19','2020-08-18 16:35:19','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1319',0,'makers','',0),(1320,4,'2020-08-18 17:34:55','2020-08-18 16:34:55','','nell-beale-bw-coucou-manou-portrait','','inherit','open','closed','','nell-beale-bw-coucou-manou-portrait','','','2020-08-18 17:35:08','2020-08-18 16:35:08','',1319,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/nell-beale-bw-coucou-manou-portrait.jpg',0,'attachment','image/jpeg',0),(1321,4,'2020-08-18 17:45:36','2020-08-18 16:45:36','London-based designer Nick Rawcliffe trades as Raw Studio and makes a variety of objects, created through his own holistic design approach. As well as innovative contemporary lighting and chairs, Nick has created hand-finished games sets, shelves and other domestic items, as well as installations for restaurants and stand-alone pavilions, which he has shown at Chelsea Flower Show in previous years.\r\n\r\nNicks hopes his Hive hanging chair will live to be a future classic: looking timeless but offering so much more when sat in and used. It evolved from a real project he worked on at the Bauhaus in Dessau, creating 3D space from 2D shapes and folding down flat. Other works use charred timber, steel, plaster and jesmonite. Nick works in a studio in Woolwich surrounded by like-minded individuals. New materials and natural textures inspire him the most. He sees material choice as fluid within his design approach, so he is not wedded to any particular material.\r\n\r\nNick believes that relating to your niche to build lasting loyalty is a really important factor for craft practice in general in the future. His own aspirations for the next five years include constantly pushing out innovative, new pieces across a variety of materials and generating 1000 true fans. Nick joined Design-Nation in 2018.','Nick Rawcliffe','','publish','closed','closed','','nick-rawcliffe','','','2020-08-18 17:45:36','2020-08-18 16:45:36','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1321',0,'makers','',0),(1322,7,'2020-08-18 17:38:10','2020-08-18 16:38:10','An influential and inspiring innovator, artist and polymath Annie Sherburne makes colourful jewellery creations juxtaposing vintage stones with unusual ready-made figures, which she combines and remodels into modern, contemporary pieces.The vintage components date from twentieth century Czechoslovakia and were bought by her late husband in the 1980s for the couple’s shops on Portobello Road and in Kensington’s Hyper Hyper.\r\n\r\nAfter pioneering felt making in the 1980s as well as designing and making hats, buttons and wooden jewellery for fashion designer Jean Muir, Sherburne has also since the 1990s become one of Britain’s foremost proponents of sustainable textiles. She has been developing materials such as recycled yarn, which she weaves with wool and linen into one-off collectable rugs for floors and walls. Her work is held in many private and public collections, among them the Crafts Council, V&amp;A, British Council, Whitworth Art Gallery Manchester and the Musée des Arts Décoratifs Paris. She has been a maker member of Contemporary Applied Arts since 1995.\r\n\r\nSherburne studied fashion and textiles at St Martins School of Art and Goldsmiths College and obtained a Master’s in Sustainable Design at Kingston University.','Annie Sherburne','','publish','closed','closed','','annie-sherburne','','','2020-08-18 17:38:10','2020-08-18 16:38:10','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1322',0,'makers','',0),(1323,7,'2020-08-18 17:37:21','2020-08-18 16:37:21','','lcwcontemporary-applied-artsanniesherburnemax-barstow','','inherit','open','closed','','lcwcontemporary-applied-artsanniesherburnemax-barstow','','','2020-08-18 17:37:44','2020-08-18 16:37:44','',1322,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lcwcontemporary-applied-artsanniesherburnemax-barstow.jpg',0,'attachment','image/jpeg',0),(1324,7,'2020-08-18 17:41:14','2020-08-18 16:41:14','Colour, form and texture are the hallmarks of Julia’s designs. Sourcing gemstones of exceptional and unusual colour, she is bold in mixing stones. Julia’s love of the sea is expressed in her new pieces, especially her latest necklaces, reflecting the inspiration of pebbles and matching up stones to create an awesome, tactile effect. Her aquamarine and green sapphire cluster earrings are inspired by her love of nature’s colours. Julia often uses a textured, hammered finish or fine line engraving. This technique is superbly effective with her renowned Paraiba tourmalines. Her hand polished finish gives the gold a warm, timeless feel.','Julia Lloyd George','','publish','closed','closed','','julia-lloyd-george','','','2020-08-18 17:41:14','2020-08-18 16:41:14','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1324',0,'makers','',0),(1325,7,'2020-08-18 17:40:33','2020-08-18 16:40:33','','julialloydgeorgeoctober04201827','','inherit','open','closed','','julialloydgeorgeoctober04201827','','','2020-08-18 17:40:47','2020-08-18 16:40:47','',1324,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/julialloydgeorgeoctober04201827.jpg',0,'attachment','image/jpeg',0),(1326,4,'2020-08-18 17:45:14','2020-08-18 16:45:14','','nick-rawcliffe-bw-portrait','','inherit','open','closed','','nick-rawcliffe-bw-portrait','','','2020-08-18 17:45:28','2020-08-18 16:45:28','',1321,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/nick-rawcliffe-bw-portrait.jpg',0,'attachment','image/jpeg',0),(1327,4,'2020-08-18 17:46:49','2020-08-18 16:46:49','London-based Alan Oliver is an established handweaver and dyer who specialises in making rugs and wallhangings. His work explores ideas of identity and place through the use of traditional craft practices and the use of natural dyes made from foraged materials.\r\n\r\nWhile undertaking his Textile Design MA at Chelsea College of Arts, Alan’s research led him to understand that inherently present within all traditionally produced textiles is an identity of place, which relates to both locality, and the sense of individual and communal identity gained through the practice of traditional textile crafts. These ideas remain the central themes of his work. Many of his pieces reference his own locality in London, through use of natural dyes made from materials that he forages for locally, and also by placing his work in a historical and cultural context, informed by his own personal experience and sense of identity as a weaver.\r\n\r\nAlan’s practice is guided by his environment and as such sustainability is one of his key concerns. All of the fibres he uses are natural and come from reputable and accredited sources where possible, and he makes his dyes and mordants from safe, natural and sustainable materials. Alan believes that future of craft lies in sustainable design, through the unique relationship makers have with the work they produce and their involvement in so many aspects of the production process.\r\n\r\nAlan has been a been a member of Design-Nation since early 2019 and his work has been displayed in exhibitions at the Barbican, Joanna Bird Gallery London and Ruthin Craft Centre.','Alan Oliver','','publish','closed','closed','','alan-oliver','','','2020-08-18 17:46:49','2020-08-18 16:46:49','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1327',0,'makers','',0),(1328,4,'2020-08-18 17:46:26','2020-08-18 16:46:26','','alan-oliver-bw-portrait-with-acid-green-fade-crop','','inherit','open','closed','','alan-oliver-bw-portrait-with-acid-green-fade-crop','','','2020-08-18 17:46:40','2020-08-18 16:46:40','',1327,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/alan-oliver-bw-portrait-with-acid-green-fade-crop.jpg',0,'attachment','image/jpeg',0),(1329,4,'2020-08-18 17:48:22','2020-08-18 16:48:22','Kate Hollowood is a designer, maker, tinkerer and thinker, creating bespoke handmade materials and lighting in her studio in Leamington Spa. Kate creates a spectrum of lighting solutions, blending colour and texture, bending shape and form. She says, “How we perceive light and colour depends on both what we can and can’t see. Crafting isn\'t just about the end product it\'s about the often hidden processes behind it, and it is deeply personal.”\r\n\r\nKate developed \'Matrix\', her trademark composite material during the final year of her Textile Design degree at Birmingham City University. Inspired by the spectacular skylines and architecture of London and New York, this collection has a LoFi, modern, sophisticated aesthetic.\r\n\r\nKate spends hours playing with materials and experimenting in her garage studio, carefully saving all her waste materials from each project and incorporating them into new ideas. For her, craft is about big ideas that literally light up and fill the room, but played out as small scale production with a very personal approach. The Matrix Lights are fun, bold and playful - as is Kate’s approach to design and indeed life.\r\n\r\nKate sees the future as being where designer and customer are equals, and their dialogue makes space to co-create and experience the full life of a product. She believes that her lighting ‘lives a new life’ in every new environment it explores. Kate values the way in which customers for her bespoke solutions bring new ideas and new life to any collaboration. Kate exhibits widely at trade and retail craft showcases and joined the Design-Nation network in 2016.\r\n\r\n&nbsp;','Kate Hollowood','','publish','closed','closed','','kate-hollowood','','','2020-08-18 17:48:22','2020-08-18 16:48:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1329',0,'makers','',0),(1330,4,'2020-08-18 17:48:11','2020-08-18 16:48:11','','kate-hollowood','','inherit','open','closed','','kate-hollowood','','','2020-08-18 17:48:15','2020-08-18 16:48:15','',1329,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/kate-hollowood.jpeg',0,'attachment','image/jpeg',0),(1331,4,'2020-08-18 17:49:51','2020-08-18 16:49:51','Cas Pollen is a designer working in the unique field of Verre Eglomise, the process of gilding precious metals on the reverse side of clear glass creating a soft mirrored effect.\r\n\r\nHer degree in Decorative Arts at City and Guilds London Art School lead her on to apprenticeships in both restoration and gilding.\r\n\r\nOver the years her craft has taken her to restoring Gilded 18th century rooms in Madrid, to setting up a furniture paint workshop in Ho Chi Min,Vietnam.\r\n\r\nShe is now based in NW London where she produces exquisite decorative glass panels and bespoke Mirrors for interior designers and individual private commissions.\r\n\r\nThe beauty of this ancient medium is that it can be used to enliven any glass surface with a luminous, etheral quality and transform a space dramatically.\r\n\r\nCas has used Eglomise in a variety of ways, both modern and classic, with many diverse applications including curved ceilings, rooms of glass and tabletops.','Cas Pollen','','publish','closed','closed','','cas-pollen','','','2020-08-18 17:49:51','2020-08-18 16:49:51','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1331',0,'makers','',0),(1332,4,'2020-08-18 17:49:15','2020-08-18 16:49:15','','cas-pollen','','inherit','open','closed','','cas-pollen','','','2020-08-18 17:49:28','2020-08-18 16:49:28','',1331,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/cas-pollen.jpg',0,'attachment','image/jpeg',0),(1333,4,'2020-08-18 17:52:17','2020-08-18 16:52:17','From the founders of Baines &amp; Fricker is Unit 3, a collection of unique and limited edition furniture and home accessories. Fusing traditional woodworking craftsmanship with illustration and textiles, Unit 3\'s launch collection will debut at the London Design Festival, September \'19. Previously the founders have celebrated collections within Paul Smith, Liberty, Heals, Merci Paris and Room Service Design in Barcelona. Notable press include Vogue, Elle Decoration, Sunday Times the front cover of ES Magazine.','Unit 3','','publish','closed','closed','','unit-3','','','2020-08-18 17:58:58','2020-08-18 16:58:58','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1333',0,'makers','',0),(1334,4,'2020-08-18 17:51:31','2020-08-18 16:51:31','','unit-3','','inherit','open','closed','','baines-fricker-portraits-copyright-jim-stephenson-2019','','','2020-08-18 17:52:12','2020-08-18 16:52:12','',1333,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/unit-3.jpg',0,'attachment','image/jpeg',0),(1335,3,'2020-08-18 17:58:43','2020-08-18 16:58:43','Phoebe Cummings studied Three-Dimensional Crafts at the University of Brighton, before completing an MA in Ceramics at the Royal College of Art. She has undertaken a number of artist residencies worldwide, including six months as ceramics artist-in-residence at the Victoria and Albert Museum.\r\n\r\nHer work was acquired for the permanent collections of York Art Gallery, Southampton City Art Gallery and The Shipley in 2015 through the Contemporary Art Society’s Craft Acquisition Scheme. Cummings was awarded the second ceramics fellowship at Camden Arts Centre 2012, was the inaugural winner of the Woman’s Hour Craft Prize 2017 and was shortlisted for the Arts Foundation Awards 2018. In 2019 she was awarded an Honorary Doctorate from the University of Brighton and is Research Associate at the Ceramics Research Centre UK – University of Westminster.','Phoebe Cummings','','publish','closed','closed','','phoebe-cummings','','','2020-08-18 17:58:43','2020-08-18 16:58:43','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1335',0,'makers','',0),(1336,3,'2020-08-18 17:55:34','2020-08-18 16:55:34','','katrin-moye (1)','','inherit','open','closed','','katrin-moye-1','','','2020-08-18 17:55:50','2020-08-18 16:55:50','',1335,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/katrin-moye-1.jpg',0,'attachment','image/jpeg',0),(1337,3,'2020-08-18 17:57:29','2020-08-18 16:57:29','','phoebecummings-portrait-by-camilla-greenwell','','inherit','open','closed','','phoebecummings-portrait-by-camilla-greenwell','','','2020-08-18 17:57:49','2020-08-18 16:57:49','',1335,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/phoebecummings-portrait-by-camilla-greenwell.jpg',0,'attachment','image/jpeg',0),(1338,3,'2020-08-18 18:00:05','2020-08-18 17:00:05','Miesje Chafer is a screen printer, maker and embroidery artist based in Southsea, Hampshire. She hand prints fabric in bold, bright, geometric designs which she then uses to create a range of products including purses, cushions, eye pillows and hair accessories. In order to reduce waste as much as possible, Miesje started using her offcuts to create unique pieces of patchwork, which encapsulate her iconic bold style.\r\n\r\nMore recently, Miesje discovered her love of embroidery, which has led her to create not only her own embroidery kits but has also opened a whole new world of materials and processes with which she can create work. She has been exploring combining printing, patchwork and embroidery to produce one-off pieces of stitched work. Find more examples of Miesje’s work on her website.','Miesje Chafer','','publish','closed','closed','','miesje-chafer','','','2020-08-18 18:00:05','2020-08-18 17:00:05','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1338',0,'makers','',0),(1339,4,'2020-08-18 18:01:17','2020-08-18 17:01:17','Born into a Blacksmithing family, artist Rebecca Knott to uses her smithing skills to push the boundaries of this ancient craft to create contemporary functional service wear and sculptures. Constantly developing new processes, Rebecca treats the metal surface as a canvas, to explore texture, colour and contrast. Rebecca\'s collections have previously sold through The New Craftsman and featured on Michael Kor\'s \'at home with\' feature for AD Magazine in the USA.','Rebecca Knott','','publish','closed','closed','','rebecca-knott','','','2020-08-18 18:01:17','2020-08-18 17:01:17','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1339',0,'makers','',0),(1340,3,'2020-08-18 17:59:47','2020-08-18 16:59:47','','miesje-chafer','','inherit','open','closed','','miesje-chafer','','','2020-08-18 17:59:59','2020-08-18 16:59:59','',1338,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/miesje-chafer.jpg',0,'attachment','image/jpeg',0),(1341,3,'2020-08-18 18:01:13','2020-08-18 17:01:13','Breaking the traditional boundaries of craft, Stewart Francis Easton’s work fuses together hand embroidery, sonic art and music. Drawing upon and using folk song, story and social history as a starting point, Stewart works with the space and weight of story to create large-scale wall-based pieces which emphasise the passage of time within a single panel.\r\n\r\nStewart emphasises the need to create using the hand, as it is in this process that a connection is made with the story, allowing a slowing down and immersion in the moment. Stewart has had a number of solo and group shows both in the UK and USA. His work is part of private collections in the UK and Internationally.','Stewart Francis Easton','','publish','closed','closed','','stewart-francis-easton','','','2020-08-18 18:01:13','2020-08-18 17:01:13','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1341',0,'makers','',0),(1342,3,'2020-08-18 18:00:50','2020-08-18 17:00:50','','stewart-easton','','inherit','open','closed','','stewart-easton','','','2020-08-18 18:01:04','2020-08-18 17:01:04','',1341,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/stewart-easton.jpg',0,'attachment','image/jpeg',0),(1343,4,'2020-08-18 18:00:51','2020-08-18 17:00:51','','rebecca-knott','','inherit','open','closed','','rebecca-knott','','','2020-08-18 18:01:05','2020-08-18 17:01:05','',1339,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/rebecca-knott.jpg',0,'attachment','image/jpeg',0),(1344,3,'2020-08-18 18:02:21','2020-08-18 17:02:21','House of Quinn is a design practice creating narrative-based collections of work with a focus on traditional craft techniques and application. Founded by Julius Arthur in 2016, House of Quinn is a place for exploration in craft, making and design.\r\n\r\nThe foundation for Julius’ work has been informed by the craftsmanship, heritage and stories that can be found in the objects we might interact with every day, exploring the idea that these ephemera can become vessels for narrative. Julius brings inspiration from his rural upbringing, the landscape and folklore into his work, while also sourcing and foraging for textiles and renewed materials to become the basis of his collections. He works with the constraints of locally sourced materials and creates small-batch or unique objects for abode and dwelling.\r\n\r\nJulius Arthur is a designer, artist and maker who holds a Masters Degree in Fashion Design and Business Studies from the University of Brighton. He has exhibited work with Toast, Seasalt, Hole &amp; Corner and The New Craftsmen as well as featured in international press publications such as Elle Decoration, Kinfolk and Living etc','House of Quinn','','publish','closed','closed','','house-of-quinn','','','2020-08-18 18:02:21','2020-08-18 17:02:21','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1344',0,'makers','',0),(1345,4,'2020-08-18 18:04:12','2020-08-18 17:04:12','Following from a career in design working in-house for institutions such as Liberty, PIPÉT designs and produces the finest silk fashion accessories and interior fabrics from her base in Waterloo, London. Celebrated in publications such The Times, The Guardian and Elle Decoration– Clients are welcome to order seasonal collections direct from PIPÉT. Bespoke collections have been commissioned by the Royal Academy of Arts and the Fashion and Textile Museum.','GINA PIPÉT','','publish','closed','closed','','gina-pipet','','','2020-08-18 18:04:12','2020-08-18 17:04:12','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1345',0,'makers','',0),(1346,3,'2020-08-18 18:02:02','2020-08-18 17:02:02','','house-quinn','','inherit','open','closed','','house-quinn','','','2020-08-18 18:02:09','2020-08-18 17:02:09','',1344,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/house-quinn.jpeg',0,'attachment','image/jpeg',0),(1347,3,'2020-08-18 18:04:22','2020-08-18 17:04:22','Peter S Smith is a member of the Society of Wood Engravers and Fellow of the Royal Society of Painter-Printermakers (RE). His paintings and prints are exhibited in the UK and overseas, with works in public and private collections, including Tate Britain, the Ashmolean Oxford and the Fitzwilliam Cambridge.\r\n\r\nPeter has over 30 years’ experience in teaching the arts, including his role as the Head of the School of Art Design and Media at Kingston College. He currently has a studio at the St Bride Foundation, where he also teaches wood engraving workshops.','Peter S Smith','','publish','closed','closed','','peter-s-smith','','','2020-08-18 18:04:22','2020-08-18 17:04:22','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1347',0,'makers','',0),(1348,4,'2020-08-18 18:02:34','2020-08-18 17:02:34','','pipet','','inherit','open','closed','','pipet','','','2020-08-18 18:03:57','2020-08-18 17:03:57','',1345,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/pipet.jpg',0,'attachment','image/jpeg',0),(1349,4,'2020-08-18 18:07:34','2020-08-18 17:07:34','With a masters in textile design from Central Saint Martins, Louise Heighes continues to have a successful career as a textile designer for global fashion brands Chanel, Nike, Louis Vuitton to name a few. For 2020, Louise is launching her collection of crafted leather art works to private collectors and interior designers at The Future of Craft during London Craft Week. These works will be available as one off handmade originals to tessellated panelling for private residential and commercial spaces.','Louise Heighes','','publish','closed','closed','','louise-heighes','','','2020-08-18 18:07:34','2020-08-18 17:07:34','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1349',0,'makers','',0),(1350,3,'2020-08-18 18:05:06','2020-08-18 17:05:06','Mick Clayton has 50 years of experience in the print trade, having been a compositor for several national newspapers, including The Daily Mail, The Express, Sporting Life, Daily Mirror and The Times.\r\n\r\nHe began his six-year apprenticeship with Blades East &amp; Blades before working as journeyman for the likes of Waterlow’s Printers and the Mirror Group. He now works and volunteers for St. Bride, sharing his wealth of skills, knowledge and excellent anecdotes whilst bringing to life the history and heritage of the print trade and St Bride’s own fascinating and vital part in it.','Mick Clayton','','publish','closed','closed','','mick-clayton','','','2020-08-18 18:05:06','2020-08-18 17:05:06','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1350',0,'makers','',0),(1351,3,'2020-08-18 18:05:59','2020-08-18 17:05:59','Joe Dixon is a London-based bookbinding tutor and book restorer who co-manages the Bookends Bindery. He has been binding and repairing books for over 15 years. A producer of bespoke binding, he has focused more in recent years on the conservation of binding. A great deal of his work now involves lettering and tooling books and boxes.\r\n\r\nIf you would like to see some of the work he has produced and full details of courses, visit his website.','Joe Dixon','','publish','closed','closed','','joe-dixon','','','2020-08-18 18:05:59','2020-08-18 17:05:59','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1351',0,'makers','',0),(1352,4,'2020-08-18 18:06:02','2020-08-18 17:06:02','','Louise-Heighes','','inherit','open','closed','','in-studio','','','2020-08-18 18:07:26','2020-08-18 17:07:26','',1349,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/louise-heighes.jpg',0,'attachment','image/jpeg',0),(1353,3,'2020-08-18 18:09:06','2020-08-18 17:09:06','Edward Bodenham is the perfumery director and ninth-generation family member of Floris, the family-owned British perfume house, established in London in 1730.\r\n\r\nEdward grew up regularly visiting the perfumery to help blend fragrances with his grandfather and father. He would work on the shop floor and in the perfumery on the premises as a young man, later studying as an apprentice to his relatives and to the Floris in-house perfumer.\r\n\r\nAfter spending several years studying the outside world of perfumery, Edward followed in the steps of his forefathers and joined his father at Floris, where for over 25 years he has assisted in running the business. Edward has helped to create fragrances for a new generation of Floris customers, adding to the Floris repertoire of perfume making spanning almost 300 years.','Edward Bodenham','','publish','closed','closed','','edward-bodenham','','','2020-08-18 18:09:06','2020-08-18 17:09:06','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1353',0,'makers','',0),(1354,4,'2020-08-18 18:09:36','2020-08-18 17:09:36','London based and Scottish born, artist Lee Borthwick creates custom-made and site-specific natural artworks for residential, commercial and exterior spaces. Famed for her \'Mirrored Tapestries\', Lee\'s works have been showcased and retailed worldwide through the Hannah Peschar Sculpture Garden in Surrey, Cornell Art Museum in Delray Beach Florida, The Conran Shop London, Chariots on Fire in LA and Fortnum &amp; Mason London to name a mere few.','Lee Borthwick MA RCA','','publish','closed','closed','','lee-borthwick-ma-rca','','','2020-08-18 18:09:36','2020-08-18 17:09:36','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1354',0,'makers','',0),(1355,4,'2020-08-18 18:08:54','2020-08-18 17:08:54','','lee-borthwick','','inherit','open','closed','','lee-borthwick','','','2020-08-18 18:09:25','2020-08-18 17:09:25','',1354,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/lee-borthwick.jpg',0,'attachment','image/jpeg',0),(1357,4,'2020-08-18 18:11:09','2020-08-18 17:11:09','Within 3 years, contemporary furniture designer and maker Laurent Peacock has amassed four prestigious awards for his striking collections, including a coveted Bespoke Guild Mark. Fusing custom made surfaces and unexpected materials combinations to his fine bespoke cabinetry, Laurent produces works for private clients and galleries across the UK. Examples have been featured by trend bible WGSN, Furniture and Cabinetmaking Magazine and The Evening Standard.','Laurent Peacock','','publish','closed','closed','','laurent-peacock','','','2020-08-18 18:11:09','2020-08-18 17:11:09','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1357',0,'makers','',0),(1356,3,'2020-08-18 18:11:38','2020-08-18 17:11:38','Maria Hatling is an artist known for her mixed media paintings on canvas and paper. Her work is concerned with how we as human beings interact with each other. Mixing gestural abstraction with hard edge graphic elements and super-sized stitching, she has created a highly personal visual language. Her work has been exhibited internationally and is held in private collections in the UK, USA, Netherland and Norway.\r\n\r\nBorn in South Korea, adopted to Norway, Maria spent her childhood growing up in Norway before moving to the UK to study and work. Before focusing on painting, Maria worked as textile designer for more than ten years. As a textile designer she has worked on commissions for clients like Heals, Tate Modern and Tate Liverpool. Her textile work has been exhibited at the Fashion and Textile museum in London. Maria works from her studio at Cockpit Arts in Holborn, Central London.\r\n\r\n&nbsp;','Maria Hatling','','publish','closed','closed','','maria-hatling','','','2020-08-18 18:11:38','2020-08-18 17:11:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1356',0,'makers','',0),(1358,3,'2020-08-18 18:10:33','2020-08-18 17:10:33','','Maria Hatling portrait black and white','','inherit','open','closed','','maria-hatling-portrait-black-and-white','','','2020-08-18 18:10:48','2020-08-18 17:10:48','',1356,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/maria-hatling-portrait-black-and-white1.jpg',0,'attachment','image/jpeg',0),(1359,4,'2020-08-18 18:10:37','2020-08-18 17:10:37','','laurent-peacock-1','','inherit','open','closed','','laurent-peacock-1','','','2020-08-18 18:10:55','2020-08-18 17:10:55','',1357,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/laurent-peacock-1.jpg',0,'attachment','image/jpeg',0),(1360,4,'2020-08-18 18:13:08','2020-08-18 17:13:08','Kate Lewis is an internationally renowned textile designer for major global fashion houses such as Chanel, Dior, Louis Vuitton, Marc Jacobs (to name a mere few). In addition to her textile work, Kate also creates fine art and her first solo show launched in June 2019, titled \'The News Pressed\' sold out within 2 weeks at Marylebone\'s Railings Gallery. She continues to develop originals and editioned prints for this series and will launch further collections in 2020. Notable press includes London Art News and World of Interiors.','Kate Lewis','','publish','closed','closed','','kate-lewis','','','2020-08-18 18:13:08','2020-08-18 17:13:08','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1360',0,'makers','',0),(1361,3,'2020-08-18 18:13:37','2020-08-18 17:13:37','Helen Johannessen graduated from the Royal College of Art in 2017 Ceramics &amp; Glass and was awarded Franz Rising Star 2018 for her artworks in porcelain.\r\n\r\nShe regularly exhibits in the UK and internationally and is currently a Zsu Zsi Roboz Scholar at Morley College London.','Helen Johannessen','','publish','closed','closed','','helen-johannessen','','','2020-08-18 18:13:37','2020-08-18 17:13:37','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1361',0,'makers','',0),(1362,4,'2020-08-18 18:12:28','2020-08-18 17:12:28','','kate-lewis','','inherit','open','closed','','c-2019-dan-kennedy','','','2020-08-18 18:13:02','2020-08-18 17:13:02','',1360,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/kate-lewis.jpg',0,'attachment','image/jpeg',0),(1363,3,'2020-08-18 18:13:11','2020-08-18 17:13:11','','Helen Johannessen photographed for Ejing Zhang by Alun Callender','Helen Johannessen photographed for Ejing Zhang by Alun Callender','inherit','open','closed','','helen-johannessen-photographed-for-ejing-zhang-by-alun-callender','','','2020-08-18 18:13:29','2020-08-18 17:13:29','',1361,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/helen-johannessen-portrait.jpg',0,'attachment','image/jpeg',0),(1364,4,'2020-08-18 18:15:38','2020-08-18 17:15:38','Growing up in North Wales, Blott Kerr-Wilson began her career in shells when she created her first interior in her council flat bathroom in south east London. From here she won the ‘Design a Room’ competition run by The World of Interiors, which helped to launch her into a world of travel, bespoke artworks and home commissions. Her unique designs are informed by the mathematical nature of the shells, their shape and variety of colour.\r\n\r\n‘Blott Kerr-Wilson is the most innovative shell artist working today’ –Ingrid Thomas, author of The Shell, Thames &amp; Hudson.','Blott Kerr-Wilson','','publish','closed','closed','','blott-kerr-wilson','','','2020-08-18 18:15:38','2020-08-18 17:15:38','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1364',0,'makers','',0),(1365,3,'2020-08-18 18:15:25','2020-08-18 17:15:25','<h3>At once organic and ornate, spontaneous and stylised, Vanessa Hogge’s decorative wallflowers and vessels bring a unique textural and visual dimension to any wall or table.</h3>\r\n<h3></h3>\r\n<h3>Working in porcelain, Vanessa crafts her one-off flowerheads and vessels in her studio in Cockpit Arts Holborn. She takes an instinctive, visceral approach to each piece, painstakingly sculpting every petal and anther by hand so that no two flowers are identical.</h3>\r\n<h3></h3>\r\n<h3><a href=\"http://www.instagram.com/vanessahogge\" data-cke-saved-href=\"http://www.instagram.com/vanessahogge\">@vanessahogge</a></h3>','Vanessa Hogge','','publish','closed','closed','','vanessa-hogge','','','2020-08-18 18:15:25','2020-08-18 17:15:25','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1365',0,'makers','',0),(1366,4,'2020-08-18 18:14:15','2020-08-18 17:14:15','','blottedit','','inherit','open','closed','','blottedit','','','2020-08-18 18:14:21','2020-08-18 17:14:21','',1364,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/blottedit.jpg',0,'attachment','image/jpeg',0),(1367,3,'2020-08-18 18:15:09','2020-08-18 17:15:09','','vanessahogge','','inherit','open','closed','','vanessahogge','','','2020-08-18 18:15:19','2020-08-18 17:15:19','',1365,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/vanessahogge.jpg',0,'attachment','image/jpeg',0),(1368,3,'2020-08-18 18:17:49','2020-08-18 17:17:49','Specialising in wheel-thrown ceramics, multi award winning Jo Davies has produced and shown collections through world renowned institutions including the National Portrait Gallery, Yorkshire Sculpture Park to the Somerset House. Represented across UK galleries and retailers, Jo also stocks internationally in South Korea and the USA. Notable press includes Ceramic Review, Period Living and Living Etc.','Jo Davies','','publish','closed','closed','','jo-davies-2','','','2020-08-18 18:17:49','2020-08-18 17:17:49','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1368',0,'makers','',0),(1369,4,'2020-08-18 18:15:44','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2020-08-18 18:15:44','0000-00-00 00:00:00','',0,'https://lcw.hdksites.co.uk/?post_type=makers&p=1369',0,'makers','',0),(1370,3,'2020-08-18 18:16:40','2020-08-18 17:16:40','','jo-davies','','inherit','open','closed','','jo-davies-2','','','2020-08-18 18:17:11','2020-08-18 17:17:11','',1368,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/jo-davies.jpg',0,'attachment','image/jpeg',0),(1371,3,'2020-08-18 18:20:07','2020-08-18 17:20:07','Following an extensive career in enamelling, Janine Partington expands her portfolio to include hand carved and painted leather artworks. Janine was selected to launch her first series at Collect 2019, under the Crafts Council Collect Open programme. Following the success of this event, Janine now continues to develop new works alongside undertaking commissions for global brands. 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Traditional weaving techniques are combined with an energetic use of colour, pattern and material combinations to create contemporary, exclusive one-off pieces, both large and small. Works have previously been displayed and sold through New Ashgate Gallery, Bluecoat Display Centre and The Society of Designer Craftsmen.','Elizabeth Ashdown','','publish','closed','closed','','elizabeth-ashdown','','','2020-08-18 18:23:03','2020-08-18 17:23:03','',0,'https://lcw.hdksites.co.uk/?post_type=makers&#038;p=1375',0,'makers','',0),(1376,3,'2020-08-18 18:22:43','2020-08-18 17:22:43','','elizabeth-ashdown','','inherit','open','closed','','elizabeth-ashdown','','','2020-08-18 18:22:58','2020-08-18 17:22:58','',1375,'https://lcw.hdksites.co.uk/wp-content/uploads/2020/08/elizabeth-ashdown.jpg',0,'attachment','image/jpeg',0);
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CREATE TABLE `wp_term_taxonomy` (
  `term_taxonomy_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `term_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `taxonomy` varchar(32) COLLATE utf8mb4_unicode_520_ci NOT NULL DEFAULT '',
  `description` longtext COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `parent` bigint(20) unsigned NOT NULL DEFAULT '0',
  `count` bigint(20) NOT NULL DEFAULT '0',
  PRIMARY KEY (`term_taxonomy_id`),
  UNIQUE KEY `term_id_taxonomy` (`term_id`,`taxonomy`),
  KEY `taxonomy` (`taxonomy`)
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INSERT INTO `wp_wc_admin_notes` VALUES (1,'wc-admin-onboarding-email-marketing','info','en_US','Tips, product updates, and inspiration','We\'re here for you - get tips, product updates and inspiration straight to your email box','{}','unactioned','woocommerce-admin','2020-07-14 16:58:32',NULL,0,'plain','',0,'info'),(2,'wc-admin-marketing-intro','info','en_US','Connect with your audience','Grow your customer base and increase your sales with marketing tools built for WooCommerce.','{}','unactioned','woocommerce-admin','2020-07-14 16:58:32',NULL,0,'plain','',0,'info'),(3,'wc-admin-wc-helper-connection','info','en_US','Connect to WooCommerce.com','Connect to get important product notifications and updates.','{}','unactioned','woocommerce-admin','2020-07-14 16:58:33',NULL,0,'plain','',0,'info'),(4,'wc-admin-onboarding-profiler-reminder','update','en_US','Welcome to WooCommerce! Set up your store and start selling','We\'re here to help you going through the most important steps to get your store up and running.','{}','actioned','woocommerce-admin','2020-07-14 14:58:40',NULL,0,'plain','',0,'info'),(5,'wc-admin-mobile-app','info','en_US','Install Woo mobile app','Install the WooCommerce mobile app to manage orders, receive sales notifications, and view key metrics — wherever you are.','{}','unactioned','woocommerce-admin','2020-07-16 17:52:47',NULL,0,'plain','',0,'info'),(6,'wc-admin-orders-milestone','info','en_US','First order received','Congratulations on getting your first order! Now is a great time to learn how to manage your orders.','{}','unactioned','woocommerce-admin','2020-07-19 19:58:38',NULL,0,'plain','',0,'info'),(7,'wc-admin-usage-tracking-opt-in','info','en_US','Help WooCommerce improve with usage tracking','Gathering usage data allows us to improve WooCommerce. Your store will be considered as we evaluate new features, judge the quality of an update, or determine if an improvement makes sense. You can always visit the <a href=\"http://lcw.hdksites.co.uk/wp-admin/admin.php?page=wc-settings&#038;tab=advanced&#038;section=woocommerce_com\" target=\"_blank\">Settings</a> and choose to stop sharing data. <a href=\"https://woocommerce.com/usage-tracking\" target=\"_blank\">Read more</a> about what data we collect.','{}','unactioned','woocommerce-admin','2020-07-21 16:58:33',NULL,0,'plain','',0,'info'),(8,'wc-admin-store-notice-giving-feedback-2','info','en_US','Give feedback','Now that you’ve chosen us as a partner, our goal is to make sure we\'re providing the right tools to meet your needs. We\'re looking forward to having your feedback on the store setup experience so we can improve it in the future.','{}','unactioned','woocommerce-admin','2020-07-22 17:17:35',NULL,0,'plain','',0,'info'),(9,'wc-admin-home-screen-feedback','info','en_US','Help us improve the WooCommerce Home screen','We\'d love your input to shape the future of the WooCommerce Home screen together. Feel free to share any feedback, ideas or suggestions that you have.','{}','unactioned','woocommerce-admin','2020-07-26 17:00:14',NULL,0,'plain','',0,'info');
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INSERT INTO `wp_wc_customer_lookup` VALUES (1,1,'hdk_admin','Greig','Cooke','greig@wearehdk.com','2020-08-17 23:00:00','2020-07-14 15:54:47','GB','BN2 4RE','Brighton',''),(2,2,'nhart','Nick','Hart','nick@wearehdk.com','2020-08-17 23:00:00','2020-07-28 16:02:31','GB','SE11 4JJ','London','London');
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  `user_id` bigint(20) unsigned DEFAULT NULL,
  `user_ip_address` varchar(100) COLLATE utf8mb4_unicode_520_ci DEFAULT '',
  PRIMARY KEY (`download_log_id`),
  KEY `permission_id` (`permission_id`),
  KEY `timestamp` (`timestamp`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

CREATE TABLE `wp_wc_order_coupon_lookup` (
  `order_id` bigint(20) unsigned NOT NULL,
  `coupon_id` bigint(20) unsigned NOT NULL,
  `date_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `discount_amount` double NOT NULL DEFAULT '0',
  PRIMARY KEY (`order_id`,`coupon_id`),
  KEY `coupon_id` (`coupon_id`),
  KEY `date_created` (`date_created`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

CREATE TABLE `wp_wc_order_product_lookup` (
  `order_item_id` bigint(20) unsigned NOT NULL,
  `order_id` bigint(20) unsigned NOT NULL,
  `product_id` bigint(20) unsigned NOT NULL,
  `variation_id` bigint(20) unsigned NOT NULL,
  `customer_id` bigint(20) unsigned DEFAULT NULL,
  `date_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `product_qty` int(11) NOT NULL,
  `product_net_revenue` double NOT NULL DEFAULT '0',
  `product_gross_revenue` double NOT NULL DEFAULT '0',
  `coupon_amount` double NOT NULL DEFAULT '0',
  `tax_amount` double NOT NULL DEFAULT '0',
  `shipping_amount` double NOT NULL DEFAULT '0',
  `shipping_tax_amount` double NOT NULL DEFAULT '0',
  PRIMARY KEY (`order_item_id`),
  KEY `order_id` (`order_id`),
  KEY `product_id` (`product_id`),
  KEY `customer_id` (`customer_id`),
  KEY `date_created` (`date_created`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

INSERT INTO `wp_wc_order_product_lookup` VALUES (1,81,50,0,1,'2020-07-18 20:04:21',1,30,30,0,0,0,0),(7,878,804,807,2,'2020-08-13 13:58:09',1,0,0,0,0,0,0),(5,82,62,66,1,'2020-07-18 22:15:20',1,25,25,0,0,0,0);
CREATE TABLE `wp_wc_order_stats` (
  `order_id` bigint(20) unsigned NOT NULL,
  `parent_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `date_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `date_created_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `num_items_sold` int(11) NOT NULL DEFAULT '0',
  `total_sales` double NOT NULL DEFAULT '0',
  `tax_total` double NOT NULL DEFAULT '0',
  `shipping_total` double NOT NULL DEFAULT '0',
  `net_total` double NOT NULL DEFAULT '0',
  `returning_customer` tinyint(1) DEFAULT NULL,
  `status` varchar(200) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `customer_id` bigint(20) unsigned NOT NULL,
  PRIMARY KEY (`order_id`),
  KEY `date_created` (`date_created`),
  KEY `customer_id` (`customer_id`),
  KEY `status` (`status`(191))
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

INSERT INTO `wp_wc_order_stats` VALUES (81,0,'2020-07-18 20:04:21','2020-07-18 19:04:21',1,30,0,0,30,0,'wc-completed',1),(82,0,'2020-07-18 22:15:20','2020-07-18 21:15:20',1,25,0,0,25,1,'wc-completed',1),(878,0,'2020-08-13 13:58:09','2020-08-13 12:58:09',1,0,0,0,0,0,'wc-completed',2);
CREATE TABLE `wp_wc_order_tax_lookup` (
  `order_id` bigint(20) unsigned NOT NULL,
  `tax_rate_id` bigint(20) unsigned NOT NULL,
  `date_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `shipping_tax` double NOT NULL DEFAULT '0',
  `order_tax` double NOT NULL DEFAULT '0',
  `total_tax` double NOT NULL DEFAULT '0',
  PRIMARY KEY (`order_id`,`tax_rate_id`),
  KEY `tax_rate_id` (`tax_rate_id`),
  KEY `date_created` (`date_created`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

CREATE TABLE `wp_wc_product_meta_lookup` (
  `product_id` bigint(20) NOT NULL,
  `sku` varchar(100) COLLATE utf8mb4_unicode_520_ci DEFAULT '',
  `virtual` tinyint(1) DEFAULT '0',
  `downloadable` tinyint(1) DEFAULT '0',
  `min_price` decimal(19,4) DEFAULT NULL,
  `max_price` decimal(19,4) DEFAULT NULL,
  `onsale` tinyint(1) DEFAULT '0',
  `stock_quantity` double DEFAULT NULL,
  `stock_status` varchar(100) COLLATE utf8mb4_unicode_520_ci DEFAULT 'instock',
  `rating_count` bigint(20) DEFAULT '0',
  `average_rating` decimal(3,2) DEFAULT '0.00',
  `total_sales` bigint(20) DEFAULT '0',
  `tax_status` varchar(100) COLLATE utf8mb4_unicode_520_ci DEFAULT 'taxable',
  `tax_class` varchar(100) COLLATE utf8mb4_unicode_520_ci DEFAULT '',
  PRIMARY KEY (`product_id`),
  KEY `virtual` (`virtual`),
  KEY `downloadable` (`downloadable`),
  KEY `stock_status` (`stock_status`),
  KEY `stock_quantity` (`stock_quantity`),
  KEY `onsale` (`onsale`),
  KEY `min_max_price` (`min_price`,`max_price`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

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CREATE TABLE `wp_wc_reserved_stock` (
  `order_id` bigint(20) NOT NULL,
  `product_id` bigint(20) NOT NULL,
  `stock_quantity` double NOT NULL DEFAULT '0',
  `timestamp` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `expires` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  PRIMARY KEY (`order_id`,`product_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

CREATE TABLE `wp_wc_tax_rate_classes` (
  `tax_rate_class_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `name` varchar(200) COLLATE utf8mb4_unicode_520_ci NOT NULL DEFAULT '',
  `slug` varchar(200) COLLATE utf8mb4_unicode_520_ci NOT NULL DEFAULT '',
  PRIMARY KEY (`tax_rate_class_id`),
  UNIQUE KEY `slug` (`slug`(191))
) ENGINE=MyISAM AUTO_INCREMENT=3 DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

INSERT INTO `wp_wc_tax_rate_classes` VALUES (1,'Reduced rate','reduced-rate'),(2,'Zero rate','zero-rate');
CREATE TABLE `wp_wc_webhooks` (
  `webhook_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `status` varchar(200) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `name` text COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `user_id` bigint(20) unsigned NOT NULL,
  `delivery_url` text COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `secret` text COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `topic` varchar(200) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `date_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `date_created_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `date_modified` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `date_modified_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `api_version` smallint(4) NOT NULL,
  `failure_count` smallint(10) NOT NULL DEFAULT '0',
  `pending_delivery` tinyint(1) NOT NULL DEFAULT '0',
  PRIMARY KEY (`webhook_id`),
  KEY `user_id` (`user_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

CREATE TABLE `wp_woocommerce_api_keys` (
  `key_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `user_id` bigint(20) unsigned NOT NULL,
  `description` varchar(200) COLLATE utf8mb4_unicode_520_ci DEFAULT NULL,
  `permissions` varchar(10) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `consumer_key` char(64) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `consumer_secret` char(43) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `nonces` longtext COLLATE utf8mb4_unicode_520_ci,
  `truncated_key` char(7) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `last_access` datetime DEFAULT NULL,
  PRIMARY KEY (`key_id`),
  KEY `consumer_key` (`consumer_key`),
  KEY `consumer_secret` (`consumer_secret`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

CREATE TABLE `wp_woocommerce_attribute_taxonomies` (
  `attribute_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `attribute_name` varchar(200) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `attribute_label` varchar(200) COLLATE utf8mb4_unicode_520_ci DEFAULT NULL,
  `attribute_type` varchar(20) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `attribute_orderby` varchar(20) COLLATE utf8mb4_unicode_520_ci NOT NULL,
  `attribute_public` int(1) NOT NULL DEFAULT '1',
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  KEY `attribute_name` (`attribute_name`(20))
) ENGINE=MyISAM AUTO_INCREMENT=5 DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_520_ci;

INSERT INTO `wp_woocommerce_attribute_taxonomies` VALUES (1,'dates','Date','select','menu_order',0),(2,'times','Time','select','menu_order',0),(3,'event-type','Event type','select','menu_order',0),(4,'event-details','Event details','select','menu_order',0);
CREATE TABLE `wp_woocommerce_downloadable_product_permissions` (
  `permission_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `download_id` varchar(36) COLLATE utf8mb4_unicode_520_ci NOT NULL,
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CREATE TABLE `wp_woocommerce_shipping_zone_methods` (
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